| Villages Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score & Parts) - Grade 4 SKU: HL.4003778 Composed by Michae...(+)
Concert Band (Score &
Parts) - Grade 4 SKU:
HL.4003778 Composed
by Michael Sweeney.
MusicWorks Grade 4.
Concert. Published by Hal
Leonard (HL.4003778).
UPC: 884088984366.
9x12
inches. Calling for
the band to be divided
into four separate
ensembles (and spread
apart if space permits),
Villages explores
a wide range of harmonic
and rhythmic interplay
between each of these
musical
“villages.”
The opening creates a
dense canopy of sound,
out of which the unique
identity of each group
variously emerges then
melts back into the
texture. As the fast pace
continues, melodic
fragments are bounced
from group to group with
interjections from the
percussion. A slower
lyric section provides
contrast before the
frantic pace returns
leading to the exciting
conclusion. Innovative in
its conception, this
stunning work will expose
your students and
audience to dramatically
new sounds for band!
Duration: 8:15. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Villages Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4003779 Composed by Michael Sweene...(+)
Concert Band (Score) -
Grade 4 SKU:
HL.4003779 Composed
by Michael Sweeney.
MusicWorks Grade 4.
Concert. 44 pages.
Published by Hal Leonard
(HL.4003779). UPC:
884088984373. 9x12
inches. Calling for
the band to be divided
into four separate
ensembles (and spread
apart if space permits),
Villages explores
a wide range of harmonic
and rhythmic interplay
between each of these
musical
“villages.”
The opening creates a
dense canopy of sound,
out of which the unique
identity of each group
variously emerges then
melts back into the
texture. As the fast pace
continues, melodic
fragments are bounced
from group to group with
interjections from the
percussion. A slower
lyric section provides
contrast before the
frantic pace returns
leading to the exciting
conclusion. Innovative in
its conception, this
stunning work will expose
your students and
audience to dramatically
new sounds for band!
Duration: 8:15. $10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tarantella Carl Fischer
Choral Double bass voice, Piano, Viola, Violin 1, Violin 2, SATB chorus SKU: ...(+)
Choral Double bass voice,
Piano, Viola, Violin 1,
Violin 2, SATB chorus
SKU: CF.CM9735
Jubilate Agno.
Composed by Z. Randall
Stroope. 16 pages.
Duration 0:03:05. Carl
Fischer Music #CM9735.
Published by Carl Fischer
Music (CF.CM9735).
ISBN 9781491161159.
UPC: 680160919741. Key: A
minor. Latin, English.
Christopher Smart and
ZRS. Origins of the
Tarantella The tarantella
is a popular southern
Italian dance with
origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(little spider), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the poison, the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately courtship.
Origins of the Text
Christopher Smart
(1722-1771), also known
as Kit Smart or Jack
Smart, was born in Kent,
England and suffered from
what is now believed to
be acute asthma and other
health issues as a child.
As such, he did not work
in the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke's Hospital
for Lunatics, though this
was based on his mounting
debt, and not on
insanity. (Confinement,
or debtor's prison, was
common during this period
if one's debts could not
be paid.) During his
confinement, he worked on
two of his most famous
works, Jubilate Agno and
A Song of David. (Part of
Jubilate Agno [Rejoice in
the Lamb] was set to
music by English
composer, Benjamin
Britten.) Smart's writing
style (which, at times,
bordered on the absurd),
along with his many
obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of Smart's
Jubilate Agno were used
in mm. 24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance: theraphosa
[teh-rah-fo-sa] a genus
of tarantula spiders
bellicose
[beh-lee-ko-sah] hostile;
aggressive odiosa
[o-dee-o-sa] hateful;
vexation tenebrosa
[teh-neh-bro-sa]
creeping; dark nemorosa
[neh-mo-ro-sa] wooded;
shady lapidosa
[lah-pee-do-sa] stony
area; gritty The
convergence, then, of the
medieval tarantella
(spider dance), the
writings of a brilliant
poet who bordered on the
absurd, and the infusion
of strong, descriptive
and otherwise random,
rhyming words,
synthesizes to make
dramatic lyrics for this
work. About the Composer
Z. Randall Stroope is an
American composer and
conductor. He has served
as Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. Performance Notes
Text: In Latin, the r is
flipped; use s instead of
z on endings such as
phosa, cosa, and so on;
the Latin o is a cross
between oh and aw; in the
transliteration above, I
chose to simply use an o
for consistency. The
director will blend the
oh and aw in the
rehearsals to his/her own
preference. Lastly,
tarantula is pronounced
tah-rah-n-too-lah (avoid
teh-ran-choo-luh) within
the confines of this
text. Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico.In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Urban Landscapes Orchestre d'harmonie Hal Leonard
Concert Band; Wind Orchestra (Cd) SKU: HL.4008672 Symphony No. 3 for W...(+)
Concert Band; Wind
Orchestra (Cd) SKU:
HL.4008672
Symphony No. 3 for
Wind Orchestra CD.
