 | Haendel, Georg Friedrich - "He Shall Feed his Flock" for Trumpet & Piano HWV 56 Part 1 Scene 5 No. 4 Trompette et Piano |
VoirPDF : "He Shall Feed his Flock" (HWV 56) for Trumpet & Piano (3 pages - 192.13 Ko)3 254x⬇ VoirPDF : Trompette Part (157.16 Ko) VoirPDF : Piano Part (177.09 Ko) MP3 : Audio principal (177.09 Ko)562x⬇ 2894x
He Shall Feed his Flock for Trumpet & Piano
MP3 (2.28 Mo) : 
(par Magatagan, Michael)284x⬇ 509x
He Shall Feed his Flock for Trumpet & Piano
MP3 (2.38 Mo) : (par Magatagan, Michael)302x⬇ 316xVidéo :
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| Compositeur : | Haendel, Georg Friedrich (1685 - 1759) | ||||
| Instrumentation : | Trompette et Piano | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Date : | 1741 | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 04 Oct 2013 The "Messiah" (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Psalms included with the Book of Common Prayer (which are worded slightly differently from their King James counterparts). It was first performed in Dublin on 13 April 1742, and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1713, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s, in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of conventional opera, it is not in dramatic form; there are no impersonations of characters and very little direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah, moving from the prophetic phrases of Isaiah and others, through the Incarnation, Passion and Resurrection of Christ to his ultimate glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards authenticity; most contemporary performances show a greater fidelity towards Handel's original intentions, although "big Messiah" productions continue to be mounted. "He shall feed his flock like a shepherd" is an Aria from Part 1 Scene 5 (No. 4) is a summary of the Saviour's deeds is given in a compilation of words from both Isaiah and Matthew. The Old Testament part "He shall feed His flock like a shepherd" (Isaiah 40:11), is sung by the alto in music in 12/8 time which is reminiscent of the Pifa, but moving first down, then up. The New Testament part, in the Gospel words of Jesus, are changed to the third person "Come unto Him, all ye that labour" (Matthew 11:28–29). The soprano sings the same melody, but elevated by a fourth from F major to B flat major. Although originally written for Opera, I created this arrangement for Bb Trumpet & Piano. Partition centrale : | Messiah (191 partitions) | | |||
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Par flamen, 09 Janv 2019 à 23:36
Beautiful arrangement, thanks for sharing! magataganm  , 10 Janv 2019 à 02:32 ↪ Thanks! |
