de schenker si publicata in "der tonwille" (1924). de septima pe dominanta. die kunst der fuge diminuationem) - p. 42 doar pe consonante. (vezi ex.2) education, 3(2), 17-21. ex.3: specia iii - apud luigi cherubini ex.4: specia iv - apud martian negrea* exemple contrapunct fenomenologica a hope university (anglia). - i.) date generale ii.) armonia schenkeriana iii.) contrapunctul schenkerian (im autograph von der hand im contrasubjekt angebracht worden, intervalelor. in the chamber music course ist der verfasser gestorben" johann sebastian bach johann sebastian bach (1750) learning (pp. 392-413). new york: schirmer. levels). melodica independenta. middleground. music education, 45, 259-272. music. isbn 1-58046-143-3. music theory 3. muzica din bucuresti. mvnu m v new haven: yale university press. nota bene: of europe of new music 4. peer publications. perspectiva philipp emanuel bach's) (pp. 9-52). oslo, norway: norges musickkholshole. practice. new york: guilford. prin principale: prof.dr. serban nichifor (prologation techniques) quarterly 31. research. (scheinharmonie). schenker" school of music, (secunda, septima). - see appendix; serban nichifor (2006) sergiu celibidache services); singurul "natural"). some important artists. (speech) structura fundamentala propriu-zisa. - syllogism - - synopsis - the art of fugue theory 3. (therapy, genetic music , etc.). timp. &- u did university press. university press.isbn 0-335-15275-9. w. w. norton & company. isbn 0-393-95192-8. york: oxford university press. zona elaborarii," />
Nichifor, Serban - SITES D'INTERET A UNE ANALYSE HOLISTIQUE DU POSTMODERNISME MUSICAL (Compendium) cours Musicologie