PARTITIONS GRATUITES :
- Suite for cello and piano

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

By Claude Bolling. For violoncello. Swing, Big Band and Play Along. Sheet music and accompaniment CD

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

By Tobias Picker. Edited by Lynn Harrell and Simon Mulligan. Misc. Softcover. 58 pages

By W. S. Lloyd Webber. For Cello and Piano. Strings. Published by Stainer and Bell Ltd.

Cello and Piano - advanced

SKU: ST.Y184

Composed by Rhian Samuel. String music. Advanced. Score and part. Stainer & Bell Ltd. #Y184. Published by Stainer & Bell Ltd. (ST.Y184).

ISBN 9790220220357.

Adva nced.

Piano

SKU: HL.48025368

7 Pieces for Piano. Composed by Simon Laks. BH Piano. Classical. Softcover. Bote & Bock #M202538654. Published by Bote & Bock (HL.48025368).

UPC: 196288194293.

Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Paris”. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musicians”, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.

Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Jean-Christophe Monnier. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Score and Parts. 14 pages. G. Henle #HN1088. Published by G. Henle