| Undiscovered Music Sales
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| Undiscovered Music Sales
| | |
| Tableaux d'une exposition (Pictures at an Exhibition) Breitkopf & Härtel
Violin 1 (3(2picc).3(cor ang).2.B-clar.A-sax.2.dbl e bsn - 4.3.3.1 - timp.perc(4...(+)
Violin 1 (3(2picc).3(cor
ang).2.B-clar.A-sax.2.dbl
e bsn - 4.3.3.1 -
timp.perc(4) - 2 hp - cel
- str) SKU:
BR.OB-5532-15
Urtext of the
Orchestration.
Composed by
Mussorgsky/Ravel. Edited
by Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphonic poem; Early
modern. Part. 12 pages.
Duration 30'. Breitkopf
and Haertel #OB 5532-15.
Published by Breitkopf
and Haertel
(BR.OB-5532-15). ISBN
9790004348208. 10 x 12.5
inches. Ravel's
brilliant compositional
interpretation of the
Pictures at an Exhibition
is, to this day, the most
famous and independent
orchestration of
Mussorgsky's masterpiece.
When the French composer
turned his attention to
his Russian colleague's
piano cycle in 1922, he
was at the height of his
mastery and Paris was
enraptured by Russian
music. Notated with
remarkable accuracy in an
autograph score, Ravel's
orchestration was an
audience favorite from
the very start.
Jean-Francois Monnard,
who previously edited the
Breitkopf Urtext editions
of Bolero, La Valse and
Rapsodie espagnole,
presents a text in which
even the tiniest detail
is authentic. The edition
not only eliminates many
previously undiscovered
errors, but also offers a
wealth of practical
information on the long
and multi-faceted
performance history of
the work, including the
metronome markings of
great conductors who were
connected to the work in
a very special
manner.Bibliography:Mayer
, Stephan: Sonne fur die
Seele. Ein lehrreicher
Nachmittag am Genfer See,
in: Musikforum, 2015,
Heft 4, pp. 32-35. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| La Fauvette Passerinette Piano seul - Avancé Faber Music Limited
Composed by Olivier Messiaen (1908-1992). For Piano. Masterworks; Piano Solo; Sc...(+)
Composed by Olivier
Messiaen (1908-1992). For
Piano. Masterworks; Piano
Solo; Score; Solo. Faber
Edition. 20th Century;
Masterwork. Advanced.
Published by Faber Music
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
INSSTR inches.
French. A
previously unreleased
piece by Francis Poulenc,
published with permission
from the Bibliothèque
Historique de la Ville de
Paris and Benoît
Seringe, secretary of the
Association des amis
de Francis Poulenc
[Association of the
Friends ofFrancis
Poulenc]. Le Voyageur
sans bagage [The
Traveller Without
Luggage], which had been
premiered in 1937 with
music by Darius Milhaud,
was reprised on 1 April
1944 at the Thé tre de
la Michodière; Francis
Poulenc was asked to
compose new stage music.
Theentire unpublished
score lay undiscovered
until Bérengère de
l’Épine, a
librarian at the
Bibliothèque
Historique de la Ville de
Paris, announced the
existence of a manuscript
in the Association de la
Régie Thé trale
collection.Poulenc
finalised the score
between 19 and 21 March
1944. It contains nine
songs, all written for a
small instrumental
ensemble including oboe,
clarinet, cello and
piano. However, at the
end of the manuscript,
the composer echoes the
second song Lent
[Slow] and creates
another version for cello
and piano; curiously, the
original version of the
song has not been erased
in the manuscript.
Poulenc seems to suggest
that we consider the
piece for cello and
piano, that we have
publishedhere, as a
different piece of music.
