| 20 Etudes for Vibraphone Vibraphone - Intermédiaire De Haske Publications
Vibraphone - late intermediate SKU: BT.DHP-0970889-401 By Gert Bomhof. By...(+)
Vibraphone - late
intermediate SKU:
BT.DHP-0970889-401 By
Gert Bomhof. By Hein de
Jong. De Haske Percussion
Series. Educational Tool.
Book Only. Composed 1997.
36 pages. De Haske
Publications #DHP
0970889-401. Published by
De Haske Publications
(BT.DHP-0970889-401).
ISBN 9789073252660.
International. This
volume presents twently
interesting and full-size
studies for vibraphone
players to practice
technique and
rhythm.During the last
decade there have been
enormous developments in
the technical
possibilities and playing
methods of the
vibraphone. Alongside
this, much new and
interesting music has
been available to the
advanced vibraphone
player, making use of a
variety of techniques.
However, not much has
been done for the
beginner on the
vibraphone, and it is for
this group that the
studies in this book are
intended.This book deals
with the following
techniques:a. Stick of
the pedalb. Stick
mutingc. Independence of
the left and right
handsd. Changing from
playing chords to
melodywith two stickse.
Independent use of the
sticks in one
handVibraphone
enthousiasts will love
it!
Dit boek
bevat uitstekend
lesmateriaal dat speciaal
is geschreven voor
beginnende slagwerkers -
die over slechts een
aantal basisvaardigheden
beschikken. In de twintig
etudes komen de volgende
technieken aan bod:
pedaalgebruik,
stokdempen,onafhankelijkh
eid van de linker- en
rechterhand, wisselen van
akkoordspel naar
melodiespel met twee
stokken, en het
onafhankelijk gebruik van
de stokken in één
hand.
In den
vergangenen Jahrzehnten
haben sich die
technischen
Möglichkeiten und
Spielweisen des
Vibraphonsentscheidend
verändert. Au�erdem
wurde, gerade für
fortgeschrittene
Vibraphonisten,
interessante Musik
geschrieben, in der
unterschiedliche
Techniken verarbeitet
wurde. Für
Anfänger, die nur
über Grundfertigkeiten
verfügen, ist bisher
aber wenig geeignetes
Studienmaterial
vorhanden. Die 20
Etüden in diesem Buch
sind für diese
Zielgruppe geschrieben
und schlieÃ?en somit die
vorhandene Lücke. In
die 20 Etüden wurden
wichtige Techniken, wie
z.B. der Pedalgebrauch,
Schlägeldämpfen,
unabhängiges Spiel von
rechter und linker Hand
und Wechsel von Akkord-
und
Melodiespieleingearbeitet
. Endlich ein Buch mit
richtigen Spielstücken
für flei�ige
Vibraphonschüler.
Durant ces
dernières
décennies, de nombreux
changements sont apparus
dans les différentes
techniques et méthodes
dâ??interprétation du
vibraphone.
Parallèlement, une
musique de plus en plus
moderne et
intéressante utilisant
des techniques
variées, a été
offerte au vibraphoniste
chevronné.
Comparativement, il ne
fut pas fait grand chose
pour le musicien
débutant et câ??est
ce dernier que sont
destinées les 20
études contenues dans
ce fascicule.Il contient
les techniques suivantes
:a. utilisation de la
pédaleb. mise en
sourdine de la baguettec.
utilisation en alternance
des mains : gauche et
droited. passage dâ??un
accord une mélodie
(utilisation de deux
baguettes)e. utilisation
desdeux baguettes avec
une seule main. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| First Gymnopedie Vibraphone et Marimba Imagine Music
Composed by Erik Satie (1866-1925). Arranged by Jeff Gorbski. Score and Parts...(+)
Composed by Erik Satie
(1866-1925). Arranged by
Jeff Gorbski. Score and
Parts. Imagine Music
Publishing #PES183.
Published by Imagine
Music
Publishing
$8.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Triptych Boom Ensemble de Percussions [Partition + CD-ROM] - Avancé Tapspace Publications
(for solo snare drum and percussion trio). Composed by Chad Floyd. For Percussio...(+)
(for solo snare drum and
percussion trio).
Composed by Chad Floyd.
For Percussion quartet (4
players). Percussion
Ensembles.
Medium-Advanced. Folio
and Parts on CD-ROM. 16
pages. Duration 5
minutes, 5 seconds.
Published by Tapspace
Publications
$42.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Encounters VI [Conducteur] Theodore Presser Co.
Bass Drum, Chimes, Glockenspiel, Percussion, Percussion 1, Percussion 2, Percuss...(+)
Bass Drum, Chimes,
Glockenspiel, Percussion,
Percussion 1, Percussion
2, Percussion 3,
Percussion 4, Spring
Coil, Tam-tam,
Vibraphone, Wind Chimes
SKU: PR.11440986S
Composed by William
Kraft. Full score. With
Standard notation. 27
pages. Duration 10
minutes. Theodore Presser
Company #114-40986S.
