4th subject. (4) wood band. 501 per second respectively, 5,040 changes 51st psalm sung; in the (5) an organ stop, or rank of pipes. (5) by its adhesion to, or neglect of, the |5=eebg_juj tjyjim 5 inflatilis 5. intervals (5) military band. (5) perfect time. 5th and 3rd. (5) the name of a clef in old mensurable (5) the normal sound (ger.normalton), (5) the virginal, or spinet, used a long 5th perfect, or dimi,, 5ths as an abomination. 5th string (5) to foot, to dance. (5) without valves 6. 7. from j. s. bach's, 371 vierstimmige 6 (8 ve twelfth) 31-020 (6) a cadenza is 6. a tritone (or augmented 4th) should be 6 circumflexa 7 muta. 6 inches c 6i*o2=diff. of g'--tf (6) that which cannot be 6th becomes 6th century, but (6) the key-note of the major scale, having 6th modes. 6th string 6/x6(j>wrog. 711, i, t, flat. 72 and 73). clearly he was a greek. but even 7, 5, of that fundamental bass. =77 rrtseesj-eajj-l ( 7.) before explaining the #7%hr7^g?##fpag (7) implying that the quality of tone is 7. knowing the velocity of sound in air 7 octaves upwards and 12 fifths. 7th and 8th modes. (7) the name given to the 7th in which a leading note appears. 7ths, octaves, gths and ioths 7 tons. 80 chorus singers, male and female, about 8 bells, 40,320 changes 8 feet in length. 8ft. pitch. 8 in 1 that 8 parts sing 8. of the three kinds of ( 8.) on pressing down a manual key, (8) shows a canon 4 (8ve. lower (8ve. lower;. 8ve lower. 9 a form of the 4th. 9 bells, 362,880 changes 9th and 12th. ( 9.) the draw-stop handle acts upon the 9yft a, and so on. a. arytenoid cartilages a back choir organ, a back-fall, a kind of abacus (lat.) &(ia (gk.) any square a badly woven string, a bad performer with stones." a ballad, properly speaking, a bar's rest in time. a bassoon a baton in france. a battement. [a battuta.] abbandonamente (it.) with self-abanis abbandonarsi abbandono, con abbassamento abbassamento di voce, a lowering of the abbellirea abbellitura(7y.)ornament, embellishment. abb. (i) of pedal. in pianoforte abb. of fortissimo. abb. of tasto abb. of trillando abb. of una corda. abb. of violoncelli. abb. of violoncello. abbreviare abbreviated, abbreviated thus, m. d. and m. g. -abbreviation. abbreviation of (1.) memo destra abbreviation of main gauche (fr.), abbreviation of piano, abbreviation of pizzicato. abbreviations of abbreviations of the word. abbreviature abcidiren {ger.) (i) to use a system of a beat in abed a being the key note a bellows, abendglocke abenteuerlich(ge/'.) strange and uncouth. abgeleiteterakkord (ger abhd. pp. abkiirzungen (ger.) abbreviations. able ably." abnehmend(g^r.)le7.takingaway,rffc/'. about about. about 1 120 feet per second. about 1720, but from the mention in bach's about 495, received assistance from his (about life-size.) about the year 1677, about twenty-five years ago. the dancers above above, above. above alluded to, pp. 184, 185. (above fenestra ovalis) above is followed. above mi will stand fa, above scheme be considered without above the dominant. above the nazard or twelfth. above the third (ex. a bow. a brace, uniting several a brass instrument of deep a break in the time of abrege (fr.) shortened. a breve. a brilliant cadence. abrupt modulation. a sudden change absatz (ger.) cadence. [cadence.] abschnitt (ger.) section. [form.] absent in most seals, the absetzen (ger.) 1 to render music 'stac- absolutely a absolutely unknown. absorbed. abstossen(ger.) a bulb (hence the a "burial service" is a a burmese harp. a burmese violin academie de musique academie royale de musique academie spirituelle (fr.) academy or school for singing. a canon is said to be a canticle. [a cappella.] " a catch." acathistus. a hymn of praise, sung in a cavity which is not accarezzevole accarezzevolmente accelerando accelerando. [accent.] accent (2) of metre. [accent, 4.] accent, and rhythm. accented note accented portion of the bar. accent (fr.) a sign used in old french accent is of two kinds, vocabular and accentuare accentuation. (accentus) accentus ec[accent, 4.] accessories. accessory. accessory ideas, accessory portions accessory stops and movements. acciaccatura(/.) ashortappoggiatura,e.^-.: accidental accidentals. accolade accolade (fr.) accommodare accommodates accompanied accompanied by instruments. accompanied with accompanies accompaniment [accompaniment.] accompanimen t. accompaniment. accompaniment ad libitum. accom\ accompaniments. accompaniments was accompany accompanying accompanying chords. accompanying harmonies " accompanying harmonies to ditto." accompanying voices or parts. accomplished church accordamento accordance with probability to accordando accordant accordare (it.) to tune. accordatitra accordato (it.) tuned. [accordatura.] accordatura (it.) [accord.] accord de sixte ajoutee (.fy.) the accordeur (fr.) a tuner. according according as it was strung. according to according to engel,as below according to percy the word according to ritson, one who according to some, according to the according to the account (according to the best according to the picture [accordion.] accordion, accordion kind. accordion more acceptable. accordions. [accordion.] accordoir (fr.) a tuning key or hammer. account for this custom, unless account here account, or even accresciumento clar accurate. a celebrated player of that name. a cembalo, possibly from its a cento a certain a certain limit, acetabulum. a chamber organ. a choir a change a change concerning a change of key. a chaplain or singing a chord a chord of g. a chord of the a chromatic fantasia, &c. a chromatic fugue, achtelnote (gcr.) achtel-note (ger.) achtelpause a church. a circle. a circle of small " acis -- "a citole acknowledgment of the a clapper in the inside. a clear tone. a clefs (fr.) a keyed trumpet. a closed organ pipe. a collection of players a com- a combination of the a common a common start-point. a complete change of time or key. a composer is best shown. a composition a composition for ten a compound a compound is the passing a concluding voluntary; a piece a concord, the other a conductor, as an a convivial character. a coquettish a coranto. a cord or tape a counterpoint a country a course [acous- acoustics [acoustics, [acoustics.] acoustics. acoustics." [acoustics, 16.] [acoustics, 19.] [acoustics 3.] [acoustics, 3.] acoustics involved. [acouswhich harmonics are generated. ac. paranete (beside nete). acquired at puberty. acquisition to literature, across a tortoiseshell. [act.] act. (acte, fr.; action action." action in action was still clumsy. act iv.) active. act. iv. sc. 1 act music- actor actor. actors established at rome, in 1264, who acts as a sound-board. act tunes. [playhouse tunes.] actual length of the string. actually required. actual sound g| actual use. [acutae claves.] (5) acute. acute harmonics. acute, high. adagio (it.) slowly also a name adam of bremen, who says that, about 1067, adam, thomas, offenbach, a dance, a dance in triple " adaptations, added motives added passing-notes between -added sixth. [added sixth.] addison's description ** addit. addition addition. additional chorus additional soprano addition of additions. addition to minor scales. address, authority. addressing the auditors. a defect in the a delicate combination of a demi-voix,' avec ironie,' but these may [adeux.] a deux mains, for adfigendis acquiescerent." adiaphonon. a diatonic fugue, in which a diatonic interval is one a diatonic melody is a dictionary a dimension of space. ad invicem habitudo." a direction in lute playing. a direction that a direction to a direction to play on a direction to resume the pace a direction to the a division of time a division or " adjecit et ad lib ad libitum. ad libitum are addi(3) accompaniments ad libitum (lat.) at admit its body. adolphe a dome. adopted. adopted) adopted, is daily losing ground adorn amento adornamento (it.) an adorned. a dot a dot was called the a double flat, !?!?. a double octave. (2) an organ stop, sounding a double-root-chord, and a double sharp. (ad placitum). a drinking song. a drone bass, a a drum. a drum player. ad sal-van-dum nos a due corde(/r.) a duet for these advantage to english musical advent advice would be superfluous. aevi a female singer. affabile affannosamente (it.) restlessly. affannoso (it.) mournfully. affected, coquettish. affecting affection. affectionately. affections, affetto, con (it.) affettuosamente affettuoso .affettuoso affinity. affix jubilee afforded into the larynx (fig. 5). affrett' affrettando .affrettando affrettore a final cadence, &c. a finite canon a first appearance. a fish has no neck, a fixed organ. a flageolet or whistle. a flat in the lower range. aflat"=|jx a flat stringed a flower, xtyw, a flute a flute a bee. a flute made a flute or pan-pipes, made a foot consisting of a foot consisting of three a, for instance, a foursided body, thus a fourth. a compound fourth. a free fugue. a free style. a fret a fret upon a guitar 01 (a). from the word antiphon, after (after after. after a lively, brisk, or gay manner." after carissimi, after disturbing influences. 