PARTITIONS GRATUITES :
- Stevie B

(Windows / Macintosh). For Guitar. Teaches 10 monumental blues songs by artists such as Stevie Ray Vaughan, B.B. King and Muddy Waters. Includes original artist recordings synched to an animated fretboard with Interactive Feedback and performance evaluation. Learn through complete, note-fo. CD-ROM. Published by eMedia Music

Choral (3-Part Mixed choir)

SKU: HL.158499

Medley. By Stevie Wonder. Arranged by Mark A. Brymer. Pop Choral Series. Pop, R&B. Octavo. 16 pages. Published by Hal Leonard (HL.158499).

UPC: 888680612696. 6.75x10.5 inches.

You'll groove out to the sounds of this 5-minute medley of hits by Stevie Wonder, one of the most creative and beloved artists of our time! An outstanding showstopper for choirs of all ages and levels, it includes: For Once in My Life, I Was Made To Love Her, My Cherie Amour, Uptight (Everything's Alright).

Choral Octavo

SKU: HL.369749

For SATB and Piano Choral Octavo. Composed by J. Rosamond Johnson. Arranged by Hale Smith. E.B. Marks. Softcover. 4 pages. Edward B. Marks Music #MP944012. Published by Edward B. Marks Music (HL.369749).

ISBN 9781705144527. UPC: 840126992441. 6.75x10.5x0.009 inches.

The poem “Lift Every Voice and Sing” was written by acclaimed African-American poet James Weldon Johnson in 1900 and set to music byhis brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African-American communities. While at one time it could be found pasted to the back of some hymnals used in African-American churches, today the song is formally printed under headings such as“national songs or“social justice”in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder and Take 6. This newly engraved edition of the Hale Smith will make the music accessible to more organizations.

Choral

SKU: HL.350799

Full Score. Composed by J. Rosamond Johnson. LKM Music. Spiritual. Softcover. Edward B. Marks Music #MP079003. Published by Edward B. Marks Music (HL.350799).

ISBN 9781705106778. UPC: 840126935950.

The poem “Lift Every Voice and Sing” was written by acclaimed African American poet James Weldon Johnson in 1900 and set to music byhis brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African American communities. While at one time it could be found pasted to the back of some hymnals used in African American Churches, today the song is formally printed under headings such as national song or social justice in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder and Take 6.

Guitar - Late Intermediate

SKU: AD.ADG174

Composed by Andrew D. Gordon. Arranged by Andrew D. Gordon. 100 Ultimate Soul, Funk and R&B Grooves. Funk. Book & digital audio. ADG Productions #ADG174. Published by ADG Productions (AD.ADG174).

ISBN 9781934163686. UPC: 663389117426. 9 x 12 inches.

Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on guitar styles such as: “100 Ultimate Blues Riffs for Guitar, “100 Ultimate Jazz Riffs for Guitar, “The Blues Scale for Guitar which have all been well received by students, teachers and musicians all over the world.
As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves for Guitar based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso.
Each of the 100 grooves have been recorded with the guitar part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the guitar part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.