| Shakedown Chorale 3 parties SAB, Piano Hal Leonard
Choral (SAB Choir) SKU: HL.346022 By Bob Seger. By Bob Seger, Harold Falt...(+)
Choral (SAB Choir)
SKU: HL.346022 By
Bob Seger. By Bob Seger,
Harold Faltermeyer, and
Keith Forsey. Arranged by
Mac Huff. Pop Choral
Series. Eighties, Movies,
Pop, Rock. Octavo.
Duration 200 seconds.
Published by Hal Leonard
(HL.346022). UPC:
840126921625.
6.75x10.5x0.036
inches. $2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Shakedown Fanfare [Conducteur et Parties séparées] - Intermédiaire Arrangers' Publishing Company
By Bob Seger. Arranged by Tom Wallace. Arrangers' Publ Marching Band. P...(+)
By Bob Seger. Arranged by
Tom
Wallace. Arrangers'
Publ
Marching Band. Pop.
Softcover. Published by
Arrangers'
Publishing Company
$70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Shakedown Chorale 2 parties Hal Leonard
Choral (2-Part) SKU: HL.346023 By Bob Seger. By Bob Seger, Harold Falterm...(+)
Choral (2-Part) SKU:
HL.346023 By Bob
Seger. By Bob Seger,
Harold Faltermeyer, and
Keith Forsey. Arranged by
Mac Huff. Pop Choral
Series. Eighties, Movies,
Pop, Rock. Octavo.
Duration 200 seconds.
Published by Hal Leonard
(HL.346023). UPC:
840126921632.
6.75x10.5x0.036
inches. $2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Shakedown Chorale SATB Hal Leonard
Choral (SATB) SKU: HL.346021 By Bob Seger. By Bob Seger, Harold Faltermey...(+)
Choral (SATB) SKU:
HL.346021 By Bob
Seger. By Bob Seger,
Harold Faltermeyer, and
Keith Forsey. Arranged by
Mac Huff. Pop Choral
Series. Eighties, Movies,
Pop, Rock. Octavo.
Duration 200 seconds.
Published by Hal Leonard
(HL.346021). UPC:
840126921618.
6.75x10.5x0.036
inches. $2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bach: Wenn ich einmal soll scheiden; Hassler: Befiehl du deine Wege Carus Verlag
SKU: CA.622800 Composed by Hans Leo Hassler and Johann Sebastian Bach. Ge...(+)
SKU: CA.622800
Composed by Hans Leo
Hassler and Johann
Sebastian Bach. German
title: Wenn Ich Einmal
Soll Scheiden (2). Sacred
vocal music, Hymn
settings, End of the
church year, Lent and
Passiontide, Mourning,
death. Full score. Carus
Verlag #CV 06.228/00.
Published by Carus Verlag
(CA.622800). ISBN
9790007011802. $1.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Asbjorn Schaathun: Musical Grafitti Nr. 2 Music Sales
Chamber Ensemble SKU: HL.14022412 Composed by Asbjorn Schaathun. Music Sa...(+)
Chamber Ensemble SKU:
HL.14022412 Composed
by Asbjorn Schaathun.
Music Sales America.
Classical. Score. 72
pages. Music Sales
#KP00754. Published by
Music Sales
(HL.14022412). ISBN
9788759858646.
English-Danish. MUS
ICAL GRAFITTI(II)In
Musical Grafitti(II),
virtuoso drawings for
amplified piano, large
ensemble and tape with
cosmic sounds, von den
herrn Asberion Ska-tune
(1983-84), Schaathun is
particularly concerned
about investigating the
relationship between
various kinds of
compositional techniques
and their actual
influence on the sound
image, and therebye on
the musical language.
Thus is Musical Grafitti
about different settings
of the same musical
gesture, which are
presented in the
initializing Formula. At
the same time Formula
serves as a model for the
progression of the entire
piece on various
levels.The
computer-program
SCHAATON, written
especially for this work
by Swedish composer Bo
Rydberg, governs the
relative intervallic
relationship in the first
extensive piano
exposition. In this part
of the piece, the
computer establishes the
chordal focal points of
the work, thus rather
paradoxically making
itself redundant.The
brief tape interpolations
and the long ending
consist of cosmic noise
recorded by a satelite.
This noise symbolizes the
outermost edge of the
musical continuum
Schaathun is seeking to
describe: from white
noise to music
characterized by an
advanced syntax. To
compose is to control a
defined continuum of
sound. In this piece the
control is represended by
the Formula.The piece may
also be read as a big
prelude to Luciano Berios
points on the curve to
find... At one point
Schaathun's curve crosses
Berios curve, and the
contours become directly
involved in Berio's
instrumentation before
passing through and the
soloist disappears into
the coloured noise into
which the piece fades
away.(+ Fransk versjon
NMI). $70.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Asbjorn Schaathun: Actions Interpolations And Analyses (Score) Music Sales
Bass Clarinet and Orchestra SKU: HL.14001122 Composed by Asbjorn Schaathu...(+)
Bass Clarinet and
Orchestra SKU:
HL.14001122 Composed
by Asbjorn Schaathun.
Music Sales America.
Classical. Score. Music
Sales #KP00663. Published
by Music Sales
(HL.14001122). ISBN
9788759855669.
Danish. ACTIONS,
INTERPOLATIONS AND
ANALYSES, symphonies for
bass-clarinet and large
ensemble (1987-90), is
what is commonly termed a
work in progress. So far
Schaathun has completed
three of five parts. The
is the composer's first
large-scale attempt to
investigate possible
connections between
ostensibly unrelated
material. Explained in
simple terms, it involves
taking two of Schaathun's
own type of texture
(composed by means of
different techniques) and
letting them rotate
around a familiar musical
object (in this case a
short excerpt from
Stravinskij's Symphonies
of Wind instruments in
which he employs the
famous frozen chords). In
the course of the piece
the elements takes over
various characteristics
from one another and the
form progresses from
fairly clear-cut textures
to a situation where the
various textures are
superimposed, creating a
dramatic flow. On a more
advanced level, the piece
is about trying to
mediate between different
musical textures as
metaphors for the
different levels of the
sound itself. One of the
main questions in this
context is; What is size
in music? Is it possible
to take a small
chord(i.e. narrow
register, few
instruments, simple tone
colours) and then blow it
up (wide register, many
instruments, advanced
mixtures) in such a way
that the listener still
perceives it as the same
chord? You have simply
moved closer to the
sound. At any rate, when
Schaathun composed the
piece, he himself
travellig into the sound,
as if were viewing a
texture from a distance.
He then recomposed the
same situation and drew
closer, and then
recompose it a third time
and simply get close
enough to discover the
world of sounds that thus
emerged. A world of
sounds capable of
travelling at a
tremendous speed...
However, like all
concertos, the piece is
of course about the
individual and his
relationship to his
surroundings (society).
Schaathun has often
pondered on the reason
for this preoccupation
wih solo concertos. The
answer derives from his
firm conviction that
nothing would ever happen
if it weren't for the
initiative, the Action,
of the individual. $61.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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