 | Roussel, Albert - "Andante d'un Trio d'Anches Inachevé" for Woodwind Trio Hautbois, Clarinette, Basson |
VoirPDF : "Andante d'un Trio d'Anches Inachevé" for Woodwind Trio (3 pages - 123.07 Ko)573x⬇ MP3 (123.07 Ko)141x⬇ 1083x
| Compositeur : | Roussel, Albert (1869 - 1937) | ||||
| Instrumentation : | Hautbois, Clarinette, Basson1 autre version | ||||
| Genre : | Classique moderne | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Date : | 1937 | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 10 Aoû 2013 Albert Charles Paul Marie Roussel (1869 – 1937) was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the impressionism of Debussy and Ravel, while he later turned toward neoclassicism. Roussel was by temperament a classicist. While his early work was strongly influenced by impressionism, he eventually found a personal style which was more formal in design, with a strong rhythmic drive, and with a more distinct affinity for functional tonality than found in the work of his more famous contemporaries Debussy, Ravel, Satie, and Stravinsky. Roussel's training at the Schola Cantorum, with its emphasis on rigorous academic models such as Palestrina and Bach, left its mark on his mature style, which is characterized by contrapuntal textures. Roussel's orchestration is rather heavy compared to the subtle and nuanced style of other French composers like Gabriel Fauré or Claude Debussy. While Roussel did not fully share the stylistic and orchestral aesthetic of so-called "French" music, he was never a mere copyist of Teutonic models. Roussel's manner could hardly be called heavy when compared with the sound of the German romantic orchestral tradition represented by Anton Bruckner and Gustav Mahler. "Andante d'un Trio d'Anches Inachevé", which roughly translates as "Andante to an unfinished wind trio." This charming movement represents his later neoclassic style. Partition centrale : | Andante d'un Trio d'Anches Inachevé (2 partitions) | | |||
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