PARTITIONS GRATUITES :
- Sid Ramin

Score and Parts. By Leonard Bernstein. Arranged by Sid Ramin. (Set). Boosey and Hawkes Concert Band. Published by Boosey & Hawkes.

Concert Band/Harmonie - Grade 4

SKU: BT.1540-08-140-MS

Composed by Bobby Vinton, Gene Allan, John F. Schroeder, M. Hawker, Ross Bagdasarian Jr., Sidney Ramin, Tony Velona, and William Saroyan. Arranged by Naohiro Iwai. New Sounds for Concert Band. Pop & Rock. Score Only. Composed 2008. 40 pages. Music Sales #1540-08-140 MS. Published by Music Sales (BT.1540-08-140-MS).

9x12 inches. English-German-French-Dut ch.

American Treat: an attractive medley with songs from the 1950s and 1960s written by Naohiro Iwai. Many styles are featured, including boogie, dixie and rock. A nostalgic treat! Content: Don’t Treat Me Like a Child _x0007_ Come on a My House _x0007_ Mr Lonely _x0007_ Music to Watch Girls by

Don’t Treat Me Like a Child • Come on a My House • Mr Lonely • Music to Watch Girls byAmerican Treat: een aantrekkelijke medley met songs uit de jaren vijftig en zestig. Verschillende stijlen komen aan bod, waaronder boogie,dixie en rock. Een nostalgische traktatie!

Don� �€™t Treat Me Like a Child • Mr Lonely • Music to Watch Girls by

Concert Band/Harmonie - Grade 4

SKU: BT.1540-08-010-MS

Composed by Bobby Vinton, Gene Allan, John F. Schroeder, M. Hawker, Ross Bagdasarian Jr., Sidney Ramin, Tony Velona, and William Saroyan. Arranged by Naohiro Iwai. New Sounds for Concert Band. Pop & Rock. Set (Score & Parts). Composed 2008. Music Sales #1540-08-010 MS. Published by Music Sales (BT.1540-08-010-MS).

9x12 inches. English-German-French-Dut ch.

American Treat: an attractive medley with songs from the 1950s and 1960s written by Naohiro Iwai. Many styles are featured, including boogie, dixie and rock. A nostalgic treat! Content: Don’t Treat Me Like a Child _x0007_ Come on a My House _x0007_ Mr Lonely _x0007_ Music to Watch Girls by

Don’t Treat Me Like a Child • Come on a My House • Mr Lonely • Music to Watch Girls byAmerican Treat: een aantrekkelijke medley met songs uit de jaren vijftig en zestig. Verschillende stijlen komen aan bod, waaronder boogie,dixie en rock. Een nostalgische traktatie!

Don� �€™t Treat Me Like a Child • Mr Lonely • Music to Watch Girls by

(Cash Flow -- Achieving Success in the Audio Industry). By Paul Terry, Tess Taylor, Steffen Franz, Gregory J. Gordon, and Steve Heithecker. Book; Books and DVDs; DVD; Pro Audio; Pro Audio Textbook; Reference Textbooks. Pyramind. 248 pages. Published by Alfred Music Publishing

(Signal Flow -- Fundamental Tools of Sound Production). By Matt Donner, Steve Heithecker, and George Peterson. Book; Books and DVDs; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. Pyramind Training Series. 248 pages. Published by Alfred Music Publishing

Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello

SKU: PR.11441690S

String Quartet No. 3. Composed by Shulamit Ran. Sws. Contemporary. Full score. With Standard notation. Composed March 9 2013. 32 pages. Duration 23 minutes. Theodore Presser Company #114-41690S. Published by Theodore Presser Company (PR.11441690S).

UPC: 680160626021. 9 x 12 inches.