Composed by Franco
Cesarini. Editions Franco
Cesarini. Classical,
Concert. Softcover. Hal
Leonard #EFC019-CD.
Published by Hal Leonard
(HL.4008672). ISBN
9798350115215. UPC:
196288190028. A CD
that includes four great
works by Franco Cesarini
performed by the Civica
Filarmonica di Lugano
under the direction of
the Maestro. Passacaglia
and Fugue in C-minor BWV
582 In Franco
CesariniÂ’s
arrangement for large
wind orchestra, the
particularly careful
interpretation of the
original piece enables
him to exploit all the
sound colors at his
disposal, and in this
sumptuous guise Bach's
work also takes on a
grandiose dimension,
albeittinged with
late-Romanticism. A
masterpiece by Johann
Sebastian Bach superbly
arranged for wind
orchestra. Sinfonietta
No. 3
“Zwölfmalgreien
Sketchesâ€, Op. 56
In composing the
Sinfonietta No. 3 ,
Franco Cesarini was
inspired by the history
of the municipality of
Zwölfmalgreien, made
up of various towns,
villages and scattered
districts which were
incorporated to the City
of Bolzano (Italy) over
one hundred years ago.
The peculiarity of these
places, different from
each other, but all
characterized by rare
beauty, have contributed
to create this
3-mouvement work (City
Life, Mountain Shadows
and Classic Wineyards),
which translates into
music the activities of
the villages, the winter
days and the lively
atmosphere in the wine
regions. A perfect trip
to this wonderful part of
Italy! Suite Siciliana,
Op. 57b The Suite
Siciliana, a 7-movement
piece - Intrada , Pavana,
Gavotta, Barcarola ,
Tambourin , Sicilianaand
Tarantella - is
characterised by
contrasting rhythms and
tempo and consists of
these 7 dances. The
musical form, typical of
the Baroque period,
refers to some
traditional expressions
of art from the land of
Sicily: ranging from the
rich architecture of the
Sicilian Baroque to the
colorful majolica
ceramics and the
characteristic puppets,
the “pupiâ€,
which narrate a secular
tradition. A full
immersion into ancient
traditions of this
beautiful island!
Symphony No. 3
“Urban
Landscapesâ€, Op. 55
Fascinated by the beauty
of Chicago, Franco
Cesarini has translated
his emotions into music:
this is how was born
Symphony No. 3
“Urban
Landscapes†, a
musical portrait of this
metropolis overlooking
Lake Michigan. The
composition is divided
into three movements -
The Wrigley Building from
Dawn to Noon , Blue
Silhouette and Cloud Gate
- which by sharing the
same thematic material
arranged in cyclical
form, strengthen the
overall cohesion of the
piece. Symphony No. 3
“Urban
Landscapesâ€, a
sumptuous musical
portrait of the
“Windy Cityâ€.
