| Little Seeds Hope Publishing Company
Piano and congregation SKU: HP.9085 Composed by Daniel Charles Damon. Aut...(+)
Piano and congregation
SKU: HP.9085
Composed by Daniel
Charles Damon. Author
Collections. General
Worship. Hymn Collection.
144 pages. Hope
Publishing Company #9085.
Published by Hope
Publishing Company
(HP.9085). UPC:
763628190859. In
Little Seeds you will
find new hymns from my
heart. My devotional life
is given to you in my
hymnwriting. During the
past three years I have
been writing songs for
the unity of the church -
songs reminding us of our
baptism. I have been
writing biblical story
hymns for lesser-known
characters. I have
written paperless songs
that may be easily
memorized. I set a Rumi
poem. There are new hymns
for Christian missions
from everywhere to
everywhere. You will find
new texts and musical
settings for folk songs
from around the world. I
hope I have treated these
with the love and respect
they deserve. You will
find alternate
arrangements of some
songs that may be useful
in different settings.
Lim Swee Hong composed
three tunes for this
collection at my request.
I am also pleased to
include Lianne Tan's
first published hymn tune
in Little Seeds. $11.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Nightfall CD Chorale Hal Leonard
Choral (VoiceTrax CD) SKU: HL.254555 Discovery Level 2. Composed b...(+)
Choral (VoiceTrax CD)
SKU: HL.254555
Discovery Level 2.
Composed by Roger
Emerson. Discovery
Choral. Concert. CD.
Duration 210 seconds.
Published by Hal Leonard
(HL.254555). UPC:
888680721701.
5.0x5.0x0.15
inches. Lyrics take
center stage in this
beautiful new work. Word
painting, an independent
piano accompaniment and
the steady beat of the
tick-tock create a mood
that suggests a more
mature and experienced
choir. Your young singers
will love the chance to
show and share these
beautiful lyrics set to
this haunting tune. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best of Kim Waters Saxophone [Partition] Hal Leonard
(The #1 Songs and Solos by the #1 Smooth Jazz Saxophonist). By Kim Waters. Artis...(+)
(The #1 Songs and Solos
by the #1 Smooth Jazz
Saxophonist). By Kim
Waters. Artist
Transcriptions.
Softcover. 80 pages
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three Mystery Pieces Flûte traversière et Piano [Reduction] Theodore Presser Co.
For Flute and Piano. By Gary Schocker. For Flute Solo, Piano. Solo Part with Pia...(+)
For Flute and Piano. By
Gary Schocker. For Flute
Solo, Piano. Solo Part
with Piano Reduction.
Composed 2002. 18 pages.
Duration 11:30. Published
by Theodore Presser
Company.
(1)$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Interlude “Nightfall” - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.FAS110F
Composed by Yukiko
Nishimura. First-Plus
String Orchestra (FAS).
Full score. With Standard
notation. 8 pages. Carl
Fischer Music #FAS110F.
Published by Carl Fischer
Music (CF.FAS110F).
ISBN 9781491151785.
UPC: 680160909285. 9 x 12
inches. Featuring
long phrases in a slow
tempo, Interlude
Nightfall is a?perfect
composition to teach
musicianship with young
students using dramatic
harmonies. Yukiko
Nishimura's musical
imagery provides a great
opportunity for string
orchestras to showcase
their musical phrasing
and expression. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well.This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like
“risoluto.â€
The second section from
m. 29 is a kind of
“chorale,†so
all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion.Please enjoy the
thick harmonies. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Interlude “Nightfall” - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.FAS110
Composed by Yukiko
Nishimura. First-Plus
String Orchestra (FAS).
Set of Score and Parts.
With Standard notation.
8+8+2+5+5+5+2+8 pages.
Duration 4:39. Carl
Fischer Music #FAS110.
Published by Carl Fischer
Music (CF.FAS110).
ISBN 9781491151419.
UPC: 680160908912. 9 x 12
inches. Key: G
minor. Featuring
long phrases in a slow
tempo, Interlude
Nightfall is a?perfect
composition to teach
musicianship with young
students using dramatic
harmonies. Yukiko
Nishimura's musical
imagery provides a great
opportunity for string
orchestras to showcase
their musical phrasing
and expression. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well.This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like
“risoluto.â€
The second section from
m. 29 is a kind of
“chorale,†so
all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion.Please enjoy the
thick harmonies. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nightfall Chorale SSAATTBB Boosey and Hawkes
(for Mixed Voices a cappella - SSSAAATTTBBB). Composed by Meredith Monk. For Cho...(+)
(for Mixed Voices a
cappella - SSSAAATTTBBB).
Composed by Meredith
Monk. For Chorus (SATB).
BH Large Choral. 44
pages. Published by
Boosey and Hawkes
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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