| Fanfare Orchestre d'harmonie [Conducteur et Parties séparées] Boosey and Hawkes
Score and Parts. By Leonard Bernstein. Arranged by Sid Ramin. (Set). Boosey and...(+)
Score and Parts. By
Leonard Bernstein.
Arranged by Sid Ramin.
(Set). Boosey and Hawkes
Concert Band. Published
by Boosey & Hawkes.
$25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| American Treat Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1540-08-140-MS Composed by Bobby ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.1540-08-140-MS
Composed by Bobby Vinton,
Gene Allan, John F.
Schroeder, M. Hawker,
Ross Bagdasarian Jr.,
Sidney Ramin, Tony
Velona, and William
Saroyan. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Score Only.
Composed 2008. 40 pages.
Music Sales #1540-08-140
MS. Published by Music
Sales
(BT.1540-08-140-MS).
9x12 inches.
English-German-French-Dut
ch. American Treat:
an attractive medley with
songs from the 1950s and
1960s written by Naohiro
Iwai. Many styles are
featured, including
boogie, dixie and rock. A
nostalgic treat! Content:
Don’t Treat Me
Like a Child _x0007_ Come
on a My House _x0007_ Mr
Lonely _x0007_ Music to
Watch Girls by
Don’t
Treat Me Like a Child
• Come on a My
House • Mr Lonely
• Music to Watch
Girls byAmerican
Treat: een
aantrekkelijke medley met
songs uit de jaren
vijftig en zestig.
Verschillende stijlen
komen aan bod, waaronder
boogie,dixie en rock. Een
nostalgische
traktatie!
Don
€™t Treat Me Like a
Child • Mr Lonely
• Music to Watch
Girls by $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| American Treat Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1540-08-010-MS Composed by Bobby ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.1540-08-010-MS
Composed by Bobby Vinton,
Gene Allan, John F.
Schroeder, M. Hawker,
Ross Bagdasarian Jr.,
Sidney Ramin, Tony
Velona, and William
Saroyan. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Set (Score &
Parts). Composed 2008.
Music Sales #1540-08-010
MS. Published by Music
Sales
(BT.1540-08-010-MS).
9x12 inches.
English-German-French-Dut
ch. American Treat:
an attractive medley with
songs from the 1950s and
1960s written by Naohiro
Iwai. Many styles are
featured, including
boogie, dixie and rock. A
nostalgic treat! Content:
Don’t Treat Me
Like a Child _x0007_ Come
on a My House _x0007_ Mr
Lonely _x0007_ Music to
Watch Girls by
Don’t
Treat Me Like a Child
• Come on a My
House • Mr Lonely
• Music to Watch
Girls byAmerican
Treat: een
aantrekkelijke medley met
songs uit de jaren
vijftig en zestig.
Verschillende stijlen
komen aan bod, waaronder
boogie,dixie en rock. Een
nostalgische
traktatie!
Don
€™t Treat Me Like a
Child • Mr Lonely
• Music to Watch
Girls by $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Welcome to the Music Business Livre - Pas de partitions [Livre + DVD] Alfred Publishing
(Cash Flow -- Achieving Success in the Audio Industry). By Paul Terry, Tess Tayl...(+)
(Cash Flow -- Achieving
Success in the Audio
Industry). By Paul Terry,
Tess Taylor, Steffen
Franz, Gregory J. Gordon,
and Steve Heithecker.
Book; Books and DVDs;
DVD; Pro Audio; Pro Audio
Textbook; Reference
Textbooks. Pyramind. 248
pages. Published by
Alfred Music Publishing
$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Audio Fundamentals Livre - Pas de partitions [Livre + DVD] Alfred Publishing
(Signal Flow -- Fundamental Tools of Sound Production). By Matt Donner, Steve He...(+)
(Signal Flow --
Fundamental Tools of
Sound Production). By
Matt Donner, Steve
Heithecker, and George
Peterson. Book; Books and
DVDs; DVD;
Method/Instruction; Pro
Audio; Pro Audio
Textbook; Reference
Textbooks. Pyramind
Training Series. 248
pages. Published by
Alfred Music Publishing
$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Glitter, Doom, Shards, Memory Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441...(+)
Chamber Music Viola 1,
Viola 2, Violin 1, Violin
2, Violoncello SKU:
PR.11441690S
String Quartet No.
3. Composed by
Shulamit Ran. Sws.