Civica Filarmonica di
Lugano Since its
foundation in 1830,
Civica Filarmonica di
Lugano has performed at
diverging events, varying
from large gatherings to
international jury
performances. The Civica
Filarmonica di Lugano is
one of SwitzerlandÂ’s
oldest and most
prestigious music
societies and consists of
approximately 70
musicians.The Civica
Filarmonica gives about
20 concerts a year, both
at the city's concert
halls and the Piazza
della Riforma, the square
in Lugano that. $19.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Klezmer Karnival Fanfare - Facile Anglo Music
Fanfare Band - Grade 2.5 SKU: BT.AMP-124-120 Composed by Philip Sparke. D...(+)
Fanfare Band - Grade 2.5
SKU:
BT.AMP-124-120
Composed by Philip
Sparke. Debut Series.
Folk Klezmer. Score Only.
Composed 2004. 32 pages.
Anglo Music Press #AMP
124-120. Published by
Anglo Music Press
(BT.AMP-124-120). 9x12
inches.
English-German-French-Dut
ch. Klezmer music
originated in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. Since the 16th
century, lyrics had been
added to klezmer music,
due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
In recent years it has
again become very popular
and in A Klezmer Karnival
Philip Sparke has used
three contrasting
traditionaltunes to form
a suite that will bring a
true karnival atmosphere
to any concert.
De wortels van de
klezmerstijl liggen in
wereldlijke melodieën,
populaire dansen, het
joodse
‘hazanut’
(cantorijmuziek) en de
‘nigunim’,
de melodieën die
worden gereciteerd door
de ‘hasidim’
(orthodoxe joden). De
term werd in de loopder
tijden synoniem aan
instrumentale muziek,
waarin met name de viool
en klarinet de hoofdrol
spelen. Voor A Klezmer
Karnival zijn drie
traditionele melodieën
gebruikt: Choson kale
mazel tov, een
bruiloftsdans,Freylekh
, een joodse
kringdans, en
Sherele, een
Duitse
herdersdans.
Phili
p Sparke verarbeitete in
seinem Werk drei
unterschiedliche
traditionelle
Klezmermelodien: einen
Hochzeitstanz mit
Glückwünschen
für Braut und
Bräutigam, einen
Rundtanz und einen so
genannten Scherentanz.
Daraus entstand A
Klezmer Karnival, das
die dem Klezmer eigene
Mischung aus
Fröhlichkeit und
Melancholie ausgezeichnet
wiedergibt. Ein ebenso
abwechslungsreiches wie
stimmungsvolles
Konzertwerk, mit dem Ihr
Blasorchester
überzeugen wird!
Jouée depuis
le Moyen ge par des
musiciens juifs
itinérants
(klezmorim), la musique
klezmer est une musique
joyeuse colportée de
fête en mariage, qui
trouve ses origines dans
les “shtetlâ€
(villages) et les ghettos
d’Europe de
l’Est. A Klezmer
Karnival (“Festival
klezmerâ€) de Philip
Sparke rassemble trois
airs traditionnels :
Choson Kale Mazel Tov -
une danse nuptiale,
Freylekh - une danse
juive en cercle et
Sherele -
littéralement «
petits ciseaux » - une
danse de bergers,
d’origine
allemande.
Suonata
a partire dal Medioevo da
giovani musicisti ebrei
(klezmorim), la musica
klezmer è una musica
gioiosa che ha origine
nei villaggi
(“shtetlâ€) e
nei ghetti
dell’Europa
dell’est. A
Klezmer Karnival di
Philip Sparke raccoglie
tre arie tradizionali:
Choson Kale Mazel Tov,
una danza nuziale,
Freylekh, una tipica
danza ebraica in cerchio
e Sherele (letteralmente
piccole forbici), una
danza di pastori di
origine tedesca. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Klezmer Karnival Ensemble de cuivres - Intermédiaire Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-124-030 Composed by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-124-030
Composed by Philip
Sparke. Anglo Music
Midway Series. Folk
Klezmer. Set (Score &
Parts). Composed 2004.
Anglo Music Press #AMP
124-030. Published by
Anglo Music Press
(BT.AMP-124-030). 9x12
inches.
English-German-French-Dut
ch. Klezmer music
originated in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. Since the 16th
century, lyrics had been
added to klezmer music,
due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
In recent years it has
again become very popular
and in A Klezmer
Karnival Philip
Sparke has used three
contrastingtraditional
tunes to form a suite
that will bring a true
karnival atmosphere to
any concert.