'after every pauan we vsualy after her. after his residence in after its describer. after marbecke's book, which after singing a high note. after stedman (1640) is, in after the after the advanced age after the district in after the gradual after their inventors; as after the production after the restoration. after the slow movement. after the third collect. after this, endeavour to bring afterwards abandoned. afterwards called dorian, mode. afterwards modified into the afterwards, through the musical after which after which, after which he introduced a fugue by contrary motion a fugue-subject or a fugue with a funeral song of the afz'ra gestorum again " contrapuntal devices should be again, more. against false relations against modern extravagance, but those against note. against the lip, a b against time. again, we a gavot [gavot]; tempo di marcia, in a general a general name of a general publication. a general term agevole (it.) agile. agilita, con (it.) agilite (fr.) lightness and freedom agilmente (it.) \ cheerfully, in a lively agilmento (it.) ] manner. agit agitamento (it.) restlessness. agitated. agitate the sides of agitation. agitazione, con. agnus dei (lat.) agoge (gk.), aywyri. a gothic poet, priest, a gourd at each end. [bina]. a graceful a grace, roulade. fiorltura. agreeable sounds by combination. agreeably, a greek flute, agreement with another. agremens a guitar or lute having a a gum, a halling. a halving of the pace of the music. a hammer. a hand-mirror was a hindoo instrument of the a hollow a humorous melody a hymn aid of music. aigu ai-je compte, volage, a ioth, an interval of a [air.] air, air. air and water. air by the most convenient air in the air is forced, air is supplied air or theme in airs, air through free-reeds. air to leave the foot in air to solids. air to suit his ais (ger.) the note a sharp. a^j^rpj ^sjsajs* a key-board for the system a key-board of 84 keys to the a kind a kind of a kind of guitar akkord.] akt, gcr.; atto, it.) alamoth (hcb.) this word occurs in a lamp, which may or may not be furnished a large kind of oboe. alarum, all'armi a latinized synonym of diaphony alberti's alberti, the alberti, who died in 1739. albinoni [1674-1745], whose sonatas were alcuna licenza, con aldhelm, who was one a leathern bag, and au\de, alessandro a lever which controls the alfieri, " alia breve." alia breve (it.) [alia mente.] alia mente [it.) alia riverso (it.), alia stretta(/7.) bringingcloserand alia vibrato. alien to the spirit of the work. alike as to subject and movement. aline drawn through a figure aliquot tones. a list of the shakes a little more. a little organ which alive, brisk, lively, animated. all animals, even all' antico (//.) in the old style. allarecit., all are tuned a fifth apart. -alla stretta. allegorical characters assumed. allegramente allegrettino .allegretto allegri, who died in 1652, composed a .allegro allegro. allegro agitato allegro {it.) (lit. joyful.) quick, lively. allegro moderato. allegro, rather allein (ger.) allein, soft stops only. allemande- allemande. allentamento allentato allernande all his biographers alligators. allison, allonger l'archet all our knowledge on allowed a pension of 2400 fr. campenhout allowed to vibrate, and thus the pitch all parts of the world. all, the all the intermediate all their all the known keys. all the parts all the parts are all the roundel lustily, all these all these animals all these laws and many allusion to the ally of a almighty power." almond is mandola. almost almost coeval with a lofty jumping or a leaping round, alone. alone, as sanfte stimmen alone is flat, alone will stand in a long " in modo perfecto " was along the a loud noise which may never occur. alphabet in use then as now alphorn. alpine horn. already described. already enunciated. already in use. al rigore del tempo al rigore di tempo (/*.) al riverso [al rovescio.] al rovescio al seg .al segno [al segno.] al segno also also, also 2 in also abb. also any also applied to certain de- also approximately also called a bind, also called a cadent. also called beaujoyeux, who came to also called spiccato. also changed to do (france excepted) also claim credit for being also find also given to account- also indicated by the sign ^=. also known as the chord of the also known in france (chants also, notes with also the also the introduction of also urged that the lower also used to indicate the also, victorinus says also was noted for his skill. alteiation has been alter- alteratio alteratio (lat.) in mediaeval music, the alteration alteration of key. alteration of the alterations alterato altered, augmented (with altered by other signs. altered for the purpose. alternamente (it.) ~\ changing by turns. alternando alternate alternativo alter the altgeige (ger.) although although cadenzas were although doubtless of although high in pitch. [larynx.] although it seems although the greeks had although these would of course combine " although they have the altieramente altissimo (it.) the highest. alto [alto.] alto a second alto-basso alto clef alto clef, altogether. alto part alto singer. alto violin. [alto voice.] alto voice. alto voice will alt-posaune altschliissel (ger.) alto clef. altus, medius, and bassus altviole (ger.) [alto viola.] altzeichen always, ever, continually always find always stated, as a lyre. this word was formerly a lyre with an open back could alzamento di mano [it.) raising the alzando (it.) amabilita, con a major semi(gk.) 'a-oro/o). a major tone. a male singer. a male singer with a a. malleus. a manner a man's work should be " dedicated " to god, a manual or clavier. a march. amarevole (it.) sad, bitter. amarezza, con (it.) with sadness. amarissimamente (it.) tt amarissimo [amateur.] amateur (fr.) a lover of music; one a may song. ambitus ambo ambon ambroise thomas has a ambrose. ambrosian ambrosian hymn. ambrosian te ambrosian te deum. [ambubajae.] ambubajae (lat.) companies of immoral ambubajje ambulant (fr.) a measure a mediaeval sign or a melody sung in the a membrane amen amen. a metronome in a minor third. a mixed company, " would you a mixture-stop a mode. a modern a modulation. [modupassing note. among among a chest of among modern among modern poets, but when such a lack among mohammedan among most of the european among other works, tallis and byrd's among other writers, dante amongst amongst which among the among the former, the among the greeks, the unison, among this second among whom a moorish tambour. amore, con (it.) with love, affection, a more decent form. a moresco (//.) in the moorish amorevole (it.) affectionately. amorevolmente (it.) tenderly. amorosamente (it.) lovingly. amor-schall. amount a moveable piece of metal or a movement a movement of the voice amphibia. amphibians which amphibrach. amphioxus or amples amplified. amplitude of vibration. the distance ampoule * ampulla of semi-circular canals. amrantc, similarly written a ms. probably of the gth century. a muscle situated in the amusement a music book. an accessory part, in a fugue. an accidental, that an account an adagio in an affected an air in a graceful, anakamptos. (gk.) [anakampsis.] a name, apparently a name formerly a name given to the an ancient greek trumpet an animal with moveable ears, an anthem an antiphon sung while the an apby eight fifths anaploke an approximate an artifice an artist who an assortment anatomic" von anatomie," part i. p. 582 an authentic an bout. ance [anche.] ancient celts. ancient metrical hymns, ancient nations," pp. 12, 13. ancient scandinavian trumpets. ancient supremacy, and there (ancient systems ancient than his date. ancora (it.' again, once more, ancor piu mosso (it.) still =\ and "and and" and 10th. and 13th. and 2nd, and 2nd." and 2nd modes. and 32 and (3.) the madrigal accompanied by and 4th modes. and 74 of bach's passion (st. matthew). and a bass trombone and ability of an artist. andacht (ger.) andachtig (ger.) and a few and after that and after this was ended, and a half octaves. andai-e in tempo and a lamp burning with a and all the and also and also, and also the and another having four notes and another was, and answer. and answer in a stretto. and answer (simply or by augmentation .andante andante. andante con moto. with energy or andantemente andante non troppo. andante sostenuto. and archaeology and are therefore and arm in arm and arranged by w. chappell, and at about and at another a dulcimer. and at one time, and avrevippti/ia of the and b, and backwards. and baryton. and beauties and became the and before the and began dancing and bell-shaped metal end. and below and besides them, and boundless, and cambridge are the subject of special and catching and chaucer in england." and citizenship of the people. and closed with a and compass. and compound. and compound vibrations of light. and connected. and consecutive and consequently no middle and contempt. [dance.] and dale, music primer.) and dance." and depression marks.) and describes and difficult." and diminished and diminished, and diminuendo. and distant and distoned from melodie.'' and divide it thus and dominant; and dominant harmony. and double-bass. and du cange quotes (verbo motulus) a and e, and effects can and embellished style. an der petri kirche, leipzig, 1831. no. 6 is and even and even- and even beyond these and, even in canticles and ex. and expression, and expression. and extraneous, &c, &c. and " five pair of double regalls." and flute a chciuinee and formerly employed and forwards. and fourth and fr.) and from and from the and fuga incomposita was when the and full grand. and further, and further, as many and generally in two and german than and gives a twig and ground-note, and guinea. and guitar and had to be struck sharply. [organ.] and hare and harmonic and has consequently been found and have no membranous part. and hence and hence it is and hintersatz coupled. and " hluddra sang." and hypo-ionian and hypo-lydian. and i2th modes. and i am sure that the and if the and if you love me, love me now; and in 1627 hilton's ayres or fa and in ex. 2, and (in old music) other parts. and into related and is present in all but two frogs. and is slower in pace than the jig. and it another on c be found, and it has thus much and junk in arabic. the negroes and justly, and lyons (for basses). and major semitone and minor keys and more and movements acting only on the and moving, and is admirably adapted and musicians, when they set and next to it and " notation and notation.] and not by and now, and now, quitting the diatonic and nvkvbt and octave and octaves, and of 16 ft. pitch on the manuals. and of beats. and of mrs. todd, and of public and private musicians and of the chief and one short syllable -- -- and only "inscribed" to a fellow-man. his and organised arrangement. and organ (ugab)" (genesis iv. 21). the and organum, which consisted entirely of and other celtic melodies. and other countries and others. and other works sufficiently prove. and out the aperture. and pan's-pipes. and passing events. and "passion music." and phorminx (fopmyt,) the and phrasing notes with the voice. and pillers." many cities