Published by Theodore
Presser Company
(PR.11440986S). UPC:
680160014651. Here
I have adapted a standard
musical form to a
contemporary medium. The
concertino is a small
concerto: a one-movement
work that draws upon the
basic principles of the
concerto form - two
bodies of sound which at
times compete, contrast,
or act together. The
piece explores the
musical possibilities of
Roto-toms. The sound of
these drums is a cross
between a tom-tom and a
timpani, and their pitch
is changed by rotating
the drum. During the
course of the work, the
various effects used
include pitch and
fingernail glissandi;
playing on the rims; and
playing on the heads with
fingers, brushes, timpani
sticks, wood mallets or
rattan. Harmonics on the
octave and the fourth
above the fundamental
pitch are produced by the
drums when weights (in
this case, small pitched
cymbales called crotales)
are placed in the center
of the drum heads. In
return the drum itself
acts a resonator for the
crotales, which also have
a fundamental pitch when
played on the face and a
partial a fifth above
when played on the center
dome. The opening section
of the concertino
introduces a motive,
played by the soloist,
while the ensemble
sustains a bowed chord on
the vibraphone. Following
this cadenza-like
introduction, the piece
gradually moves into a
bright 6/8 tempo that is
characterized by constant
sixteenth notes in all
parts. After a brief
period of interaction,
the ensemble continues
its sixteenth notes
patterns and the soloist
plays and improvised
solo. Next, an interlude
is presented by the
ensemble which leads to a
dramatic recapitulation
by the soloist of the
motivic material. A
thematically-derived coda
concludes the work.
Encounters VI,
commissioned by Remo
Belli, is dedicated to
Jennifer Kraft, the
composer's daughter. The
premiere performance took
place in 1976 at the MENC
National Convention in
Atlantic City, New
Jersey, and was performed
by the Temple University
Percussion Ensemble
conducted by Glenn
Steele. --William
Kraft. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Percussion Sonata No. 2 Woodstock Ensemble de Percussions [Conducteur et Parties séparées] Theodore Presser Co.
For Five Percussionists. By Peter Schickele. Percussion ensemble. For Crotales, ...(+)
For Five Percussionists.
By Peter Schickele.
Percussion ensemble. For
Crotales, Glockenspiel,
Suspended Sizzle Cymbal,
Very High Metal Rod Wind
Chime, Claves, Xylophone,
Small Triangle, Wind
Chimes, Vibraphone,
Finger Cymbals, Finger
Cymbals II, Marimba,
Medium Metal Tube Wind
Chime, Mounted Bongo,
Suspended Cymbals, Small
Mounted Triangle, Snare
Drum Sticks, Tom-Tom,
Marimba II, Low Metal
Tube Wind Chime. Score
and parts. Composed 1997.
24 pages. Duration 13:00.
Published by Theodore
Presser Company.
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Encounters VI Theodore Presser Co.
Chamber Music Percussion, Percussion 1, Percussion 2, Percussion 3, Percussion 4...(+)
Chamber Music Percussion,
Percussion 1, Percussion
2, Percussion 3,
Percussion 4 SKU:
PR.114409860
Concertino for Roto
Toms and Percussion
Quartet. Composed by
William Kraft.
Encounters. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 1976.
27+12+10+10+10+10 pages.
Duration 10 minutes.
Theodore Presser Company
#114-40986. Published by
Theodore Presser Company
(PR.114409860). UPC:
680160014644. Here
I have adapted a standard
musical form to a
contemporary medium. The
concertino is a small
concerto: a one-movement
work that draws upon the
basic principles of the
concerto form - two
bodies of sound which at
times compete, contrast,
or act together. The
piece explores the
musical possibilities of
Roto-toms. The sound of
these drums is a cross
between a tom-tom and a
timpani, and their pitch
is changed by rotating
the drum. During the
course of the work, the
various effects used
include pitch and
fingernail glissandi;
playing on the rims; and
playing on the heads with
fingers, brushes, timpani
sticks, wood mallets or
rattan. Harmonics on the
octave and the fourth
above the fundamental
pitch are produced by the
drums when weights (in
this case, small pitched
cymbales called crotales)
are placed in the center
of the drum heads. In
return the drum itself
acts a resonator for the
crotales, which also have
a fundamental pitch when
played on the face and a
partial a fifth above
when played on the center
dome. The opening section
of the concertino
introduces a motive,
played by the soloist,
while the ensemble
sustains a bowed chord on
the vibraphone. Following
this cadenza-like
introduction, the piece
gradually moves into a
bright 6/8 tempo that is
characterized by constant
sixteenth notes in all
parts. After a brief
period of interaction,
the ensemble continues
its sixteenth notes
patterns and the soloist
plays and improvised
solo. Next, an interlude
is presented by the
ensemble which leads to a
dramatic recapitulation
by the soloist of the
motivic material. A
thematically-derived coda
concludes the work.
Encounters VI,
commissioned by Remo
Belli, is dedicated to
Jennifer Kraft, the
composer's daughter. The
premiere performance took
place in 1976 at the MENC
National Convention in
Atlantic City, New
Jersey, and was performed
by the Temple University
Percussion Ensemble
conducted by Glenn
Steele. --William
Kraft. $46.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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