PARTITIONS GRATUITES :
- Wachet auf! ruft uns die Stimme

Organ Chorales from Miscellaneous Sources. By Johann Sebastian Bach. Edited by Reinmar Emans. For Organ. This edition: Urtext of the New Bach Edition. Mit separater Tromba-Stimme zu 'Wachet auf, ruft uns die Stimme'. Score; Single Part. 177 pages. Published by Baerenreiter Verlag (German import).

SKU: CA.804600

Composed by Hermann Stern. German title: Gelobet Sei Gott Im Hochsten Thron (3). Sacred vocal music, Hymn settings, End of the church year, Ascension, Easter and Eastertide. Full score. Carus Verlag #CV 08.046/00. Published by Carus Verlag (CA.804600).

ISBN 9790007015398.

By Johann Sebastian Bach (1685-1750). Edited by Johann Sebastian Bach. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), Choir / Keyboard (Chorus and piano). Baroque; Sacred/Hymns. Vocal Score. Text Language: German, English. Composed 1731. 64 pages. Duration 35 minutes

Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon)

SKU: HL.49044087

Sleepers Wake. Composed by Carl Friedrich Zelter. Edited by Hermann Max. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. 12 pages. Schott Music #ED21773-10. Published by Schott Music (HL.49044087).

ISBN 9790001196963. German.

With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!

Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon)

SKU: HL.49019927

Sleepers Wake. Composed by Carl Friedrich Zelter. Edited by Hermann Max. This edition: Saddle stitching. Sheet music. Choral. Softcover. 12 pages. Schott Music #ED21773-01. Published by Schott Music (HL.49019927).

ISBN 9790001196956. German.

With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!

Trumpet, Organ

SKU: CA.1302700

Choralpartita. Composed by Alfred Baum. Edited by Lehel Donath. Wachet Auf, Ruft Uns Die Stimme. Partita. Full score. 12 pages. Duration 7 minutes. Carus Verlag #CV 13.027/00. Published by Carus Verlag (CA.1302700).

ISBN 9790007242794. Language: all languages.

Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon)

SKU: HL.49044071

Sleepers Wake. Composed by Carl Friedrich Zelter. Edited by Hermann Max. This edition: Saddle stitching. Sheet music. Ensemble. Softcover. 8 pages. Schott Music #ED21773-11. Published by Schott Music (HL.49044071).

ISBN 9790001199063. German.

With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!