| 23 Virtuoso Clef Studies, For Trombone, Baritone, Euphonium Or Tenor Tuba Leduc, Alphonse
Trombone (Trombone) SKU: HL.48185247 Composed by David Uber. Robert King....(+)
Trombone (Trombone)
SKU: HL.48185247
Composed by David Uber.
Robert King. Classical.
Softcover. 23 pages.
Alphonse Leduc #AL28609.
Published by Alphonse
Leduc (HL.48185247).
UPC: 888680859909.
9.0x12.0x0.126
inches. American
composer, trombonist,
conductor and teacher,
David Uber (b. 1921) is a
virtuoso performer on the
Trombone, as well as a
popular music professor.
His 23 Virtuoso Clef
Studies remain
significant for Trombone,
Baritone, Euphonium and
Tenor Tuba players.
Uber's 23 Virtuoso Clef
Studies were compiled in
1982 and address advanced
musical techniques,
including unusual time
signatures, complex
rhythms, accidentals,
variations in performance
directions, breath
control, unusual
intervals, complex key
signatures, ornamentation
and articulation, among
other aspects. For all
advanced Trombone,
Baritone, Euphonium and
Tenor Tuba players,
Uber's 23 Virtuoso Clef
Studies ensure
progressive technical
studies.. $20.55 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 14 Characteristic Studies Trombone Carl Fischer
Chamber Music trombone SKU: CF.W2687 For Trombone. Composed by Jea...(+)
Chamber Music trombone
SKU: CF.W2687
For Trombone.
Composed by Jean-Baptiste
Arban. Edited by Alan
Raph. SWS. Collection -
Performance. With
Standard notation. 32
pages. Carl Fischer Music
#W2687. Published by Carl
Fischer Music (CF.W2687).
ISBN 9781491150955.
UPC: 680160908455. 9x12
inches. This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trombone, edited by
Alan Raph, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) willend.
There are things which
appear clear enough when
stated verbally but which
when writtendown on paper
cause confusion, seem
obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech norword can
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level
ofperfection, should
above all things, always
try to hear good music
well interpreted.
Theymust seek out, among
singers and
instrumentalists, the
most illustrious models,
and by doingthis purify
their taste, develop
their sentiments, and
bring themselves as near
as possible tothat which
is beautiful. Perhaps
then the innate spark
which may someday be
destined todemonstrate
their own talent, will
reveal itself and render
them worthy of being, in
their turn,cited and
imitated in the
future. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 79 Studies for Trombone Trombone Cherry Classics
Composed by Jaroslav Cimera. Arranged by Tom Ervin. For trombone. Study Book. In...(+)
Composed by Jaroslav
Cimera. Arranged by Tom
Ervin. For trombone.
Study Book. Intermediate
to advanced. Booklet.
Published by Cherry
Classics
$25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Technique Flies High! Violon - Avancé Faber Music Limited
(14 Advanced Studies for Solo Violin). By Mary Cohen. For Violin. Book; String -...(+)
(14 Advanced Studies for
Solo Violin). By Mary
Cohen. For Violin. Book;
String - Violin Studies
or Collection; Technique
Musicianship. Faber
Edition. Advanced.
Published by Faber Music
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 14 Characteristic Studies Trompette Carl Fischer
Chamber Music Trumpet SKU: CF.W2686 For Trumpet in B-flat. Compose...(+)
Chamber Music Trumpet
SKU: CF.W2686
For Trumpet in
B-flat. Composed by
Jean-Baptiste Arban.
Edited by Thomas Hooten
Jennifer Marotta. SWS.
Collection - Performance.
With Standard notation.
32 pages. Carl Fischer
Music #W2686. Published
by Carl Fischer Music
(CF.W2686). ISBN
9781491150948. UPC:
680160908448. 9x12
inches. This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trumpet in Bb, edited
by Thomas Hooten and
Jennifer Marotta, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) will
end.There are things
which appear clear enough
when stated verbally but
which when written downon
paper cause confusion,
seem obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech nor wordcan
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level of
perfection,should above
all things, always try to
hear good music well
interpreted. They must
seek out,among singers
and instrumentalists, the
most illustrious models,
and by doing this
purifytheir taste,
develop their sentiments,
and bring themselves as
near as possible to that
which isbeautiful.
Perhaps then the innate
spark which may someday
be destined to
demonstrate theirown
talent, will reveal
itself and render them
worthy of being, in their
turn, cited and
imitatedin the
future. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 16 Advanced Studies, For Trumpet Trompette Leduc, Alphonse
Trumpet SKU: HL.48181770 Composed by Reginaldo Caffarelli. Leduc. Classic...(+)
Trumpet SKU:
HL.48181770 Composed
by Reginaldo Caffarelli.
Leduc. Classical.
Softcover. 16 pages.
Alphonse Leduc #AL21662.
Published by Alphonse
Leduc (HL.48181770).
UPC: 888680862879.
9x12
inches. “Regi
naldo Caffarelli compiles
16 Advanced Studies from
a wealth of experience
and expertise. With
detailed instruction in
French, English, Italian,
German and Spanish, this
study book is highly
versatile. 16 Advanced
Studies for Trumpet
addresses articulation,
intervals, style, complex
rhythms, ornamentations,
unusual time signatures,
varied performance
directions, phrasing,
scales, arpeggios,
fingering, chromaticism
and triplets, amongst
other aspects. For all
advanced trumpeters,
Caffarelli's 16 Advanced
Studies is essential to a
perfected
technique.&rdquo. $28.60 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
Plus de résultats boutique >> |