PARTITIONS GRATUITES :
- Rift

Cello; String Trio; Viola; Violin

SKU: HL.238304

Score. Composed by Henrik Hellstenius. Music Sales America. Classical. Softcover. Composed 2017. 14 pages. Edition Wilhelm Hansen #WH32972. Published by Edition Wilhelm Hansen (HL.238304).

ISBN 9788759839584. 10.25x14.5x0.43 inches. English.

Rift for String Trio by Henrik Hellstenius . Commissioned by Jakob Kullberg and written for Trio Aristo, 2014.

Parts Strings - Grade 5

SKU: HL.243784

Violin, Viola, Cello Parts. Composed by Henrik Hellstenius. Music Sales America. Classical. Set of Parts. Composed 2017. 24 pages. Edition Wilhelm Hansen #WH32972A. Published by Edition Wilhelm Hansen (HL.243784).

ISBN 9788759893685. 9.5x14.0 inches. English.

Set of parts for Rift for String Trio by Henrik Hellstenius. Commissioned by Jakob Kullberg and written for Trio Aristo, 2014.

(HC)

SKU: HL.49032996

Carl Maria von Weber als Schriftsteller. Composed by Jaiser. This edition: Hardback/Hard Cover. Book. Edition Schott. Umfassende wissenschaftliche Untersuchung von Webers schriftstellerischer Tatigkeit mit erstmaliger quellenkritischer Edition der Fragmente Tonkunstlers Leben. 265 pages. Schott Music #ED 9296. Published by Schott Music (HL.49032996).

ISBN 9783795703820. German.

Webers umfangreiches schriftstellerisches Werk spiegelt nicht nur die asthetischen Positionen des Komponisten im Verhaltnis zu seinen Zeitgenossen wider. Vielmehr stehen seine Schriften in einer komplexen formalen und inhaltlichen Beziehung zu den musikalischen Werken und sind somit fur das Verstandnis der Kunstlerpersonlichkeit Weber unverzichtbar. Dieser Band behandelt alle Bereiche seiner schriftstellerischen Arbeit; auch Briefe und Tagebucher, die zahlreiche Verbindungen zu den Schriften aufweisen, werden einbezogen. Im Mittelpunkt stehen die Fragmente zum Roman 'Tonkunstlers Leben', die als kunstlerisches Manifest interpretiert werden konnen.

Vocal (singing voice)

SKU: BA.BA05722

Edited by Raffaella Camilot-Oswald. This edition: Complete edition. Paperback. Monumenta Monodica Medii Aevi, Subsidia 2/1. Complete edition, anthology. 115 pages. Baerenreiter Verlag #BA05722_00. Published by Baerenreiter Verlag (BA.BA05722).

ISBN 9790006496914. 24 x 17 cm inches.

Monumenta Monodica Medii Aevi, Subsidia. Teilband 1: Einleitung, Handschriftenbeschreibung .

(1988)

SKU: HL.49008420

Edited by Staatliches Institut fuer Musikforschung Preussischer Kulturbesitz. This edition: Full-cloth binding. Book. Edition Schott. Classical. 705 pages. Schott Music #ED 9454. Published by Schott Music (HL.49008420).

ISBN 9783795714888. German.

Die BMS wurde im Jahre 1936 vom Staatlichen Institut fur deutsche Musikforschung in Berlin begrundet mit dem Ziel, die in aller Welt erscheinende Literatur uber Musik fortlaufend zu verzeichnen; sie setzte damit die bibliographischen Ubersichten des Jahrbuches der Musikbibliothek Peters fort. Die BMS wurde zunachst von Kurt Taut, dann von Georg Karstadt herausgegeben und bei Friedrich Hofmeister in Leipzig verlegt (Leipzig: Hofmeister, 1936-1941 [Bande 1.1936 bis 4.1939]). Nach einer Berichtszeit von vier Jahren musste die BMS ihr Erscheinen kriegsbedingt einstellen. Die Wiederaufnahme des bibliographischen Unternehmens nach dem Weltkrieg ist dem Musikwissenschaftler und Bibliothekar Wolfgang Schmieder zu verdanken. Im Auftrag des neu konstituierten Instituts fur Musikforschung brachte er im Jahr 1954 einen ersten neuen Band mit dem Berichtszeitraum 1950/51 heraus. Seitdem wird das Werk kontinuierlich als eigenstandige Publikation des Staatlichen Instituts fur Musikforschung fortgesetzt. Als letzter Band in Printform erschien 2001 der Band fur das Jahr 1988 (Frankfurt am Main: Hofmeister, 1954-1968 [Bande 1.1950/51 bis 6.1960], Mainz: Schott, 1969-2001 [Bande 1961 bis 1988, ohne Zahlung]). Seit 1968 arbeitet die bibliographische Redaktion des Instituts auch als deutsche Redaktion fur RILM Abstracts of Music Literature. Heute findet sich die Bibliographie des Musikschrifttums online unter musikbibliographie.de wieder.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3

SKU: CF.CAS113

Composed by Bruce W. Tippette. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 16+4+16+10+10+10+3+12 pages. Duration 3 minutes, 50 seconds. Carl Fischer Music #CAS113. Published by Carl Fischer Music (CF.CAS113).

ISBN 9781491151327. UPC: 680160908820. 9 x 12 inches. Key: E minor.

Composed by Bruce W. Tippette, Drifting?utilizes musical passages to allude to the image of something drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters.
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3

SKU: CF.CAS113F

Composed by Bruce W. Tippette. Concert String Orchestra (CAS). Full score. With Standard notation. 12 pages. Carl Fischer Music #CAS113F. Published by Carl Fischer Music (CF.CAS113F).

ISBN 9781491151693. UPC: 680160909193. 9 x 12 inches.

Composed by Bruce W. Tippette, Drifting?utilizes musical passages to allude to the image of something drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters.
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting< /em> opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians