PARTITIONS GRATUITES :
- Unbound

Composed by Michael Dalmau Colina. For violin and cello. This edition: unbound. 2 playing scores. 10 pages. Duration 5 minutes. Published by Bill Holab Music

Band Concert Band - Grade 5

SKU: CF.SPS52F

Composed by Sean O'Loughlin. Closer. Symphonic Performance Series. Full score. With Standard notation. 32 pages. Duration 4 minutes, 13 seconds. Carl Fischer Music #SPS52F. Published by Carl Fischer Music (CF.SPS52F).

ISBN 9780825889844. UPC: 798408089849. 9x12 inches.

Unbound is an exciting composition for the advanced ensemble. With whirlwind flourishes, rhythmic punctuations and broad melodies, the music is sure to take your audience on a roller coaster ride. Composer Sean O'Loughlin shows off his compositional chops and brings us an intense concert opener or closer that will stir the emotions of your students and audience alike. This is a real showpiece for your band!

By Sean O'Loughlin. For concert band. Carl Fischer Symphonic Performance Series. Grade 4 and up. Score and parts. Duration 4 minutes, 13 seconds. Published by Carl Fischer

From '03 This New, Immense, Unbounded World. By Robert Kapilow. (SATB). Choral. 24 pages. Published by G. Schirmer, Inc.

By Avenged Sevenfold. For guitar and voice. Hal Leonard Guitar Recorded Versions (Authentic note-for-note transcriptions). Rock and Alt-Metal. Guitar tablature songbook. Guitar tablature, standard notation, vocal melody, lyrics, chord names and guitar chord diagrams. 120 pages. Published by Hal Leonard

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.

Guitar - Grade 5

SKU: HL.14023422

Composed by Per Norgard. Music Sales America. Classical. Book [Softcover]. Composed 2002. 12 pages. Edition Wilhelm Hansen #WH30274. Published by Edition Wilhelm Hansen (HL.14023422).

ISBN 9788759807705. 8.25x11.75x0.061 inches. English.

Clubs Among Jokers is the third of four suites for solo Guitar collectively entitled Tales From A Hand, each of which takes its point of departure from one of the four suits of playing cards.