PARTITIONS GRATUITES :
- Silent Night, for Violin, Viola, Cello and Harp

(TTBB)

SKU: BP.BP2238B

Composed by Dan Forrest. Band & orchestra. Beckenhorst Press #BP2238B. Published by Beckenhorst Press (BP.BP2238B).

Printed product.

Full score and parts for flute 1,2, oboe, B-flat clarinet 1,2, bassoon I, II, horn in F 1,2, trombone 1,2, tuba, percussion, harp, violin I, II, viola, cello and double bass.

Note: This scoring can be used flexibly to accommodate various instrumental ensemble sizes, allowing balance with choirs of varying sizes, and for more quiet/gentle performances or larger/more dramatic interpretations. Performance options include:

The piano part (from choral octavo) can be used with any performance, but is not required if harp and winds are used.

(SSAA)

SKU: BP.BP2237B

Composed by Dan Forrest. Band & orchestra. Beckenhorst Press #BP2237B. Published by Beckenhorst Press (BP.BP2237B).

Printed product.

Full score and parts for flute 1,2, oboe, B-flat clarinet 1,2, bassoon I, II, horn in F 1,2, trombone 1,2, tuba, percussion, harp, violin I, II, viola, cello and double bass.

Note: This scoring can be used flexibly to accommodate various instrumental ensemble sizes, allowing balance with choirs of varying sizes, and for more quiet/gentle performances or larger/more dramatic interpretations. Performance options include:

The piano part (from choral octavo) can be used with any performance, but is not required if harp and winds are used.

Orchestra

SKU: BP.BP2200B

Composed by Dan Forrest. Band and orchestra. Full score and parts. Beckenhorst Press #BP2200B. Published by Beckenhorst Press (BP.BP2200B).

Printed product.

Full score and parts for flute 1,2, oboe, B-flat clarinet 1,2, bassoon I, II, horn in F 1,2, trombone 1,2, tuba, percussion, harp, violin I, II, viola, cello and double bass.

Note: This scoring can be used flexibly to accommodate various instrumental ensemble sizes, allowing balance with choirs of varying sizes, and for more quiet/gentle performances or larger/more dramatic interpretations. Performance options include:

The piano part (from choral octavo) can be used with any performance, but is not required if harp and winds are used.

SKU: HP.8384

Arranged by Jack Schrader. This edition: Complete. Christmas, Cantata. Musicals & Cantatas, Orchestra. Christmas, Sacred. Set of Instrumental Parts. Hope Publishing Company #8384. Published by Hope Publishing Company (HP.8384).

UPC: 763628183844.

Chris tmas Musical
This Christmas cantata is a faithful retelling of the Christmas story, the gospel, in song and narration, and a wonderful mixture of the new and the old, the traditional and the freshness of the contemporary. The narrations are deep and insightful, demanding much passion and heartfelt emotion. The choir will enjoy these choral arrangements, including one of Jack Schrader's top-selling pieces, Mary, Did You Know? The work makes a strong impact when done with simply choir, piano, and narration; however, full orchestrations are available. Also, the narrations are perfect to suggest the inclusion of costumed actors creating tableaux of the various scenes, so, the work may be fully staged or as simply presented as necessary. Go Tell It! has moments of quiet worship and reflection, as well as the exuberant times of joy and celebration. The congregation is frequently involved, being asked to sing on four occasions, which leads to a satisfying experience for all who participate. Performance time is approximately 39 minutes.

The Orchestration contains a full Conductor's Score and parts for: Piano/Rhythm, Bass, Flute, Oboe, Clarinet, Trumpet I, II & III, Horns I & II, E-Flat Alto Sax, Trombones I, II (III), Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos, Basses.

Chamber Music for Mixed Ensemble (CHAMBER MUSI)

SKU: HL.50511776

Composed by Zsolt Serei. Contemporary Music. EMB. Contemporary Hungarian Works. Score. Composed 2007. Editio Musica Budapest #Z14485. Published by Editio Musica Budapest (HL.50511776).

ISBN 9790080144855. K/4 quer (31 x 23,5 cm) inches. Hungarian, English. Zsolt Serei.

In view of its arrangement Serenade, written for horn and chamber orchestra of fourteen instruments, may be regarded as a chamber concert. The one-movement piece written on command of horn player Laszlo Rakos is at the same time related to the notturno music of the 18th-19th centuries. It is a character piece in which a subdued, subtle irony makes itself felt alongside the characteristically night-time atmosphere. The solo role of the horn is obvious throughout, though the initial impetus is not sustained, and in the course of the movement the instrument falls silent. The instruments of the accompanying group join in with the horn in three ways: the clarinet, the English horn, the bassoon, the viola, the violoncello play the melodies of the horn, delicately repeating them, supplementing them or slowing them down, the flute, the violin, the trumpet and the double bass counterpoint the horn?s solos or hold dialogues with it, the third group ? the harp, the guitar, the vibraphone, the cimbalom and the piano ? plays soft, veiled, evenly progressing harmonies. In the last section of the piece, when the first and second group of instruments are no longer playing, these veiled sounds hold together, their rhythm gradually breaks up - the sound environment is reduced, progressively emptied. World premi?re: June 2, 1993, Budapest, Laszlo Rakos - horn, Componensemble, cond. Zsolt Serei.

Horn and Chamber Orchestra

SKU: BT.EMBZ14485

Composed by Zsolt Serei. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2006. 40 pages. Editio Musica Budapest #EMBZ14485. Published by Editio Musica Budapest (BT.EMBZ14485).

English-Hungarian.

In view of its arrangement Serenade, written for horn and chamber orchestra of fourteen instruments, may be regarded as a chamber concert. The one-movement piece written on command of horn player László Rákos is at the same time related to the notturno music of the 18th-19th centuries. It is a character piece in which a subdued, subtle irony makes itself felt alongside the characteristically night-time atmosphere. The solo role of the horn is obvious throughout, though the initial impetus is not sustained, and in the course of the movement the instrument falls silent. The instruments of the accompanying group join in with the horn in three ways: the clarinet, the English horn,the bassoon, the viola, the violoncello play the melodies of the horn, delicately repeating them, supplementing them or slowing them down, the flute, the violin, the trumpet and the double bass counterpoint the horn?s solos or hold dialogues with it, the third group ? the harp, the guitar, the vibraphone, the cimbalom and the piano ? plays soft, veiled, evenly progressing harmonies. In the last section of the piece, when the first and second group of instruments are no longer playing, these veiled sounds hold together, their rhythm gradually breaks up - the sound environment is reduced, progressively emptied. World premi?re: June 2, 1993, Budapest, László Rákos - horn, Componensemble, cond. Zsolt Serei.