and towns, both and pit-a-pat make our knackers ring." and places where and played and played thus and plays in it himself. and pleasure. and powerful sound. and practice their guide. and practised personal skill and privileges and probably the ugab of the and 'pt]rirr), gum.) and quiet character. and rapid series of notes. and reed, having tubes twice the normal and reflection.) and return backwards and r is inside and ritorncllo. and roulade is generally and saints, and martyrs. and satisfactory performance. and scherzo of no. 9). and schncibel, or beak, and semitones and seven and shade and shakespeare and shepherds and short (breve or brief), " mensurabilis and should learn how to use. and shrillness and six parts, made by matthew and sixth and so and so it and sometimes and sometimes followed by one, and sometimes four parts. and songs among "the king's and so on. and so on. in other and so on. it will be and so on. [pitch.] and so on through and sorrowe make." and spaces. and spaces is and special (and spirited. and superior ear-bones or and tenor c and that and that all and that name i take and the and the 5th above and the bass part. and " the believing soul." and the crozier and the curved and the external ear, and the gift is and the masses and " the mythical and then, after as, e poi la and then decayed, " and then to sigh, as't were and the old rules with regard and the only and the player blows and, therechords of and there was an and the right will not expire and the same thing, and the strings and the student and the syrinx of the greeks (pan's-pipcs), and the thyro-hyoid. and the tongue and the wood-louse) and they have also found their and they lived and they wrote down music in the and third bars of ex. and third books were published in 1608. no and this departure increases by .01955 and three and to and tortoises we and transmits vibrations and triple forms mixed. and ultimately the and universally adhered to. and upon and upon the two-octave lyre. (and usually black) keys of the pianoforte. and valved. and valves and very smoothly. and violoncello, and vocal range. and vocal sounds. (2) method of producing and voyces" (1606), describes and voyces," as in alison's and wandering dance, and was especially favoured by that and we have and what is there in and when and when it and when, on the and which by and which here follows. and which, when moved up or down by and with extra complexity. and, with the last named and with the same facility. and wood's and worked the bellows. and works please to protect and yet, with all the an ear for an early instance of an easy one. it was called "quadrating"' an e horn, a minor sixth an eisteddfod as an eleventh. anelito an embellishment, a anemochord. an episode an even tone in quick passages. an example of an example of an episode, an excellent breast." an excerpt. an extended composition. an extract anfangs-ritornel (ger.) angelica angelica. angelique angenehm anglaise (fr.) l anglican chant. [chant.] anglican church were chosen by the anglican pointing, anglico anglo-saxon chronicle we anglo-saxons, anglo-saxon term angore angosciamente (it.)) sorrowfully, angosciamento (it.) j anxiously. angoscioso (it.) anxious, painful. (ang.-sax.) anguish, anhang (ger.) a coda. [coda.] an harmonic an honest robe, shoes, "an howres animals (fish). animated, animated character, moving animated, with greater spirit. animato (it.) lively, animated. animato, rather animated animo, ccn (it.) with courage, spirit, animo corde (it.) [anemochord.] animosissimamente (it.) animosissimo (it.) an indian drum. an ingenious contrivance an ingenious machine, an instruchiroplast. an instrument an instrument. an instrument having a an instrument having two an instrument of an instrument of ancient an instrument of the guitar an instrument of tine an instrument somewhat an interesting an interval. an interval of a fourth, as an interval of five whole an introductory voluntary. an inversion. an invitation to praise, an italian fretted anlage (ger.) anleitung (ger.) anmuth (annales ecclesice, an oboist an obsolete instrument, in an obsolete instrument of an octave higher. an office celebrated on an officer in a anointed. an old an old english round an old german guitar an old lively dance performed an old name an old song of the time of an old term for an open air morning con- an open metal flue pipe an opera, an opera. one of the most an oratorio in english, composed by mr. an orchestra an orchestra. an organ an organ flute-stop. [flute.] an organ), including both reed and an organ in which a an organ or pianoforte. an organ sonata. an organ stop con- an organ stop, con- an organ stop of 32-ft. an organ-stop, the pipes an organ-stop, with two an ornamental an ornament consisting an ornament in harpsiof" a note a note, a note accompanied a note signifies that another another common instance of another edition by j. buckland in 1746. another explanation another in g. another instance another line of the text another name for the laudi another prolongation another sheba queen. another view regards an oval tympanic membrane is fitted. a novelty. an overture. ans. anstimmen (ger.) anstimmung (ger.) answcrhcre modulates answer answer, answer. answered by a answered by dominant, answering an asu answering the stringed answers al rovescio are found answer shows answers is called the exposition answer with antecedent, &c. antecedents, the subject of a anteriorly by the cochlea (fig. iv. 6, 7, 8), anterior, posterior, [anthem.] anthem. [anthem.] (2) anthema- anthema (gk.) avde/xa, short poetic form [anthem.] [madrigal.] anthems. anthems of the present anthems, the exigencies of the anthologium anthropoglossa anticipated anticipation, anticipation. antico (it.) ancient. antidotum tarantula. antienne (fr.) ) antifona \ 7 ^} antifonario -antiphon. antiphon. antiphonaire (fr.)\ [antiphonary.] antiphonal song. antiphon. [anthem.] antiphonarium [antiphonarium.] antiphonary. 1 a service book of the antiphonasque cantarent." antiphoner. j roman church, which antiphon. (i) in ancient greek music antiphons sumitur" antiquity antiquity. antispast (iambic & trochee). antispastus. antistrophe antistrophe. antoine verard, 1490, in which a ms. note antwerp, mechlin, bruges, ghent, and a number of intervals such, that a number of musicians an undecided manner. an under-part. an undertone an unpretending character. an unrelated key. [modulation.] an up bow in violin anvers, 1579, in which, kissing the whole of anwachsend any authority any chink remains any composer. any extent. any mechanical contriinstrument. any membrane conducts sounds any more compressed air by bb. any movement which recurs any musical sign. (2) in particular, the any other plan. any other science. any point by the use of a sign any prescribed form. any regard to form any subject any subject chosen for con(3) anything, entirely new anything with frequent any time of the any unseemly clamour any way resembling the lyric any wind aoidoi (gk.), plural ofdoisoe. minstrels, a " pair of virginals." a paper by de morgan (cam. phil. trans. apart and depressed. apart, as the case may be. apart, thus temporarily opening it. a pathetic manner. a pause. a pedal register a peg of a violin, &c. a people of a different a people possessing a perfect a performer; a a performer who a peu (fr.) apfelregal (ger.) a reed stop in the apfiovia apfxottuiy a phrase. a pianoforte, to apices apposed 'api^oi'iag ? fiiytdog a pipe. fistula ditlcis, a pistons (fr.) a plagal tone a plaintive, sorrowful style a player. a player on a plectrum like a cithara a poco piu mosso (it.) apollo-lyra. apolutikion (gk.) airdkvtikiov. a portative organ. a portative organ was often a portion a portion of a post a postman's horn. [apotome.] apotome pythagorica a pot-pourri. a power, apparent. apparently appassionatamente appeal to imperfect judgment. the word is, appearance," dasmusikalische kleeblatt" of appearance of the appearance the pianoforte, but appears thus appenato appendix. [applause.] applause. applicable applicatur applied having little or applied to applied to many things of a curved shape, applied to organ or applied to texts of scripture applied to the applied to the canto primo. applied to the increase of time appoggiando appoggiato appoggiatura, beat. appreciated. apprestare approval of the elector of saxony. approximate formation approximate harmonic seventh. april 9, 1870), the divergences of the later a programme. a prose. a [a. proslambanomenos. a proverb current in the a psalter, generally a psaltery. [nebel.] apud gerbert's (apuoviki)) apycni a quadrille. a quartet. a quatre seuls (fr.)") t, r a quaver j* a quaver ^(lat. chroma). a quaver s the hooked a quaver w> a rapid triple measure a rattle, arbitrary laws of rhythm. arbitrio arcangelo arch archbishop alfric wished arched archicembalo archiluth archlute, archytas. arciliuto (it.) arco arco, or simply arco. ardently. ardently, eagerly, arditezza,con (it.) with boldness, energy. .ardito ardito (it.) bold and ardour, desire, fervour, ardour, desire, longing. are, are: a real fugue are as follow : are as follows are based upon are chiefly are confessedly ignorant are covered strings. are easily distinguishable. a reed-flute. a reed-instrument of powerful tone. a reed instrument of the a reedy quality of tone. are employed. are fixed. are forbidden. are generally are generally about 3 are generally as follow are given through the are harsh and shrill. are hence called finger-cymbals are imitated throughout. are, in all are interested in the subject. are introduced are irregular or non-periodic. are largely used. are made perfect. are made with the knuckles are minor. a remote antiquity are no longer simple but compound are not greek. are not objectionable in are occasionally absent. are of excessive difficulty are of general appli- are of " very ancient " origin.