CLARINETTERossini, Gioacchino
Rossini, Gioacchino - "Variazzioni di Clarinetto" for Clarinet & Piano
Clarinette, Piano

VoirPDF : "Variazzioni di Clarinetto" for Clarinet & Piano (10 pages - 248.3 Ko)2 910x
VoirPDF : Piano Part (164.77 Ko)
VoirPDF : Clarinette Part (142.8 Ko)
MP3 : Audio principal (142.8 Ko)547x 3531x
Variazzioni di Clarinetto for Clarinet & Piano
MP3 (6.97 Mo) : (par Magatagan, Michael)443x 656x
Variazzioni di Clarinetto for Clarinet & Piano
MP3 (6.97 Mo) : (par Magatagan, Michael)329x 347x
MP3 (10.63 Mo) : (par Leonard Anderson)298x 527x
Vidéo :
Compositeur :
Gioacchino Rossini
Rossini, Gioacchino (1792 - 1868)
Instrumentation :

Clarinette, Piano

  1 autre version
Genre :


Arrangeur :
Editeur :
Gioacchino Rossini
Date :1809
Droit d'auteur :Public Domain
Ajoutée par magataganm, 14 Nov 2012

Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces. His best-known operas include the Italian comedies Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola and the French-language epics Moïse et Pharaon and Guillaume Tell. A tendency for inspired, song-like melodies is evident throughout his scores, which led to the nickname "The Italian Mozart". Until his retirement in 1829, Rossini had been the most popular opera composer in history.

"Variazzioni di Clarinetto" (Variations for Bb Clarinet and Piano) is a set arrangements of Rossini's early sets of variations for clarinet and orchestra, dating from 1809-1810. Both of them are connected by two things: Rossini's extremely elaborate musical language, involving rather breathtakingly virtuoso lines for the soloist; and some of their musical ideas which would then find their way into Rossini's more mature operas.

The first concerto, in C major, is a tremendously delightful affair: starting with a decidedly dramatic introduction, the piece soon settles into Rossini's exorbitant treatment of a pastoral theme that is quickly turned into an ever-difficult solo for the clarinet.

The second piece or, more accurately its' second section, a theme and variations that are derived from it, while written in 1810, was used later for Malcolm's stunning cavatina in 1819. Both treatments of the musical material are presented in this arrangement, as it provides an interesting opportunity not only to compare them but also to think over a hypothesis that some of the clarinet writing could be used as base for ornamenting the later cabaletta.
Partition centrale :Variazioni per clarinetto (2 partitions)
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