Contemporary. Full score.
With Standard notation.
Composed March 9 2013. 32
pages. Duration 23
minutes. Theodore Presser
Company #114-41690S.
Published by Theodore
Presser Company
(PR.11441690S). UPC:
680160626021. 9 x 12
inches. Ran's third
string quartet was
written for the Pacifica
Quartet, who are
featuring it in numerous
performances from May
2014 through February
2016, across the country
and abroad. Their blog
page dedicated to the
work also features the
composer's notes, for
more indepth insight.
...impassioned solos
emerge from ominous
quiet, and high arpeggios
in the violins quiver
alongside the earthy
cello. Ms. Ran skillfully
deploys these extremes of
color, volume and pitch,
yet the overall somewhat
chilly impression is one
of poise. -- Zachary
Woolfe, The New York
Times. My third string
quartet was composed at
the invitation of the
Pacifica
Quartet, whose
music-making I have come
to know closely and
admire hugely as resident
artists at the University
of Chicago. Already
in our early
conversations Pacifica
proposed that this
quartet might, in some
manner, refer to the
visual arts as a point of
germination. Probing
further, I found out that
the quartet members had
special interest in art
created during the
earlier part of the 20th
century, perhaps between
the two world wars.Â
It was my good fortune to
have met, a short while
later, while in residence
at the American Academy
in Rome in the fall of
2011, art conservationist
Albert Albano who steered
me to the work of Felix
Nussbaum (1904-1944), a
German-Jewish painter
who, like so many others,
perished in the Holocaust
at a young age, and who
left some powerful,
deeply moving art that
spoke to the life that
was unraveling around
him. The title of my
string quartet takes its
inspiration from a major
exhibit devoted to art by
German artists of the
period of the Weimar
Republic (1919-1933)
titled “Glitter and
Doom: German Portraits
from the 1920sâ€,
first shown at New
York’s
Metropolitan Museum of
Art in 2006-07.Â
Nussbaum would have been
a bit too young to be
included in this
exhibit. His most
noteworthy art was
created in the last very
few years of his short
life. The
exhibit’s
evocative title, however,
suggested to me the idea
of “Glitter, Doom,
Shards, Memory†as
a way of framing a
possible musical
composition that would be
an homage to his life and
art, and to that of so
many others like him
during that era.
 Knowing that their
days were numbered, yet
intent on leaving a mark,
a legacy, a memory, their
art is triumph of the
human spirit over
annihilation. Parallel
to my wish to compose a
string quartet that,
typically for this genre,
would exist as
“pure musicâ€,
independent of a
narrative, was my desire
to effect an awareness in
my listener of matters
which are, to me, of
great human concern.
 To my mind there is
no contradiction between
the two goals. Â As in
several other works
composed since 1969, this
is my way of saying
‘do not
forget’, something
that, I believe, can be
done through music with
special power and
poignancy. Â Â The
individual titles of the
quartet’s four
movements give an
indication of some of the
emotional strands this
work explores. 1)
“That which
happened†(das was
geschah) – is how
the poet Paul Celan
referred to the Shoah
– the Holocaust.
 These simple words
served for me, in the
first movement, as a
metaphor for the way in
which an
“ordinaryâ€
life, with its daily flow
and its sense of sweet
normalcy, was shockingly,
inhumanely, inexplicably
shattered. 2)
“Menace†is a
shorter movement,
mimicking a Scherzo.
 It is also
machine-like, incessant,
with an occasional,
recurring, waltz-like
little tune –
perhaps the chilling
grimace we recognize from
the executioner’s
guillotine mask. Â Like
the death machine it
alludes to, it gathers
momentum as it goes, and
is
unstoppable. 3) â
If I must perish - do
not let my paintings
dieâ€; these words
are by Felix Nussbaum
who, knowing what was
ahead, nonetheless
continued painting till
his death in Auschwitz in
1944. Â If the heart of
the first movement is the
shuddering interruption
of life as we know it,
the third movement tries
to capture something of
what I can only imagine
to be the conflicting
states of mind that would
have made it possible,
and essential, to
continue to live and
practice one’s art
– bearing witness
to the events.
 Creating must have
been, for Nussbaum and
for so many others, a way
of maintaining sanity,
both a struggle and a
catharsis – an act
of defiance and salvation
all at the same
time. 4)
“Shards,
Memory†is a direct
reference to my
quartet’s title.