* are perfect. are placed. are pleasingly effective. are plucked with the right hand. are produced by the forcing of are rarely reached. are similarly shown. are situated three small are sometimes used. a resonance-box. are spoken of as the choir. are, strictly speaking, are struck. are struck, e and e (or ft)) are sufficiently distinct. are synonymous. are the dis- are three manners of ways in playing." are thus produced. [aretinian sylguidonian syllables. [aretinian syllables.] aretinian syllables. aretino, are to are to be are to be discovered by filling up the are to be observed are to play the bass part. a return to the original are two kinds of arsis. are very difficult a reward of praise. are wholly conjectural. aria d'abilita (it.) aria di bravura (it.) a melody with aria-parlante or monody, which was aria tedesca a riddle-canon. [arietta.] arietta (it.) ariette (fr.) a ring. aristides aristides quintilianus, (ed. meibom. p. 28) aristoxenus aristox. p. 24, lines 17 to 19. + aristox., p. 28. arist. quint., p. 17. arithmetical armarius, primicerio armoneggiare armonica armonica-- arrangement. armonista armonista. armonya rithmica arms. arms folded during the time the army) a rod a round may a round piece (arpa doppia) with arpa (it.) [harp.] arpege (fr.) arpeggiando arpeggiatura arpeggio [arpeggio.] arpeggio.] arpeggio (it.) arranged. arranged" music. in 1795, j. w. holder, arranged with arrangement [arrangement.] arrangement of a arrangement of the same arrangements arrow, &c. [arsis.] [arsis. j art, artery ; c. styloid process art-flbte art (ger.) species, kind, sort, as auf arthropoda, the sub-kingdom containing article " article forbid article " galliard." articles articulation. (1) in singing, the art of artis artists. art of art of dancing. art of fugue arts. a russian instrument, a rustic dance, of english aryteno-epiglottidean arytenoepiglottis arytenoid cartilages, arytenoid cartilages are fixed). arytenoid cartilage; tc. arytenoid muscles arytenoids are also bony. as above. as accompaniments. a sacred sonata. as a discord, it as a double as, a fugue in as, allegro as a material in bow-making. a sambuka or large harp. as, an encore, to as an example as a poem, the ballad has as applied to intervals. as are also the mouth-pieces, by waxed as a serious side. as, a simple tone. as, assez lent, as assigne of thomas morley as a toy, but the introduction as a well-known case. as being a kind of ballet. as being redundant. as benedict viii. was pope as both pitch and lead ascaules (gk.) aaicavxtjc, a player on ascaulos. ascaulos (gk.) aaxavkoe, a bagpipe, from ascaulus (arrkavxoc) of the ascended the tetrachord by ascending ascending sounds. ascending the scale ascer- a school for teaching as constructed by different makers. a score. a score in which all the a scotch dance in duple as, csatto in- as dur as dur. a secondary meaning of the word, a secondary negative system. a second dot follows the a second edition a second was published as egyptian dates can be a semiquaver a semiquaver. a semiquaver rest. a semitone. a series of a series of small a series of valves as estives de a seventh. a seventh by inversion, &c. (as far as the music as, festtresanp, as first laid down. as, flauto as follows as for as gabriel me bereth witnesse." as generally called perfect. as gli stromenti, the instru- as, handel's ashantee trumpet ashantee trumpet. a sharp third. as he could guess. as he does " a shepherd's pipe ash-hadu as, high, low, &c. as his libretto, he a short a short allegretto movement. a short musical a short note, a duple measure of 2 a short poem intended for a short, simple air, implying or as if reciting. a simple tube. as in an organ, &c. as in a pianoforte. a singer named campenhout. as in modern music. as, inter aliquant as interesting. as in the above groups of semiquavers. as in the french horn and trumpet. as justesse de la voix, purity of a sketch of what a skip a skip down as, la main gauche, a slide a slow dance in | time, a slur. as, major mode, minor a small bellows. a small instrument for a small instrument of brass, a small kind of flute, with six a small pianoforte. a small-sized fiddle. a small spring added for as, mesure as minor as much as possible and vice versa. as never was by mortal finger strook a snort tu&ue a soft as, ohne ped., a solo or concerted piece. as one a song a song, a song. a song in honour of a song. [melody.] a song of difficult a song written by as opposed to as opposed to music sung by ear. asor. a sort of country a sort of map of musical asosra (heb.) [chatzozerah.] a sound-board is made by taking a a sounding-board. as overlapping. a special sentiment or not. a species of a species of small bassoon. a species of song of a species of trumpet, a a species of viol da a specimen aspirare (it.) to take breath audibly, aspiration as plaid." as possible. a spring under each key holds it in as private soldiers. a sprout, but as, ripieno di due, assemblage as set forth by dr. thomas campion, 1620, as signatures for the drums. assigned by written as, simple counter(1) not florid assi que triste naci assistance of the pedals. assistance of the student assistance, or associated in this work, associated with association as softly as possible, as some may assonance. as, sotto voce, in as, stromenti di assyrian harp. as, tamburo as that already described. as the as the " as the above example (56) shows. as the bow is used further as, the chromatic style, the as the first. as the flute. as the following as the " free fantasia." as the growth of the as the human form appears as the king was fond of music as the lowest tone. as the middle of the abdomen. as the " organ* of corti," as there as the suggestor of as the third. as the viola d'amore. as the word as the word is traced as they appear in as they are as this is very important we as this " ut queant laxis." as though astical pitch in a stick. as time as to alter the pitch. as to details. a stop often found in a stork. as to secular music, we find as tres voces, a stringed instrument, a stringed-instrument. a stringed instrument of a stroke as, trumpet in c, d, a study. a subject. a subject-coda or codetta. a succession of a sudden growth takes place in both sexes, a " suite," the jig a suo bene placito (it.) at one's a suo comodo (it.) at one's leisure. a super-dissonant third. as used at gath) as va crescendo, go on as, violino picciolo, as, violino secondo, as, voce gracile, as, vollgesang, with as, volti subito, or as we know. as well as for the voice as well in public as in private. as we read of in the psalms. as you at a just pace. a tambourine. at an early period at an ordinary a tanto possibile, as at a religious at a rope. at a slower pace. at charenton, in 1607. at chichester, 1115; at at chichester and at christmas. at c the triple suspension % % at each inspiration at each side. a temp a temperature of zero centigrade. a tempo a tempo, in a tendency to a tenor quality to the a tenor trombone a term a term applied a term applied to a term applied to songs a term frequently used a term in change-ringing. a term of twenty years. a term used by dr. a tern at exeter, c. 1080 at fc the double suspension 9 6 at first at first, but afterwards at five. (a) that portion of an a theme, or subject; a melody. athenreus. a thin voice. a third a third at geneva, in 1627 at his a thousand years before his visit. "a time at; in music, to condemn. ation. ation of the chord 4 at nuremberg (1475), in the cathedral at a to j- a is unmelodic. but chord 13, in at once, at once. at once that eight quavers at one a tone above the phrygian.f at one period the at one's pleasure a tonic at others, it was at paris, 1613 at queen's college at religious or dramatic expression. a tremolo, a tremolo. a tremolo or quavering a tremulous quality of at rf the a triple fugue, a triple measure of 3 (o a trumpet played in the distance. a trumpet used by the a trumpet whose at salisbury and york he ranked at schiedam, in 1664. at sight. at st. paul's at such a hunts up." " attacati," rather attached a handle, attached to a chantry. attendant keys attendant keys. attention paid, at that early date. at that period, the at the celebration of the at the door. at the end closed by the knot. at the end of the 13th century, at the front, a at the interval of one semitone, (ex. 3) at the new press at at the octave, at the original pace or time at the presence of the at the present day the at the same at the tyger, in beverley at the unison or octave. at the words " christe eleison." at this period, it was not usual attwood. a tune a tune in duple a turn a- tus vir qui at various intervals at various periods. at will. auber. " auch vil auctoribus audace, con audace, con (it). with vigour, boldness. audacity, auderent, sed in brevibus auditory and facial nerves. auditory meatus or canal; auditory nerve as they vibrate. auditory nerve. [ear.] auferions (old eng.) wire strings. aufgeweckt(gf>-.) brisk, aufgewecktheit aufhalten aufhaltung(gcr.) suspension. [harmony.] auflosung aufschlag aufstrich aug- aug. [augmentation.] augmentation. augmented augmented; (1) minor, (2) normal, and augmented,#^jg^; augmented ninth. augmented or diminished, augments as the square augsburg. auletes (gk.) avx?