PARTITIONS GRATUITES :
- DRIVIN´

The Ballad of John Henry. Edited by Jacob Narverud. Arranged by Neil Johnson. American Folk Tale. Octavo. With Standard notation. Duration 2 minutes, 47 seconds. Carl Fischer #CM9489. Published by Carl Fischer (CF.CM9489).

By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guitar. All Styles. Level: Beginning. Book. Size 9x11.75. 144 pages. Published by Mel Bay Publications, Inc.

By Joe Bonamassa. For Guitar. Play It Like It Is. Softcover. Guitar tablature. 152 pages. Published by Cherry Lane Music

(You're Driving Me Crazy / My Blue Heaven / Black Bottom / Yes Sir That's My Baby). Composed by Walter Donaldson. Arranged by Marcel Peeters. For concert band. Catalogue Real Big Band Sound Vol. 1/Ragtime/Charleston/Summ er Concert/Arrangements of Modern Light Music/The 20s. Real Big Band Sound. Recorded on Sculptures of an Exhibition (ML.311034720). Grade 3. Score only. Duration 3 minutes, 42 seconds. Published by Molenaar Edition

Score Only Concert Band (Score) - Grade 3

SKU: HL.4005027

Composed by Hans Zimmer. Arranged by Michael Brown. Young Concert Band. Movies. Softcover. Published by Hal Leonard (HL.4005027).

UPC: 888680661786. 9.0x12.0x0.086 inches.

Over the past three decades Hans Zimmer has created some of the most dynamic and memorable movie themes to hit the silver screen. With styles ranging from excitement and intensity to delicate and whimsical, here's an effective medley for the concert stage featuring familiar melodies from Driving Miss Daisy, Gladiator, Madagascar, Crimson Tide, The Lion King and Pirates of the Caribbean.

Orchestra Violin 1, Violin 2, Viola, Cello, Contrabass

SKU: PR.416414250

For String Orchestra. Composed by Clint Needham. Premiered by the New York Classical Players; New York, NY. Contemporary. Full score. With Standard notation. Composed 2010. 30 pages. Duration 11 minutes. Theodore Presser Company #416-41425. Published by Theodore Presser Company (PR.416414250).

UPC: 680160602261. 8.5 x 11 inches.

DRIVING MUSIC was commissioned by the New York Classical Players for their inaugural concert. Thework took inspiration from Needham’s seemingly-constant travel schedule in the spring and summer of2010. The work was written, in part, in various cities across the country, on a number of planes, and innumerous car rides (as a passenger, of course). To highlight the composer’s travels, the work is cast ina series of contrasting musical vignettes, with each section representing a place Needham was in whilesketching the work.