| The Art of the Euphonium, Volume I Euphonium Tuba-Euphonium Press
By Arthur Lehman. For Euphonium. Studies, Methods and Etudes. Published by Tuba-...(+)
By Arthur Lehman. For
Euphonium. Studies,
Methods and Etudes.
Published by
Tuba-Euphonium Press
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| For the Mystic Harmony [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 15 Easy Classical Solos Euphonium [Partition + CD] - Facile Anglo Music
Bb/C Euphonium TC/BC - easy SKU: BT.AMP-305-400 Arranged by Philip Sparke...(+)
Bb/C Euphonium TC/BC -
easy SKU:
BT.AMP-305-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 40 pages.
Anglo Music Press #AMP
305-400. Published by
Anglo Music Press
(BT.AMP-305-400). ISBN
9789043138123. 9x12
inches.
English-German-French-Dut
ch. Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
<
I>15 Easy Classical
Solos, de Philip
Sparke, est un ouvrage
qui sâ??adresse aux
jeunes musiciens,
maîtrisant un peu plus
dâ??une octave. 15
Easy Classical Solos
a été conçu pour
être joué en
corrélation avec les
séries Artist et/ou
Master Level de la
collection Essential
Elements ®,
publiée par les
éditions Hal
Leonard. Mais il peut
également être
utilisé
indépendamment.Spéc
ifiquement adapté
chaque instrument, ce
volume rassemble quinze
mélodies écrites
par des compositeurs
aussi variés que Bach,
Purcell, Grieg et
Satie.Comprenant les
parties
dâ??accompagnement de
piano et une version
dâ??accompagnement sur
compact disc, ces
ouvrages représentent
une
sourcecomplémentaire
inestimable toute
méthode
pédagogique.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 15 Easy Classical Solos Tuba ou Euphonium ou Saxhorn [Partition + CD] - Facile Anglo Music
Tenor Horn [Eb] and Piano - easy SKU: BT.AMP-363-400 Eb Tenor Horn...(+)
Tenor Horn [Eb] and Piano
- easy SKU:
BT.AMP-363-400 Eb
Tenor Horn. Arranged
by Philip Sparke. Anglo
Music Play-Along Series.
Book with CD. Composed
2013. 40 pages. Anglo
Music Press #AMP 363-400.
Published by Anglo Music
Press (BT.AMP-363-400).
ISBN 9789043138161.
9x12 inches.
English-German-French-Dut
ch. Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte toonsoorten
aan bij het Artist Level
van Hal Leonards
Essential Elements
®, maar kan ook
los daarvan worden
gebruikt.De zorgvuldig
geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen: van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
<
I>15 Easy Classical
Solos, de Philip
Sparke, est un ouvrage
qui sâ??adresse aux
jeunes musiciens,
maîtrisant un peu plus
dâ??une octave. 15
Easy Classical Solos
a été conçu pour
être joué en
corrélation avec les
séries Artist et/ou
Master Level de la
collection Essential
Elements ®,
publiée par les
éditions Hal
Leonard. Mais il peut
également être
utilisé
indépendamment.Spéc
ifiquement adapté
chaque instrument, ce
volume rassemble quinze
mélodies écrites
par des compositeurs
aussi variés que Bach,
Purcell, Grieg et
Satie.Comprenant les
parties
dâ??accompagnement de
piano et une version
dâ??accompagnement sur
compact disc, ces
ouvrages représentent
une
sourcecomplémentaire
inestimable toute
méthode
pédagogique.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Il chiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitata delle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allieviche
padroneggiano
lâ??estensione superiore
a unâ??ottava di
cimentarsi nei â??primi
concertiâ? con brani
di Haendel, Clementi,
Rameau, Glueck, Beethoven
e altri. Il CD propone
una traccia con
lâ??incisione completa e
una con il solo
accompagnamento. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Comp Duets for Winds Volume II Carl Fischer
Chamber Music Bassoon, Euphonium, Trombone SKU: CF.WF218 29 Duets That...(+)
Chamber Music Bassoon,
Euphonium, Trombone
SKU: CF.WF218
29 Duets That can Be
Played by Any Combination
of Wind Instruments.
Composed by
Adolphe-Charles Adam,
Chauncey Olcott, George
Frideric Handel, Giuseppe
Concone, Giuseppe
Gariboldi, Henri Kling,
Henry Purcell, Hughie
Cannon, Larry Clark,
Richard Shuebruk,
Scottish Folk Song,
Traditional, Wilhelm
Wurm, Wolfgang Amadeus
Mozart, and etc. Arranged
by Larry Clark. SWS.