Ran's third string quartet was written for the Pacifica Quartet, who are featuring it in numerous performances from May 2014 through February 2016, across the country and abroad. Their blog page dedicated to the work also features the composer's notes, for more indepth insight. ...impassioned solos emerge from ominous quiet, and high arpeggios in the violins quiver alongside the earthy cello. Ms. Ran skillfully deploys these extremes of color, volume and pitch, yet the overall somewhat chilly impression is one of poise. -- Zachary Woolfe, The New York Times.
My third string quartet was composed at the invitation of the Pacifica Quartet, whose music-making I have come to know closely and admire hugely as resident artists at the University of Chicago.  Already in our early conversations Pacifica proposed that this quartet might, in some manner, refer to the visual arts as a point of germination.  Probing further, I found out that the quartet members had special interest in art created during the earlier part of the 20th century, perhaps between the two world wars.  It was my good fortune to have met, a short while later, while in residence at the American Academy in Rome in the fall of 2011, art conservationist Albert Albano who steered me to the work of Felix Nussbaum (1904-1944), a German-Jewish painter who, like so many others, perished in the Holocaust at a young age, and who left some powerful, deeply moving art that spoke to the life that was unraveling around him. The title of my string quartet takes its inspiration from a major exhibit devoted to art by German artists of the period of the Weimar Republic (1919-1933) titled “Glitter and Doom: German Portraits from the 1920s”, first shown at New York’s Metropolitan Museum of Art in 2006-07.  Nussbaum would have been a bit too young to be included in this exhibit.  His most noteworthy art was created in the last very few years of his short life.  The exhibit’s evocative title, however, suggested to me the idea of “Glitter, Doom, Shards, Memory” as a way of framing a possible musical composition that would be an homage to his life and art, and to that of so many others like him during that era.  Knowing that their days were numbered, yet intent on leaving a mark, a legacy, a memory, their art is triumph of the human spirit over annihilation. Parallel to my wish to compose a string quartet that, typically for this genre, would exist as “pure music”, independent of a narrative, was my desire to effect an awareness in my listener of matters which are, to me, of great human concern.  To my mind there is no contradiction between the two goals.  As in several other works composed since 1969, this is my way of saying ‘do not forget’, something that, I believe, can be done through music with special power and poignancy.    The individual titles of the quartet’s four movements give an indication of some of the emotional strands this work explores. 1) “That which happened” (das was geschah) – is how the poet Paul Celan referred to the Shoah – the Holocaust.  These simple words served for me, in the first movement, as a metaphor for the way in which an “ordinary” life, with its daily flow and its sense of sweet normalcy, was shockingly, inhumanely, inexplicably shattered. 2) “Menace” is a shorter movement, mimicking a Scherzo.  It is also machine-like, incessant, with an occasional, recurring, waltz-like little tune – perhaps the chilling grimace we recognize from the executioner’s guillotine mask.  Like the death machine it alludes to, it gathers momentum as it goes, and is unstoppable. 3) â� ��If I must perish - do not let my paintings die”; these words are by Felix Nussbaum who, knowing what was ahead, nonetheless continued painting till his death in Auschwitz in 1944.  If the heart of the first movement is the shuddering interruption of life as we know it, the third movement tries to capture something of what I can only imagine to be the conflicting states of mind that would have made it possible, and essential, to continue to live and practice one’s art – bearing witness to the events.  Creating must have been, for Nussbaum and for so many others, a way of maintaining sanity, both a struggle and a catharsis – an act of defiance and salvation all at the same time. 4) “Shards, Memory” is a direct reference to my quartet’s title.  Only shards are left.  And memory.  The memory is of things large and small, of unspeakable tragedy, but also of the song and the dance, the smile, the hopes.  All things human.  As we remember, in the face of death’s silence, we restore dignity to those who are gone.—Shulamit Ran .

SKU: SP.TS571

Composed by Tony Santorella. Collection; Recreational. Book. Santorella Publications #TS571. Published by Santorella Publications (SP.TS571).

ISBN 9781585607570.

The popularity of coloring books for the adult and young adult, while relatively recent, has become one of the faster growing recreational activities for artists of all skill levels. It took the innovation of the publisher you've known for many years, however, to marry the visual arts with music in this never before seen original concept and series, exclusively available from Santorella Publications.

Experience the high quality you've come to expect from Santorella Publications in The Colors of Music, with over 60 musical instruments depicted with intricate background patterns. Each image is printed on heavy stock on only one side of the page to avoid bleed-through. Printed in the larger 9 x 12 size, with Santorella's lay-flat binding, the book is designed to last for years, while each page is perforated for easy removal and coloring. Every illustration, while a work of art on its own, will become a one-of-a-kind original piece with your personal touch; a work of art truly suitable for framing.


Th e foreword from, The Colors of Music.


From the dawn of time, coloring has been one of the most basic forms of self-expression and is often the first creative process which many of us experience. Taking an existing image or pattern and making it our own is a uniquely personal experience. We decide which creative implements to use, perhaps crayons, pencils, or markers, and which colors to apply. As we color, we find we are in control of the entire process, limited only by our imagination, and when we are done, we have an artistic embodiment of our own personality, as unique and individual as each of us is to the other.



It makes no difference if we are relatively skilled or unskilled; we express what is in our heart and mind each and every time we set pencil to paper. As we become more experienced and skilled, we acquire the power through technique and style to more freely express what is so clear in our imagination. In time, our creations become freely expressed works of art.


The same can be said of music. The musician chooses their instrument, then takes an existing pattern of melody and chords and adds unique colors to them to make that piece of music uniquely their own. As musicians, we practice to become more experienced in order to acquire the skills to more freely add our own brand of expression and style to the music.


Both of these art forms have creativity at their core. They allow the artist or musician, both young and old, to freely express feelings within while providing a sense of joy, tranquility, and meditative focus.


The Colors of Music literally reminds us that art and music are on the same page. This trend-setting series, by Santorella Publications, will provide both the artist and musician with yet another creative channel for self-expression and individualism.

< br/>Amateur and professional alike will also appreciate the opportunity for some much-needed downtime from the hard work of practicing, or simply the rigors of everyday life, while still being able to enjoy the art form they love. After all, creating art and music is supposed to be fun.

Orchestral

SKU: SP.TS574

Composed by Tony Santorella. Collection; Recreational. Book. Santorella Publications #TS574. Published by Santorella Publications (SP.TS574).

ISBN 9781585607600.

The popularity of coloring books for the middle school aged to adult artist has become one of the faster growing recreational activities for artists of all skill levels. It took innovation however, to marry the visual arts with music in this original concept and series, exclusively available from Santorella Publications. Experience the high quality you've come to expect from Santorella Publications in Color My Orchestra, with 16 popular instruments depicted with intricate background patterns. Each image is printed on heavy stock on only one side of the page to avoid bleed-through. Printed in the larger 9 x 12 size, with lay-flat binding, the book is designed to last for years, while each page is perforated for easy removal and coloring. Every illustration will become a one-of-a-kind original piece with your personal touch and a work of art truly suitable for framing.