It was premiered on
Wednesday 23 January 2013
by Marc Coppey,
accompanied by
Jean-François Heisser,
in the organ auditorium
of the Conservatoire
National Supérieur de
Musique et Danse de Paris
(CNSMDP), during
thesymposium for the
fiftieth anniversary of
Poulenc’s
death.Given in a dramatic
context, some elements
allow us to get an idea
of the character of the
piece, which Benoît
Seringe, Poulenc’s
beneficiary, judiciously
chose to name
Souvenirs.The main
character of
Anouilh’s play,
Gaston, is suffering from
amnesia at the end of
World War One. Several
families try to claim
him; they want him to be
their missing relative.
The Renaud family prove
to be particularly
stubborn, but Gaston
doesnot recognize himself
in the child and young
man they depict: a
ruthless and violent
person. In Act 1 Scene 3,
left alone for a moment,
overwhelmed by the story
of the “old
Gaston†that is
gradually coming to
light, and outraged by
the desire ofthose around
him to appropriate him
(to the detriment of the
person he would like to
be from now on), he
whispers these words:
“You all have
proof, photographs that
look like me, memories as
clear as day…
I’ve listened to
you all and it’s
slowlycausing a hybrid
person to rise up in me;
a person in which there
is a piece of each of
your sons and nothing of
me.†Poulenc chose
to place the second piece
from his stage music
score as these words are
spoken.He borrowed part
of the material, as he
often did, from an
earlier composition. In
this particular case, the
beginning is a recycled
version of the
“slow and
melancholicâ€
section from
L’Histoire de
Babar , composed
between 1940 and 1945,
andpremiered in 1946
(unless it is Babar
that reuses the
musical idea from
Voyageur ).The
eponymous elephant
decides to leave in
search of the great
forest. He embraces the
old lady, promises her he
will return and reassures
her that he will never
forget her. Left alone,
the old lady, feeling sad
and pensive, wonders when
she’ll seeher
friend Babar again. The
situation is similar to
that in Voyageur sans
bagage: solitude,
sadness, a distressing
and introspective time,
fear of oblivion, the
presence of
memories…
Pi
èce inédite de
Francis Poulenc,
publiée avec
l’autorisation de
la Bibliothèque
historique de la ville de
Paris et de Benoît
Seringe, secrétaire de
l’Association des
Amis de Francis
Poulenc.Le 1er avril
1944, Le Voyageur sans
bagage d’Anouilh,
qui avait été
créé en 1937 avec
de la musique de Darius
Milhaud, est repris au
Thé tre de la
Michodière. Francis
Poulenc a été
sollicité afin
d’écrire une
nouvelle musique de
scène. On ignoraittout
de cette partition
inédite,
jusqu’au jour
où Bérengère de
l’Épine,
conservateur la
Bibliothèque
historique de la ville de
Paris, nous signala
l’existence
d’un manuscrit
dans le fonds de
l’Association de
la Régie thé
trale.Poulenc mit au
point sa partition entre
le 19 et le 21 mars 1944.
Elle comprend neuf
numéros, tous
écrits pour un petit
effectif instrumental
réunissant un
hautbois, une clarinette,
un violoncelle et un
piano.Cependant, la fin
de son manuscrit, le
compositeur reprend le no
2 Lent et en donne une
seconde version, pour
violoncelle et piano.
Curieusement, la version
originale de ce numéro
n’est pas
biffée dans le
manuscrit.Poulenc semble
nous inviter
considérer comme un
morceau distinct cette
pièce pour violoncelle
et piano dont nous
proposons ici
l’édition. Elle
a été créée
par Marc Coppey,
accompagné de
Jean-François Heisser,
lors du concert donné
durant lecolloque
organisé pour le
cinquantenaire du
décès de Poulenc,
le mercredi 23 janvier
2013, salle
d’orgue du
Conservatoire National
Supérieur de Musique
et de Danse de Paris
(CNSMDP).Quelques
éléments sur le
contexte dramatique
permettront de se faire
une idée du
caractère du morceau,
que Benoît Seringe,
ayant droit Poulenc, a
judicieusement choisi
d’intituler
Souvenirs.Le personnage
principal de la pièce
d’Anouilh, Gaston,
a été retrouvé
amnésique la fin de la
Première Guerre
Mondiale. Plusieurs
familles le réclament.
