 | Traditional - "Blue Bonnets Over the Border" for Harp Harpe |
VoirPDF : "Blue Bonnets Over the Border" for Harp (3 pages - 90.91 Ko)746x⬇ MP3 (90.91 Ko)241x⬇ 1926x
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| Compositeur : | Traditional | ||||
| Instrumentation : | Harpe | ||||
| Genre : | Celtique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 13 Avr 2013 On the death of Charles II, his brother, James VII of Scotland and II of England, succeeded to the throne. (The word Jacobite comes from the Latin for James - Jacobus.) He was a Roman Catholic and a firm believer in the divine right of Kings. Both stances made him so unpopular that in 1688 Parliament invited William of Orange and Mary (James II's daughter by his first wife, a Protestant) to rule. In 1689 James VII & II was deposed. In the sixty years that followed there were five attempts to restore James and his descendents to the throne. Of these, three were major - 1689, 1715 and 1745. The massacre at Glen Coe is also part of Jacobite history. Jacobite Troops had no formal uniform. The white cockade on a blue bonnet became their emblem. The white cockade emblem is said to have originated when Bonnie Prince Charlie picked a wild rose and pinned it to his hat. There are other legends, one that traces its origin to Ireland. 'Blue Bonnets Over the Border' is a famous Scottish ballad which refers to Bonnie Prince Charlie's march into England in 1745. A blue bonnet or beret was a traditional piece of highland dress and due to the large highland composition of the Jacobite Army became associated with their faction. This was taken one stage further by affixing a white cockade to it, which was an official emblem of Jacobite affiliation. Today the march is still a popular military anthem, although it is especially favoured in Canada. Early ballads were dramatic or humorous narrative songs derived from folk culture that predated printing. Originally perpetuated by word of mouth, many ballads survive because they were recorded on broadsides. Musical notation was rarely printed, as tunes were usually established favourites. The term 'ballad' eventually applied more broadly to any kind of topical or popular verse. Although this work was originally written for pipes, I created this arrangement for Concert (Pedal) Harp. Partition centrale : | White cockade (Meg merrilees) (2 partitions) | | |||