/-i;c. a player on the aulos [aulos.] aulos or flute. [aulos.] [a una corda.] ausarbeitung a useful storehouse ausfuhrung (gcr.) (1) performance or aushaltung aushaltungs-zeichen (gcr.) a pause /r\ aussere stimmen. ausweichung- ausweichung (ger.) change, modulation. authentic. authentic, hyper-dorian authentic, hyper-/eolian authentic, hyper-lydian authentic, hyper-mixo-lydian authentic, hyper-phrygian authentic part of the scale, authority than mr. toynbee.f authorized authors authors. authors' authors (see coussemaker, p. 49) classify the authors, spohr makes most author was then living. auto - laryngoscopy [autos sacramentales. autos sacramentales (sp.) one of the auxiliary note. avec a vehicle a versicle a very small bell. a vibrating string. a vicious habit which is a violin a violoncello a vocal composition in harmony, a voice or avoided, shunned, as avpiyl of the greeks, fistula of the avrapkeg rkvofiii^e (av(tt)ifia. avvtiivu), to draw together. avxiu.) avxxafid eirttpttov away captive required a well crucifixion, a well-known dance, consisting a welsh custom a whole a whole tone ganzenote, a semibreve, &c. a wide but shallow a will be found the double sus8 (a willow). a wind instrument. a wooden a word a word derived from a word of varied meaning. {awrinfiivwv) axis ayairxoer}. ayres ayres. ayres of 4 parts, book ii. ayu/3wv (aywyii), azer^^r^**- m azione [azor.] azor. azor (heb.) this word which occurs in baccalaureus musicae bacchanalian song. bacchius, senr., bacchius, senr., p. 20. bach bach, bach. bach, as published about 1760: bachelor [bachelor.] bachelor of, or in, music. the bach, from bach has bach pronounced bach's bach's beautiful e major fugue is given bach's oratorios were back back. back, and enclosed air of the violin. back and obscures the view of backfall. back of hand. back the first subject. back-turn taking a lower note back view of laryngeal cartilages. badinage (fr.) badinant [bag- bagatelles (.fy.) sketches, short pieces, -bagpipe. [bagpipe.] bagpipe. bagpipe. a drone. the word hummel is bagpiper. [bagpipes.] bag-pipes. bagpipe used baguettes (fr.) drumsticks. baif in 1573 published " mimes, entremets, baisser (fr.) to lower. [balafo.] balancement (fr.) tremolo. -balcken. balgbalg balgentreter (balgentreter) of the old -ballad. [ballad. [ballad.] ballade and sange therewith." ballademanuscripts, like the percy ballads, at another lyric-epics. ballads," but the arts of music and poetry ballads collected by rawlinson. ballad singers of the troubadour ballet. a madrigalian part-song with a [ballet, opera, oratorio.] balletti, balli inglesi (it.) ballistia. balli ungaresi (it.) ballo (it.) a dance, a ball. ballonchio (it.) [passamezzo.] ballonzare (it.) to dance wildly, bals bamberg (enlarged band [band, band. band com- [bandore.] bandore. band, the conductor. baptist. baptist, and, -bar. [bar.] bar, bar. barbarous. barbarous rules. barbet. [barbiton.] barcarolle [bard.] bardone. [viola di bardone.] bard or minstrel. bard, or wait. bards. barem (ger.) an organ-stop, consisting bariolage (fr.) a medley. a cadenza, baritenor. a deep tenor. bariton bariton compass. baritone. baritone clef: baritone clef. baritone range baritone voice. [barytone.] baritone voice has a bariton flugel-horn, with 3 and 4 bariton (fr.) baritono (it.)} the bar)'tone bariton sax-horn, with barley," are barley's lute book barmony. barnes, in the following year: bar not usually accented. barocco (it.) bar of time. baroque (fr.) j applied to a composition bar or measure barpfeife (ger.) [baarpyp.] barquarde barre de mesure (fr.) [bar.] barre de repetition (fr.) barrel organs furnished with hymn barrett, bars bars, instead of strings, which, bars;" others say it is "of compounds of bar's rest. bars showing (1) the end of a piece, (2) the barypycni. bas-dessus (fr.) base. base, and thoro' base to each song" (1737). base called the " scala tympani " (fig. v. bass," 1731: bass-bar. bass down basse chiffree basse chiffree, basse continued basse contrainte (fr). [ground bass.] basse contre (fr.) a deep bass voice, basse fondamentale. basse (fr.) bass. bass, employs many new chords, including basse recitante basses of lutes or viols. basse taille (fr.) the barytone voice. basset-horn, corno di bassetto (it.) bassetto (it.) bass for the organ." bassgeige bass horn. bassi and tenori. bassi di basslaute (ger.) [bass lute.] bass lute. [theorbo.] bass note, c. e. basso buffo (it.) a comic singer, with a basso continuo basso continuo (it.) basso fondamentale basso horn, a ninth below. basson (fr.) [bassoon.] basson quinte [bassoon.] bassoon, bassoon. bassoon.] basso ostinato basso ostinato (it.) bass part figured bass part per basspommer bass-posaune bass, root, derivative. bass string instruments. bassthema bassthema (ger.) bass trombone. bass trumpet. bass tuba. bass (voice) bass voice. bass voice, &c. bass voice. the batillus. baton (fr.) (1) a stick used in beating baton in beating time. [battement.] battere, batterie battery. battle song. bavofievog. baxoncillo bayles (sp.) (b) became bcaie system. b cancellatum. b, cjft. b dur- b dur (ger.) the key of bj? major. be accompanied by free parts be a corruption of symphonia. [bagpipe.] be a diminished seventh. beam be approached by a single bearable. bearing:. be arranged into two bears be as much as possible equidistant. beat [beat.] beat. beat]. beat, and beating time. beat in the bar. beat of a beat, or beats beats. beats of every bar. beats per minute. beat time by beaumont & fletcher, the faithful beautiful and well-known melody, beautiful, as well as beautiful example in carved ivory in the beautifully, beaut} of their melodies. beauty and value be avoided." be briefly described bebung (ger.) the tremolo stop in an be called belgian solmisation. be called by the term. became again popular, and from be carried by sequence through because if it be desired because in their full form they because it was because more because of because some of because the very objection that becco (it.) becken (ger.) a cymbal. be classified under become absolutely necessary, becomes a 7th becomes a discord, which becomes merely a becomes necessary becomes the second shift, &c. become very largely developed. becoming becoming slower by degrees. be completed in a bar be concluded. be conveniently be derived from the italian word be different in style, be dispensed with, as be disturbed. be doubled. be easy, even for an bee (fr.) \ a mouth-piece, lit., a beak. beej^abd^ eg beemes and box, been called clavycytherium, the been invented in 1815 by maelzel, for the been the companion of beggars. been the inventors. been too much. beethoven in beethoven's mass in c. beethoven's pianoforte sonata, no. beethoven's svm. beethoven's sym., beethoven's symphony no. (beethoven symphony, beethoven, symphony no. beethoven. symp. no. be expanded beyond before christmas. before that time before the assembly. be found be found. be found in bach's be found in fux. be found in passages began begeisterung beginning of 1500 the pipe-work itself had beginning of the beginning of the 18th centuries beginning of the next verse: beginning of the second bar, beginning with the simplest, begleitende stimmen (ger.) begleiten (ger.) to accompany. begleitung (ger.) accompaniment. be gradually softened, and the pace behind him. behind it was another quadrangular behold, " behoves no more, be inferred from the being being a choice being adopted being at once regained. being called principal. being complete. being considered to be the normal key. being dated 1635. being false in theory. changes being forced through being known as being made by being omitted being purely being slightly slackened. being struck by two hammers, one held in being sung. be in open score. be in the same key. be introduced be in tune. beisser (ger.) beitone(g^r.) aliquot tones. [harmonics.] be it so, but in bekevoli. belfry. belgian believed to have " belike bell and cap, of 8ft. pitch. bellezza (it.) beauty of expression and bell founding. bell gamba. bellicosamente bellicose (it.) bellishments. bell is said to bell metronome. bell of a horn, cornet, bellows. bellows." bellows of the cuckoo toy. bellows, wind-chest. bell piano. [glockenspiel.] bell-player. [carillon.] bell ringing. [bells.] bells, 39,916,800 changes; 12 bells, 479,001,600 changes. bell, saints' bell. bells attached to a staff. bells of the bell-top belly of belonging to the instrument belongs. belongs to the middle of the 17th century, be looked upon as a curiosity. below below. below, as c below as the new key-note, and proceeding below g below it, the second and so on. below the below, under; below what might be termed its key-note. " belshazzar s feast." belt. be maelzel's, bencdicta cs celorum regina ;" (2.) " missa bend the finger benedict ix. in 1044, and was deposed by benedict ix. was restored. benedictus (lat.) [mass.] bene placito (it.) at pleasure. the benet, dowland, ford, and gibbons. ben (it.) well. ben marcato, well bennet's ma- bennett. ben rogers, bent so as to form be performed by one or be played. be played in the time of eight, or six. be played in the time of six. be played, the "accordatura" being often be procured. bequadro bequarre (k) } bequeathed by him to beranger. berceuse (fr.) a cradle song. be recognized berecyntia matris be required at any time. berga- bergomask. berlin, 1844. berlin, 184n. bernsufficient bers of their primaries. besaiten be "set" be set to music and sung. be sharp, f, c, g, d, be shortened besides that of proclaiming of jubilees. besides this, the be silent. be silent. c.b. tacet, best. best advantage to art best compositions. bestimmt (ger.) with decision. best oratorio. be such a be the ratio of a be thus classified be tied. be transposed among themselves without between a key and a pipe, between f and f$. between mn and between the fundamental between the key note and between the rows between the two is a fluid, between the upper and between the various scales to between two octaves from lower d betwene trouthe and be used on the down-beat. bewegung (ger.) motion. -bexgj beyond beyond g, and up beyond this. [triplex.] beyond which b flat trombone. [trombone.] bft, in b^gpi bhat. (b. hypate (b>.) hypo-ionian bianco. (it.), a [bichord.] bichord. bifara (lat.) big drum. biichse (ger.) bijuga. bilancojel. an indian flute with seven bility to bimmolle (it.) [bina.] binary form. binary measure. common b. incus. [bind.] bind, binde (ger.) [bind.] bind or bind the notes together. bindung (ger.) syncopation, suspension, bindungs-zeichen (ger.) bindungszeichen (ger.) a slur or bind. biographie universelle, biographie universelle ~des musi- (bipartiens). bird-organ. birds birds. birth. birthplace is not known. birth, who died about 1630, was a skilful bis, bis. bischero biscroma bis-diapason. bisdiapason. bishop of cambray bishop scory's bis (lat.) twice. (1) a direction that bissex. a kind of guitar with twelve bis unca (lat.) a semiquaver ^, or bit. bit into existence. bitrio, at his pleasure. bizzarramente(7/.) bizzarria bizzarro bjf to black horse, aldersgate street. bladders blance to the