On veut voir en lui un
parent disparu. Les
Renaud se montrent
particulièrement
tenaces ; maisGaston ne
parvient se
reconnaître dans
l’enfant et le
jeune homme dont on lui
trace le portrait : un
être violent et sans
scrupule. Au tableau 3 de
l’acte I, resté
seul un moment,
écrasé par
l’histoire de cet
autre lui-même
qu’il découvre
peu peu, indigné par
le désir des personnes
qui l’entourent de
le ramener elles au
détriment de celui
qu’il voudrait
être désormais, il
se murmure ces paroles :
« Vous avez tous des
preuves, des
photographies
ressemblantes, des
souvenirs précis
commedes crimes… je
vous écoute tous et je
sens surgir peu peu
derrière moi un
être hybride où il
y a un peu de chacun de
vos fils et rien de moi
»…C’est
sur ces mots que Poulenc
a choisi de placer le no
2 de sa partition de
musique de scène.Comme
il le fait souvent, il
emprunte une composition
antérieure une part de
son matériau. Dans ce
cas précis, il
réutilise pour le
début du morceau la
section « Lent et
mélancolique » de
l’Histoire de
Babar, composée entre
1940 et 1945, créée
en1946 ( moins que ce ne
soit Babar qui
réutilise
l’idée musicale
du Voyageur). Le
héros-éléphant
s’est décidé
partir pour retrouver la
grande forêt. Il a
embrassé la vieille
dame, lui a promis de
revenir, l’a
rassurée : jamais il
ne
l’oubliera.RestÃ
e seule, la vieille
dame, triste et pensive,
se demande quand elle
reverra son ami Babar. La
situation est similaire
celle du Voyageur sans
bagage : solitude,
tristesse, instantde
trouble et de retour sur
soi, crainte de
l’oubli,
présence des
souvenirs…. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Creative Guitar 2: Advanced Techniques Guitare [Partition + CD] - Intermédiaire Music Sales
By Guthrie Govan. For Guitar. Book and Audio CD. 132 pages. Published by Music S...(+)
By Guthrie Govan. For
Guitar. Book and Audio
CD. 132 pages. Published
by Music Sales.
$27.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ralph Vaughan Williams' Wind Works Ensemble à vent GIA Publications
Composed by Jon Mitchell and Ralph Vaughan Williams (1872-1958). Music Edu...(+)
Composed by Jon Mitchell
and
Ralph Vaughan Williams
(1872-1958). Music
Education. 176 pages. GIA
Publications #317182.
Published by GIA
Publications
$29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Violin 1 (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-15 Urtext...(+)
Violin 1 (2.2.2.2. -
4.2.0.0. - timp - str)
SKU:
BR.OB-16105-15
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Musgrave. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Serenade/divertimento;
Romantic. Part. 20 pages.
Duration 45'. Breitkopf
and Haertel #OB 16105-15.
Published by Breitkopf
and Haertel
(BR.OB-16105-15). ISBN
9790004341650. 10 x 12.5
inches. Johannes
Brahms was long reluctant
to compete with Beethoven
in the field of symphonic
music. With his D-major
Serenade in six
movements, the young
composer deliberately
chose a genre that had
had its golden era in the
18th century, thus before
Beethoven. Initially, he
even conceived the
Serenade for a smaller
setting, but decided on a
full orchestra in 1860.
But even then, it was
slow in becoming an
audience success.The new
Brahms Complete Edition
has chosen as its
principal source a copy
of the scores first
edition that Brahms used
as his personal work
copy. There, however,
errors remained
undiscovered, and
recurred in later print
runs as well. It was not
until the new Brahms
Edition that a music text
of the D-major Serenade
is finally being
published, a text that
clearly heeds all of the
composers emendations and
eliminates other
shortcomings. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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