De
wortels van de
klezmerstijl liggen in
wereldlijke melodieën,
populaire dansen, het
joodse
‘hazanut’
(cantorijmuziek) en de
‘nigunim’,
de melodieën die
worden gereciteerd door
de ‘hasidim’
(orthodoxe joden). De
term werd in de loopder
tijden synoniem aan
instrumentale muziek,
waarin met name de viool
en klarinet de hoofdrol
spelen. Voor A Klezmer
Karnival zijn drie
traditionele melodieën
gebruikt: Choson kale
mazel tov, een
bruiloftsdans,Freylekh
, een joodse
kringdans, en
Sherele, een
Duitse
herdersdans.
Phili
p Sparke verarbeitete in
seinem neuen Werk drei
unterschiedliche
traditionelle
Klezmermelodien: einen
Hochzeitstanz mit
Glückwünschen
für Braut und
Bräutigam, einen
Rundtanz und einen so
genannten Scherentanz.
Daraus entstand A
Klezmer Karnival, das
die dem Klezmer eigene
Mischung aus
Fröhlichkeit und
Melancholie ausgezeichnet
wiedergibt. Ein ebenso
abwechslungsreiches wie
stimmungsvolles
Konzertwerk, mit dem Ihre
Brass Band überzeugen
wird!
Jouée
depuis le Moyen ge par
des musiciens juifs
itinérants
(klezmorim), la musique
klezmer est une musique
joyeuse colportée de
fête en mariage, qui
trouve ses origines dans
les “shtetlâ€
(villages) et les ghettos
d’Europe de
l’Est. A Klezmer
Karnival (“Festival
klezmerâ€) de Philip
Sparke rassemble trois
airs traditionnels :
Choson Kale Mazel Tov -
une danse nuptiale,
Freylekh - une danse
juive en cercle et
Sherele -
littéralement «
petits ciseaux » - une
danse de bergers,
d’origine
allemande.
Suonata
a partire dal Medioevo da
giovani musicisti ebrei
(klezmorim), la musica
klezmer è una musica
gioiosa che ha origine
nei villaggi
(“shtetlâ€) e
nei ghetti
dell’Europa
dell’est. A
Klezmer Karnival di
Philip Sparke raccoglie
tre arie tradizionali:
Choson Kale Mazel Tov,
una danza nuziale,
Freylekh, una tipica
danza ebraica in cerchio
e Sherele (letteralmente
piccole forbici), una
danza di pastori di
origine tedesca. $75.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Little Klezmer Suite Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5 SKU:
BT.AMP-503-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2021. 40 pages.
Anglo Music Press #AMP
503-140. Published by
Anglo Music Press
(BT.AMP-503-140).
English-German-French-
Dutch. A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
‘kley’
(instrument) and
‘zemer’
(song). The roots of the
style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned bythe
‘Hasidim’
(orthodox Jews). The
melodies used in the four
movements of A Little
Klezmer Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De première
vond in oktober 2020
plaats tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en getto’s van
Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze melodieën
die worden gezongen door
de orthodoxe chassidische
joden. De melodieën
die in de vier delen van
A Little Klezmer
Suite zijn gebruikt,
werden vanoorsprong ten
gehore gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung fand
im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetl“
(Dörfern) und in den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorim“, seit
dem frühen Mittelalter
bei Festen, insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmer“ ist ein
jiddischer Begriff, der
die hebräischen
Wörter kley“
(Instrument) und
zemer“ (Lied)
miteinander kombiniert.