Collection. With Standard
notation. 48 pages. Carl
Fischer Music #WF218.
Published by Carl Fischer
Music (CF.WF218). ISBN
9781491149188. UPC:
680160906680. 9 x 12
inches. Continuing
with the success of the
popular Compatible
series, Compatible Duets
for Winds Volume 2
contains 29 duets in a
variety of styles that
can be played with any
combination of two wind
instruments. Students can
develop their
chamber-ensemble skills
while playing with their
friends, no matter what
wind instruments they
play. Ranging from grade
levels 2-3, Compatible
Duets for Winds Volume 2
is perfect for band
directors looking for new
tools for the classroom,
and its flexibility makes
it a must-have for any
wind player. Having
students play in small
chamber music groups is a
very beneficial exercise
to improvethe
student’s overall
musicianship. The
simplest form of chamber
music is the duet. It is
anopportunity for the
student to play with a
teacher or to play with
another student of
similarabilities. Aspects
of playing such as tone
quality, intonation,
technique and ensemble
skillscan be developed
during the process of
studying duets.These
duets are different in
that they have many
different performance
options, since all ofthe
books in this series are
compatible. As a former
middle-school band
director I alwayshad
students that wanted to
come to the band room
during lunch or after
school; studentswho just
wanted to play with their
friends. That was not
possible since there was
very littleduet material
available that was
compatible with all of
the wind instruments.
This bookand the first
volume in the series take
care of that. A student
can now grab their
friend,no matter what
instrument they play, and
have hours of fun playing
duets together.
Mostimportantly, they
will learn something in
the process.The duets
have been generally
placed in the book in
order of difficulty and
cover a rangeof keys that
are appropriate for this
ability level. Special
care was given to making
surethat both of the duet
parts were on a similar
ability level and that
each line was givenan
opportunity to play a
lead role at some point
during the arrangement.
Also, most ofthe musical
markings are attached to
both systems, and the
point size of the music
wasconsidered for ease of
reading.It is my hope
that this collection will
help to stimulate and
enhance the musicianship
of theperformers. It was
a pleasure for me to have
the opportunity to put
together this
collection.I hope it is a
useful tool for you for
years to come. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Practice With Bach for the Euphonium Volume I Euphonium - Avancé Cherry Classics
Euphonium Unaccompanied - Advanced SKU: CY.CC3036 Composed by Ralph Sauer...(+)
Euphonium Unaccompanied -
Advanced SKU:
CY.CC3036 Composed by
Ralph Sauer. Arranged by
Ralph Sauer. Classical.
Solo part. Cherry
Classics #CC3036.
Published by Cherry
Classics (CY.CC3036).
ISBN 9790530110119.
8.5 x 11 in
inches. Ralph
Sauer's landmark new
work, Practice With Bach,
will challenge your
technique and musicality
with demanding new
etudes. Based on the
keyboard works of J. S.
Bach, each of the Three
Volumes is available in
five different
versions--Alto Trombone,
Tenor Trombone, Bass
Trombone, Euphonium, and
Tuba. Each version is
customized for the
individual instrument
(choice of key, range,
ornaments, etc.). Volume
One contains Twenty-four
etudes in all keys, based
upon preludes from The
Well-Tempered
Clavier. $27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Spanish Dances for Euphonium & Piano Euphonium, Piano (duo) - Avancé Cherry Classics
Euphonium and Piano - advanced SKU: CY.CC2545 Composed by Enrique Granado...(+)
Euphonium and Piano -
advanced SKU:
CY.CC2545 Composed by
Enrique Granados.
Arranged by Ralph Sauer.
Spanish National. Solo
part and piano score.
Published by Cherry
Classics (CY.CC2545).
Granados was a
Spanish composer whose
music had the unique
style of his homeland
burned into his soul. He
was also a very talented
painter in the style of
Goya. The Two Dances,
1. Oriental and 2.
Fandango are taken from
the 12 danzas espanolas,
volume I from 1890, for
Piano. Mr. Sauer has
brilliantly taken the
solo Piano part and
divided it between solo
Euphnium and
Piano. Euphonium
performers will enjoy
working on this style of
Spanish Nationalist music
of which there is none in
the solo
repertoire. The Two
Dances (in tenor clef)
are about 6 1/2 minutes
in length and can be
performed by advanced
musicians. The mp3
sample is an excerpt of
the Bass Trombone version
taken from a live
performance at the 2012
Academy of the West
Festival performed by
David Hagee and Luis
Ortiz, Pianist. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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