 | Wanhal, Johann Baptist - Clarinet Sonata No. 3 for Clarinet & Piano Clarinette, Piano |
VoirPDF : Clarinet Sonata No. 3 for Clarinet & Piano (23 pages - 507.71 Ko)2 068x⬇ VoirPDF : Clarinette Part (215.27 Ko) VoirPDF : Piano Part (368.31 Ko) MP3 : Audio principal (368.31 Ko)397x⬇ 3483x
Clarinet Sonata No. 3 for Clarinet & Piano
MP3 (13.3 Mo) : 
(par Magatagan, Michael)270x⬇ 449x
Clarinet Sonata No. 3 for Clarinet & Piano
MP3 (13.3 Mo) : (par Magatagan, Michael)256x⬇ 475x
Clarinet Sonata No. 3 for Clarinet & Piano
MP3 (12.96 Mo) : (par Leonard Anderson)480x⬇ 420x
| Compositeur : | Wanhal, Johann Baptist (1739 - 1813) | ||
| Instrumentation : | Clarinette, Piano | ||
| Genre : | Classique | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 03 Oct 2013 Johann Baptist Wanhal (1739–1813), was an important classical music composer. He was born in Nechanice, Bohemia, and died in Vienna. Wanhal had to be a prolific writer to meet the demands made upon him, and attributed to him are 100 quartets, at least 73 symphonies, 95 sacred works, and a large number of instrumental and vocal works. The symphonies, in particular, have been committed increasingly often to compact disc in recent times, and the best of them are comparable with many of Haydn's. Many of Wanhal's symphonies are in minor keys and are considered highly influential to the "Sturm und Drang" movement of his time. Around 1780 Wanhal seems to have stopped writing large-scale instrumental music, and rather contented himself with writing piano music for the growing middle class, and church music. In the former category his programmatic pieces, often related to recent events such as "the Battle of Würzburg", "the Battle of Abukir", and "the Return of Francis II in 1809". Judging from the number of extant manuscripts available, these works must have been highly popular. Wanhal was also the most prolific writer of Masses and other Catholic church music of his generation in Vienna. Despite this, it appears that he was never in the employ of any religious institution. This means that his late Masses are both testaments to a genuine personal faith, and evidence of how lucrative his focus on incidental piano music must have been. Although this piece was originally composed for C-Clarinet, I transcribed it for Bb Clarinet & Piano | |||
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Par pwillia6, 02 Janv 2015 à 08:18
Its in the wrong key ! Should be in Bb not Ab magataganm  , 02 Janv 2015 à 09:20 ↪ It was originally composed for C-Clarinet, I transcribed it for Bb Clarinet. Thank you for your feedback! |