silk-worm. blanche (fr.) a minim j [bianca.] blanche pointee (fr.) a dotted minim. blase-instrument blase-musik blatt (ger.) ble, careful. blech-instrumente bles bles-belg, a blessing, (b) lisette. dont l'empire blow, blowing, and certain blown by swiss shep- blown, which may of course be b natural, board. board, against board, by its rising, pulls the cord. (bobs) major (bobs) maximus (bobs) minor (bobs) royal bocal (fr.) the mouth-piece of the horn, bocca ridente (it.) smiling month, the bocchino (it.) a mouth-piece of wind bocedisation. solfeggi bockpfeife (ger.) bagpipe. boden (ger.) [body.] bodies of impromptu musicians who make bodleian library at oxford. body. the resonance box of a string bogen bogenclavier (ger.) [tetrachordon.] bogenstrich (ger.) the stroke of a bohemia, now of almost universal adoption. boieldieu, boire a nos amours. bois boisterous bold, energetic boldly, daringly. boldness, [bolero.] bombard. bombarde bombardo. bombardon, circular bombardonreed bombastic. bombaulius, /3o^/3ai//\(oe(g^.) a facetious bonaffino's [bones.] bon temps bony bony ring in which it is set. book," adolphe hesse, breslau, 1840. book i. morley's canzonets, 5 and 6 book of ayres. book printed books because of the boot of a reed-pipe in an (bordonizare). bordoune bore. born. borrowed from the greek notation of alypius. both gluck and beethoven use it both these defects are both with bottrigari, " ii melone," fer- "bound" and "conjoint." the following bound in three volumes. boundless, bounds [bourdon.] bourdon was sometimes said bourine player. boutade (fr.) a dance which was sup- bow. bow. [bowing.] bow-hand. bowing [bowing.] bowing. bow may, unconsciously to the performer, bows box. boyau (fr.) cat-gut strings. bozzini, b quadratum b quadro. b quadrum b quarre brabanconne. brace, brace. brace. (1) a mark connecting two or brana tympani branchial cleft. branch of branle du bouquet,' from " deux dialogues bransle (fr.) [brawl.] brass bass instrument, brass instrument, a brass, over the top of brass pipes is well known. brass they broughten brass wind instruments, brations per second; that is, just 17 feet bratsche braunschweig (1499), the width of the span bravi, bravo, encore. bravo, mas. bravura passages. brawl. brawl. an old round dance break [break.] break. (1) the point of junction in the break, in an organ stop, breal' breast, breast. breath. breathing. breit (ger.) broadly, largamente. bretgeige (ger.) breves thus bridge. bridge of a stringed bright and clear, &c, &c. bright array " in brightest and best bright, m.p., in 1845. brightness, brillante brillenbasse brilliant, bring us to the end of our material. brio, con brise (fr.) [broken chords, arpeggios.] brisk brisk. briskly, brisk, quick, lively. britain). british museum. brittany, it was called pib-corn. broad broadwood's grand action. broadwood's upright action. broadwood's utright check action. broderies. broderies (fr.) ornaments with which broken broken chords. broken melody, broken music. probably music played bronchus; bronchus. brontium brother professors. brother william holborne. b rotundum brought brought, brought under control of the player. (2) a brummeisen .bruscamente b sharp. bte^g buccina. buccinator. buccolica (it.) 1 buch," elber8. " evangelische gesang buch, given above. buch, von mancherley schonen bucina bucolique (fr.) j in a rustic manner. bud-ded out, buffet (fr.) buffo '*' buffonescamente buftone -bugle. bugle. bugle. (1) a hunting-horn of a bugles. builder, of building of the built buisines, eles, monocorde bule. buli; bulk, the bull, byrd, and others, entitled bunzlau-in-schlesien; dorpat, 1848. "alte buonaccordo- buonaccordo (it.) a small triangular buonamente (it.) justly, truly. burden burden. burden." [burden.] (2) an organ burden after each verse. burden of burden of a song. burgensis etbremensis, burgomask. burial of the burlando. burlap.) a burlesca burlescamente. burletta burmese thro or tarau. burton's "anatomy of melancholy."' bury use. bus. busain. but, but 1st. no but actual experience is the only " but after then as men more civile grew but after three hours' but afterwards recapitulates them to- but all these but also should but although such but ancient writers but antiphony means classically, but a rondeau." but a room kept but, as a matter of but as few trustworthy particulars but as it but a skilful organist can, by but as the but as the feeder/ is descending, but as, vivace but before but bozzini appreciated the but carried the tunes to but couperin's fingering is but double but even if there be no case but fool, as then i was but haydn had but he but here a new difficulty arises " but hezekiah but if either is to be but if the ligature descends, the but if this were all, the but i have a much more but impressive mode of worship." but inasmuch as but, inasmuch as one pallet but instead but in the but in the upward movement of the but in time the but i prefer but it is an imperfect but it is by far more but it must not be but it should be in the major but it should be remarked but it was made by but it was not so. the greek octave but later it was made the but later on this particular butler, " but marke the chance, myself to vance, but not unison but now, alas but, of course, rest but, on the but, on the other hand, but, on the other hand, in but on this but several other but sometimes danced but still a very easy but supposing but the application of the but the chest but the drum was first employed by but the duodenal f, makes chord 9 from but the glee seems to have but the heavier bells, but the hold is not but their claim cannot but their use but there is a growing tendency but these wise-acres did not. but the signs but the three but the use of solmisation but the whole tetrachord only but the word but they must appear in the but this is not but this sign but to force the ending into but two notes only may be but, were it worth the but when but when a person habitually but when the octave but while the but without ligatures but with the greek notation would, but writers on music buxus. buxea \b /$, where (\) is a mark of depression, by a leap, spoken of melody by ambrosius wilphlingsederus, 1563: by a natural and a flat. by an interval of by a rotatory bellows, the by ascribing to the by a single performer, by a skip, by a slight by as, per dintiniitionem, by by augmentation. by bernabei (middle of 17th century), (from by changing by chow tseang-yuh and others. the music by christopher simpson, 1665, gives, as far by cultivating the falsetto notes by degrees, as it was by degrees of the scale. by diatonic progression. by diminution by engel, pentatonic. byes, cradle songs. by euclid by existing examples of the church compo- by fitz-stephen (stephanides), the by franchinus are by friendships lot to pauls i got, by girolamo frescobaldi, 1637, will show the by gregorian editors, " by his by its major or minor 3rd and perfect 5th. by its symbol. by james i., on july 8, 1604. the musicians' by kalkbrenner. by kalozdy's hungarian band were on by keys: it is a keyed-dulcimer. by many times their own amount by marbecke (1550) is simply an eking out by means of by means of keys by means of pedals. by means of sliding rings. by means of which we produce vocal sounds. by melodic form is meant by moving the wire from the by mr. waterhouse by neumes or by by no means agreed. by no means an unusual thing by numbers. by one only, as 3:2 (sesquialtera), 4 by others, a by others the by practice and frequent by practice this can be performed by pressing down the by pressing the string by private people, and as lutes, byrd, living and working by paul's wharf. by reference to fig. 6, it will by rollig (1761-1804), and by uthe (1810). by several modern by single degrees. nexus was movement by by slurring. by so doing, they rotate these by some by some authors considered by some called characteristic. by springs of metal. -byssynge isonges. by standing on them in turns. by straining the voice to its by taking the major thirds above by the by the above directions. by the copyright (musical compositions) by the crusaders or their followers. [naker, by the dancer himself. by the dean. by the following quotation by the former we by the greeks ages before. by the hand of a workman, gives the clay the by the insertion of a mute in by their by their study. by the italian peasantry. by the monks during service. the poets and by the notation. this method by the plectrum," &c, the by the preference shown to him by the pressure of the finger. by the previous enactment. it by these two by the style of a fantasia. by the superincumbent weight of tube. by the theatre act, 1843 (6 & 7 vict., c. by the voice music by the words by this by this plan those who came for the by thomas greatorex, conductor of his by using various forms of by way of melody. the strong " measure " by whom some part, of musicke art by william tans'ur, senior. " musico (c. 1580), who composed some, speaks of them &c, ab anno 788 ad c' (a!?, bfr, ct?). cabinet d'orgue (fr.) cabinet pianoforte. cabischol, cabiscola cacofonia (it.) cacophonie(fr.) cacophony cacophony. -cadence. [cadence.] cadence, cadence. [cadence.] (4) an imperfect stop on cadence in this species: cadences, imperfect. -cadenza. cadenza d'iaganno cadenza dtnganno cadenza, the cadenz (ger.) [cadence.] caesar of aries. caisse (fr.) a drum. caisse (fr.), big drum. caisse roulante (fr.) cai system, cal, calamus. (calandra, a woodlark.) calandrone cal artist. calcando calcanten-glocke calcant (from lat. calcare.) calculation, any calendar of the english prayer-book, on call'd the old english lute." called a called a harmonica. called also counter-tenor, called also voix called a seven-fifths called by called by the unthinking. called canonici. called " cat-gut." called dicing called first and second called flutes a bee. called, has six strings, the called his baton. called in called instrumental called large, another small. called pointing. called sequence. called, that is to say, called the called the comma of pythagoras. called their variations " doubles." called the ist and 2nd. called " the king's hunts up," called the normal key. called the wind-way. called to called " tuner of organs." called villancicos. called viola di fagotto, calle (" qui court calling, they made a calls the fingers of either call the call the faithful to worship (exodus xx., 13 call this calm calma, con calma, con (it.) with calmness. calmness. cal notes, caloroso [it.) warmly, full of passionate calvisius " melopeian," erfurth, 1595 cambiare (it.) to turn, change, alter. cambiata (it.) [nota. cambridge, author of the camden camden's remaines. came camminando cam- pag campanella,-o, campanellino (it.). campanista (it.) a bell-ringer. campanology. the knowledge campian's two books of ayres. can- " canalis can be constructed by can be discovered. can be laid down. can be obtained. cancellatum cancellatum. cancellatum.] cancrizans. c and f were most commonly c and g were cando cane, and of thongs of leather. can easily be distinguished from a glee. cannot become the cannot be dispensed with. cannot be fairly taught or learned. cannot compete. cannot happen. cano.) [canon.] canon by canon by diminution canon by inversion [canon cancrizans.] canon cancrizans. canon cenigmaticus. one canone a canone aperto canone chiuso canonica, canonical.] canonical hours canons assume canon so constructed canon written out can play on one another. cant cantabile cantabile. cantadour (oldfr.)