 Only shards are left.
 And memory.  The
memory is of things large
and small, of unspeakable
tragedy, but also of the
song and the dance, the
smile, the hopes. All
things human. Â As we
remember, in the face of
death’s silence,
we restore dignity to
those who are
gone.—Shulamit
Ran . $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Colors of Music Santorella Publications
SKU: SP.TS571 Composed by Tony Santorella. Collection; Recreational. Book...(+)
SKU: SP.TS571
Composed by Tony
Santorella. Collection;
Recreational. Book.
Santorella Publications
#TS571. Published by
Santorella Publications
(SP.TS571). ISBN
9781585607570. The
popularity of coloring
books for the adult and
young adult, while
relatively recent, has
become one of the faster
growing recreational
activities for artists of
all skill levels. It took
the innovation of the
publisher you've known
for many years, however,
to marry the visual arts
with music in this never
before seen original
concept and series,
exclusively available
from Santorella
Publications.
Experience the high
quality you've come to
expect from Santorella
Publications in The
Colors of Music, with
over 60 musical
instruments depicted with
intricate background
patterns. Each image is
printed on heavy stock on
only one side of the page
to avoid bleed-through.
Printed in the larger 9 x
12 size, with
Santorella's lay-flat
binding, the book is
designed to last for
years, while each page is
perforated for easy
removal and coloring.
Every illustration, while
a work of art on its own,
will become a
one-of-a-kind original
piece with your personal
touch; a work of art
truly suitable for
framing.
Th
e foreword from, The
Colors of
Music.
From
the dawn of time,
coloring has been one of
the most basic forms of
self-expression and is
often the first creative
process which many of us
experience. Taking an
existing image or pattern
and making it our own is
a uniquely personal
experience. We decide
which creative implements
to use, perhaps crayons,
pencils, or markers, and
which colors to apply. As
we color, we find we are
in control of the entire
process, limited only by
our imagination, and when
we are done, we have an
artistic embodiment of
our own personality, as
unique and individual as
each of us is to the
other.
It makes no
difference if we are
relatively skilled or
unskilled; we express
what is in our heart and
mind each and every time
we set pencil to paper.
As we become more
experienced and skilled,
we acquire the power
through technique and
style to more freely
express what is so clear
in our imagination. In
time, our creations
become freely expressed
works of
art.
The
same can be said of
music. The musician
chooses their instrument,
then takes an existing
pattern of melody and
chords and adds unique
colors to them to make
that piece of music
uniquely their own. As
musicians, we practice to
become more experienced
in order to acquire the
skills to more freely add
our own brand of
expression and style to
the
music.
Both
of these art forms have
creativity at their core.
They allow the artist or
musician, both young and
old, to freely express
feelings within while
providing a sense of joy,
tranquility, and
meditative
focus.
The
Colors of Music literally
reminds us that art and
music are on the same
page. This trend-setting
series, by Santorella
Publications, will
provide both the artist
and musician with yet
another creative channel
for self-expression and
individualism.
<
br/>Amateur and
professional alike will
also appreciate the
opportunity for some
much-needed downtime from
the hard work of
practicing, or simply the
rigors of everyday life,
while still being able to
enjoy the art form they
love. After all, creating
art and music is supposed
to be fun. $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Color My Orchestra Santorella Publications
Orchestral SKU: SP.TS574 Composed by Tony Santorella. Collection; Recreat...(+)
Orchestral SKU:
SP.TS574 Composed by
Tony Santorella.
Collection; Recreational.
Book. Santorella
Publications #TS574.
Published by Santorella
Publications (SP.TS574).
ISBN
9781585607600. The
popularity of coloring
books for the middle
school aged to adult
artist has become one of
the faster growing
recreational activities
for artists of all skill
levels. It took
innovation however, to
marry the visual arts
with music in this
original concept and
series, exclusively
available from Santorella
Publications. Experience
the high quality you've
come to expect from
Santorella Publications
in Color My Orchestra,
with 16 popular
instruments depicted with
intricate background
patterns. Each image is
printed on heavy stock on
only one side of the page
to avoid bleed-through.
Printed in the larger 9 x
12 size, with lay-flat
binding, the book is
designed to last for
years, while each page is
perforated for easy
removal and coloring.
Every illustration will
become a one-of-a-kind
original piece with your
personal touch and a work
of art truly suitable for
framing. $10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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