Der Ursprung des Stils
liegt in weltlichen
Melodien,
Volkstänzen,jüdisch
er Hazanut“
(Kantorenmusik) und in
den Nigunim“
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A Little
Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
A
Little Klezmer Suite
est une commande de
Rushton Park High School,
en Angleterre, pour
marquer le
cinquantième
anniversaire du programme
de son harmonie. La
pièce a été
créée lors
d’un concert
virtuel en ligne en
octobre2020. La musique
klezmer est née dans
les ‘shtetl’
(villages) et les ghettos
d’Europe de
l’Est, où les
troubadours juifs
itinérants, connus
sous le nom de
‘klezmorim’,
se produisaient lors de
célébrations, en
particulier lesmariages,
depuis le début du
Moyen ge. « Klezmer
» est un terme yiddish
qui combine les mots
hébreux
‘kley’
(instrument) et
‘zemer’
(chanson). Les racines de
ce style se trouvent dans
les mélodies profanes,
les danses populaires,le
‘hazanut’
juif (musique liturgique)
ainsi que les
‘nigunim’,
mélodies sans paroles
entonnées par les
‘Hasidim’
(Juifs orthodoxes). Les
mélodies
traditionnelles
employées dans les
quatre mouvements de A
Little KlezmerSuite
ont toujours été
populaires lors des
cérémonies de
mariage et autres
fêtes juives. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Klezmer Karnival Fanfare - Facile Anglo Music
Fanfare Band - Grade 2.5 SKU: BT.AMP-124-020 Composed by Philip Sparke. D...(+)
Fanfare Band - Grade 2.5
SKU:
BT.AMP-124-020
Composed by Philip
Sparke. Debut Series.
Folk Klezmer. Set (Score
& Parts). Composed 2004.
Anglo Music Press #AMP
124-020. Published by
Anglo Music Press
(BT.AMP-124-020). 9x12
inches.
English-German-French-Dut
ch. Klezmer music
originated in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. Since the 16th
century, lyrics had been
added to klezmer music,
due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
In recent years it has
again become very popular
and in A Klezmer Karnival
Philip Sparke has used
three contrasting
traditionaltunes to form
a suite that will bring a
true karnival atmosphere
to any concert.
De wortels van de
klezmerstijl liggen in
wereldlijke melodieën,
populaire dansen, het
joodse
‘hazanut’
(cantorijmuziek) en de
‘nigunim’,
de melodieën die
worden gereciteerd door
de ‘hasidim’
(orthodoxe joden). De
term werd in de loopder
tijden synoniem aan
instrumentale muziek,
waarin met name de viool
en klarinet de hoofdrol
spelen. Voor A Klezmer
Karnival zijn drie
traditionele melodieën
gebruikt: Choson kale
mazel tov, een
bruiloftsdans,Freylekh
, een joodse
kringdans, en
Sherele, een
Duitse
herdersdans.
Phili
p Sparke verarbeitete in
seinem Werk drei
unterschiedliche
traditionelle
Klezmermelodien: einen
Hochzeitstanz mit
Glückwünschen
für Braut und
Bräutigam, einen
Rundtanz und einen so
genannten Scherentanz.
Daraus entstand A
Klezmer Karnival, das
die dem Klezmer eigene
Mischung aus
Fröhlichkeit und
Melancholie ausgezeichnet
wiedergibt. Ein ebenso
abwechslungsreiches wie
stimmungsvolles
Konzertwerk, mit dem Ihr
Blasorchester
überzeugen wird!
Jouée depuis
le Moyen ge par des
musiciens juifs
itinérants
(klezmorim), la musique
klezmer est une musique
joyeuse colportée de
fête en mariage, qui
trouve ses origines dans
les “shtetlâ€
(villages) et les ghettos
d’Europe de
l’Est. A Klezmer
Karnival (“Festival
klezmerâ€) de Philip
Sparke rassemble trois
airs traditionnels :
Choson Kale Mazel Tov -
une danse nuptiale,
Freylekh - une danse
juive en cercle et
Sherele -
littéralement «
petits ciseaux » - une
danse de bergers,
d’origine
allemande.
Suonata
a partire dal Medioevo da
giovani musicisti ebrei
(klezmorim), la musica
klezmer è una musica
gioiosa che ha origine
nei villaggi
(“shtetlâ€) e
nei ghetti
dell’Europa
dell’est. A
Klezmer Karnival di
Philip Sparke raccoglie
tre arie tradizionali:
Choson Kale Mazel Tov,
una danza nuziale,
Freylekh, una tipica
danza ebraica in cerchio
e Sherele (letteralmente
piccole forbici), una
danza di pastori di
origine tedesca. $140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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