\ a street singer. cantamento cantando (it.) [cantabile.] cantante (it.) a singer. cantare a orecchio cantare (it.) to sing. cantata consisted origin- cantata founded on the cantata upon the stage. cantatilla ,-,,-. cantatina ^ '' cantatore (it.) cantatorium. cantatrice (it.) cantatur. cantellerando canterbury. cantering. canti carnival! cantilena cantilena." cantilenaccia cantilenare (it.) to sing without ac cantique (fr.) a sacred song or melody, cantn ferm 0. cantns firmus on which canto canto a cappella canto a cappella. canto armonico- canto fermo. canto fermo (it.) [cantus firmus.] canto figurato (it.) florid melody, canto gregoriano cantollano (sp.) canto piano (it.) canto primo cantor. canto recitativo (//.) declamatory canto ripieno cantoris "cantoris" the cantor's canto secondo can't tell cantu. cantu, &c, cantu et musica sacra," vol. ii. cantus ambrosianus [cantus figuratus.] cantus figuratus cantus firmus (lat.) (1) the tenor or cantus fractus cantus gregorianus [cantus men- [cantus mensura- -cantus mensurabilis. cantus planus canzona.* canzona, belonging to about this period. canzoncina (it.) a short poem or " canzone da sonare a una, canzonet- canzonets, 2 voices. canzoniere (it.) a lyric poem or song. cap. 102, p. 30. cap. 13. capability capable of capable of bearing. capable of being capable of playing [capellmeister.] capellmeister musik (ger.) a term capiscol, capiscolus (precentor) cabiscola. capistrum (lat.) a muzzle. a capital letter capo capo.] capo, da capo d'opera cappella cappella] capriccietto [capriccio.] caprice, captive required \capwl (gk.) caracteres de musique carattere car chascun d'eux, selon d'acort cardinal barberini. care about. care being taken carefully. caressing, coaxing. caressingly, in a caressingly, singingor carey's dumpe. carezzando caricato carillon. " carillon national. carillonneur carillonthey carita, con car je carmagnole. carmelit carnascialesci carnatus est." '\ carnival. carnyx (gk.) [carol.] carol. carolathis poem caronte car or labyrinth. carousal, car, quant fille se desmesure carried this plan to a suc- cartellone carti- cartilage. cartilage between them. cartilages. " cartilages of santorini." cartilages of santorini. car to case case. case of case of r. cases, the answer, before many cassa-grande cassatio. cast. castagnettes castagniere, rue castanets castanets. castrato (it.) cast upon him by ballads." % " cast your plaids, draw your blades cat. [catch.] catches, rounds, &c. catching at each other's words. cated to the empress josephine catena di trilli. caters [catgut.] cat-gut, catgut. boyau cathedral at exeter, one of [cathedral music] cathedral music cathedral music. cathedral music, like every other cathedral, who in catholic church. cation cation. catlins, cato.' cato playing cauda (lat.) the tail of a note. cauda (lat.), virgula (lat.) the cause. cause by caused caused by the given sound. cause one arm to snap causes a " cause them (the strings) to sobb, causing them to descend with caution cavaletta (it.) [cabaletta.] cavalquet cavalry. cavata (it.) [cavatina.] cavatina (it.) a melody cavity c*. base of stapes. cc. cricoid cartilage; ccelis." c. cricoid cartilage. cdefgabc cdf. c. dlbdin, l80o. c down to g (or ask the tuner cease to exist. ceded by two short syllables, ceding pace *ced'olojr) c, e, g is the key-chord of c. celebrated modern maker. celected out celerita, -celerita, con. celeste (fr.) celeste, voix (fr.) celeusma celts and gauls, cemb cembalista (it.) a pianoforte player. cembalo cembanella (it.) [cennamella.] cending interval by cendit cennamella (it.) a pipe, or flute. cent, 5.] cento (lat.) centone (it.)) patch -work. a musical work -- (centralblatt cent to either end. cen- tur centuries. century, century. century, an arpeggio chord century brought with century frequently wrote them, but century, will show centus centus ecclesiasticus.] ceptive cadences. ceremony. certain certain allegorical poems, certain hindoo melo- certain limitations certainly certainly more content. certainly unpleasant to the ear, certain moveable pieces of certain scale, being most favoured certain wind certain writers cert style, that is a cert, the antithesis of a cert to begin at eleven. cervus, signifying a little stag-horn). ces, cession. c, f, g major and cha- chacona (s/>.) [chaconne.] chaconne (fr.) chair organ. chal chalameau (fr.) stem, or straw-pipe, chamber chamber- concert chamberlain, requiring all new plays, &c, to -chamber music. [chamber music] chamber music chamber music. kammermusik chamber organ. chamber, "the "vestibule" (fig. iv. t), change change. changeable chant changed, altered, with variations. change of change of key change of key-note. change of key the capo change of voice. [larynx.] changer de jeu (fr.) to alter change ringing. [bells.] changes changes; changes as he pleases. changes one change the chansonettes." chansonnette chant [chant]. chant. chant ant, a musical coffee-house. " chantant en pardurablete chant en chanter. chanterelle, as well as quint. chanterres -chanterres. chanters. chanteur chanteur . ,|a male singer. chanteuse chant (fr.) (1) song, tune. chant gregorien (fr.) plain song. chanting. chant pastoral (fr.) a shepherd's song, chantries. chant-royal chantry [chant sur le livre.] chant sur le livre (fr.) a system of chapeau chinois chapel chapel. " chapel royale " of her majesty queen chapel royal, st. james's; and, chappel-royal, &c. chapter of a cathedral. chaque bout. chaque rep. du character character, character. character, afterwards character are so named. character, dignity, quality. character ~het characteristic characteristica. characteristica (lat.) characteristic nomenclature. characteristics character of banjo music is sprightly and character of the character of the dance. character required. characterstucke (ger.) pieces of music character to pianoforte music. character used in music. charivari charke, the son-in-law of colley cibber. charlemagne, for the purpose of charles charles butler's " principles of musik," a charles ii. charles ii.; charming:. charmingly. charm, sweetness, grace, chatter. -- chaucer. chaucer. chaucer. floure and lcafc. chaucer, knight's tale. chaucer's allusion to check-action. check-spring. cheerful. cheerful, gay. cheerily, merrily. chef d'attaque chef d'eeuvre (fr.) the master-work of chef d'orchestre. chelidonizing chelidonizing (from the gk. chelys. cheng. [cheng.] [harmonium.] cher. cherubical hymn. the ter sanctus, or cherubini's work (novello, london). chest. chest and head voice. chest, falsetto, and head. chest-notes. chest voice. chest. windlade (ger.) [organ chevalet (fr.) the bridge of a stringed chevroter chiaramente chiara quarta, a per- chiarezza, con chiarina chiave [chica.] chica, the chief chief; chief are chiefly for giving military signals. chiefly on love and wine. chiefly with the arabs and persians. chief of modern bow-makers. chiesa chiffres (fr.) chikarah. child-like children carol-singers. [chime.] chime, chime, or chimney in the stopper). (chinese). chinese gong. chinese instrument chinese urh-heen. chinese yue-kin or moon-guitar. chironomy. [chiroplast.] chitarra chitarra (it.) chitarrina chiudendo chiusa, with the mouth closed chloris," benet's " flow, o my tears," and choice lesson, 1705. choice lessons. choir: choir. choir-man. an adult member choir organ choir organ. choir organ. [organ, 1.] choir (precentor). choirs now. choly. (choral choral. chorale "chorale " chorale book," heinrich wachfeld, 1843. chorale (ger.) [hymn tunes.] chorale-melodien," c. g. choralmassig (ger.) [choraliter.] choral vicars. [lay vicars.] [chor-amt.] choranla). choraules chord chord, chord. chorda chordae essentiales (late lat.) chord after each double bar, " chorda tympani," chordaulodion chord by calling the f ap, notes derived chord followed by a pause. (2) a chord in chord for chor-dienst chord in succession in chord is said to be in its chord marked * is rarely met with, and (chord no. (chord no. 7. chord of chord of ab chord of dominant, chord of the ninth, &c. chord of the tonic seventh. chord of three sounds. chordometer. chords chords. chords essentiales. chords, intervals, and melodic chords of chords of the. chords of the minor chords should be generally adopted. chords would be removed. one more fact choriambic (trochee & iambus choris chorister -chorister. choristers. choro di ninfe [chorton.] chorus [chorus.] chorus. chorus in the attic drama. chorus-parts. chose chretiens chr ist christe eleison christe eleison (gk.) a portion of the christian former (born 1610) invented the christians. christmas carol. [carol.] christmas eve are christmas music. (1) cantatas, the words christopher chro- chroma duplex chroma (gk. ypqua, colour or complexion). chromatic chromatic. chromatically raised (ex. 1). chromatic, and enharmonic. (chromatic diesis) chromatic diesis chromatic passing notes. chromatic scale. chromatic semitone chromatique (fr.) chromatisch (ger.) chroma tonaion chrotta. chula (port.) a dance similar to the church choir book. church composers did not churches churches." church-melodies. church modes. church modes or church modes. [plain song.] church music* church music, seem church services. [accent, 4.] church sonata, churchyard"). churns. (c.) hypo-lydian. ciaccona (it.) ciaccona (it.) [chaconne.] ciacone, passaghali," ciai^evktlkoq.) cially in germany) for part-songs. cicogna (it.) the mouth piece cidents are of a ciens, v. 4, p. 147, col. 1. ciently distinctive mark. cients, as ciliated cimbalo et organo," rome, 1637, employs cimbalo(/f.) (1) harpsichord. (2) cimbali, cimbel cimbelstern c in alt &c, indifferently, offers no cinque cinyra. an old term for a harp. cioh.tiav cionell. cious, fantastical. cipal alone without the cipher. ciple of the ciples, beginnings. ciples of (cir. 1600.) circuit.) circular direction circular form. circular spot also with a stem circulus (lat.) circumcurrent. circumstance as in cis-cis (ger.) the note c double sharp. cis dur (ger.) the key of c sharp major. cis (ger.) the note c sharp. cis moll (ger.) the key of c sharp minor. &c, is said to phrase well. formerly the cistella (lat.) cistre (fr.) [cittern.] cistrum. [sistrum.] citara or guitar. cithara," cithara bijuga. cithara (gk. cithara or harp with keys. citharis cither or cittern. [citole.] citole, et le psalterion cittern. cittern, guitar, cither. citterns, civetteria, con civil] " civilised race. cjf 8 cjjji as octaves to c. karow, of clainprummer clainsancksait clairon (fr.) [clarin.] clang. clangor. clapper. claque [claque.] claque-bois claque-bois. clar clara voce claribel flute. [clarichord.] clarichord. clarin clarinet clarinet: clarinet. clarinet-flute (slightly reedy in clarinet is so called clarinets clarinets, ophicleides, &c. clarinett1sta clarinetten clarinetti clarinetti a due. clarinetto clarinetto. clarinetto (it.) [clarinet.] clarin (ger.) clarino clarion or trumpet. clarke, lewis wager," printed in 1567," be- clar-seth, classed under this head. classified as duple or triple, clatter. clausula clavecin (fr.) (1) a harpsichord. (2) the claves signatas claviatur (ger.) (1) the key board of an clavi-cembalum clavichord." clavichord. [clarichord.] clavicylinder. an instrument clavicytherium. [clarichord.] clavier- clavierauszug (ger.) a pianoforte score, clavier (fr.) clavier (ger.)} (1) the pianoforte. (2) a claviglissando. an instrument with a clavis or key. clavium clay. clay; and, unless clays, clean thing clear, clear all conjecture. clear, calm. clear, distinct. clear flute. hell-flbte (ger). clearly, purely, clearness. clear voice. clef [clef. [clef.] clef, clef. clef;" and in an earlier work by clef, is clef on the second clef placed clefs clef to show the pitch. clef upon the second line, the clementi, clement, janssen, lambil( cleric at that time. clerks. clerk vicars. clesiasticus. clifford's clivus (lat.) [neumes.] clocca (med. lat.) a bell. clochettes (fr.) hand-bells. close close, close. close). close behind closed closed, closed. closed by a membrane. closed externally by skin. close harmony. harmony produced by close in closely and work quietly. close of close of the theme. close or covert play." close play. closer, closers of glottis. close, straight, closing, ending. the closing the tube clownish matter." clusions clynke-bell. c major. c mapdtna (ordinary cm. canalis c minor. coarsely, coaxingmanner. cob. cochlea. coda coda, coda connecting (codetta.) codon (gk.kwswv.) (1) a small bell, such as coeval dates. cogli stromenti cogli stromenti. col arco col arco, with the bow. col basso col basso, with the bass. col canto col canto, with the melody. coldness, indifference. colgrin, colla destra colla destra, with the right hand. collapses and coll' arco, or coll' arco, with the bow, colla sinistra collected collection collection, collection at osterley park collection. john, duke of roxburghe, was collections college of organists. college youths. col legno (it.) with the wood. collinet. (fr.) coll' ottava colophonie (fr.) [colophony.] col ott a colour. a term variously com- comand reception from others combination combination of sounds. combinations combination, union, combination with a movemeasure. combined. come come, comedy come, emmanuel," come from come in comeliness. comes comes. comes down from behind comes to the descending come to prayer comic of comic operetta, a farce comic singer coming down commanding commemorating commence commenced from commencement commences with an antiphon. commencing: commencing with commission granted by queen elizabeth, may common cell (of c), and commonly as follow commonly found on the choir organ. commonly met with commonly stated by commonly used common or duple common praier noted," by john common time. common wood or tin flute a bee having six communicate communion communion. comodamente compagnia companiment. companiments company company of musicians. the company of prophets " coming down from comparative anatomy. comparative knowledge of the instruments comparative length of notes. compare compared with the german saite. compass. compass between compass by a tone. compass extends from f below gamut to compass, extent compass given above should be very compass may be compass of compass of a compass of three compass of two octaves and a compendium "compendium musicae," by lampadius, 1537. compiacevole complement. complete complete copy is known. complete greek drama. completely distinguished from harmony by complete musical sentence. [form.] completes the mass. complex, and complex apparatus we can under- complicated. complicated shape. complicated sounds forming harmony, and compline office on holy sunday.) component of compos'd composed composed by nicolo composer composer. (1) an author of music. one composer but, as a composer of counterpoint. composers composers, composers. composers of the same date composers, while " licences composing composite composition. composition. (1) a piece of music, for composition by the writers of composition for an orchestra, composition for three composition for voices in har- composition from the 14th to composition in four composition, inven- composition irregular composition of its kind. compositions, compositions in compositions, in the new compositions of a low order, often composizione compound compound cadence. compound measures compound motive. repeated notes belong compound stops in an organ. compound stops. organ stops having compound times. compound word always pointing out the comprobare non comthe perfect, the immutable system comus con- con amort, with affec- con brio concave, perforated concealed concento (it.) harmony. concentus concentus. concentus (lat.) (concinno). concentus tuba- concert, concert. concertante concert flute. concertina concertina. concertina (eng.) concertina, or harmonium. [concertino.] concertmeister concert music. concerto concerto. concert of flute players concert, or chorus. concert room. concert-spieler (ger.) concione memorantor concludes. conclusion. conclusion, finale. concord. concord, agreement, har- concordant. concord. [harmony.] concord in musical sounds, con delicatezza, conducted, conducted by some one conductis, [conductor.] conductor. conductor. (1) a director conductor or composer. conductus conductus (lat.) the name given to a cone gamba. cones cones are made con. esp. confined to any particular measure [confrerie confrerie de [confrerie de st. julien.] congrega congregational music. congruous with the sub- conical. conical shape. conjc lined tetrachords. conjunct. (1) one of the greek systems conjunct intervals. conjunctivas, conjunct con licenza.) connected with connected with a little connected with bassoon. connected with the worship connection, binding. connection with development. connects staves. con pedale. [con rigore.] [consecu- consecutive consecutive octaves. consecutives [consecutives.] consecutives. consent." consequcnza consequent. consequent (consequenza). consequenza (it.) ; consequent, &c. conservatoire de musique conservatonum conservatorio [conservatorio.] conservatorium. considered other than hopeful. considering that musicke, as consigned to the pedal organ, as consisting of consisting of a beat repeated. consisting of flue-pipes. consisting of sweet-toned consiuo justorum, consolante consort," con spirito con stromenti [it.) constructed constructed. constructed that construction construction, construction. construction and use of bells. construction has, from construction of constructive consulted with care. contain. containing otoliths. containing stickers, which contains contains. contains a depression of contemporary pictures and drawings. contempt " contended contenendo l'estreme contents of a bar. contests " by continually hastening the time continued bass. [figured bass.] continuo [it.) [figured bass.] contrabass contrabassi contrabassi. contra basso contra-basso [it.) [double-bass.] contra-bombardon in bb flat, with contract equally, and prevent the swinging contra-danza [it.) [country-dance.] contradictions!" contra-fagotto, a double bassoon. contra-fagotto [it) [double bassoon.] contralto voice. contrappuntista contrappunto contrappunto doppio contrary contrary motion contrary motion. contra-tenor. contratone contra-violone [it.) double-bass. contre-basse [fr.) double-bass. contre-danse [fr.) [country dance.] contre-temps contrivance contrivance in some german contrived. control of each key. " controve he wolde, and foule fayle contubes having free reeds. it conversio [lat.) inversion. converso). convivial convivial. [/c(oou7r4a. copation. copation.] cope (fr.) copies. copies of the registration copies rameau without acknowledgment. copula copy. copy made about the year 790. the facsimile copyright copyrigh t. copyright." copyright until the year 1894, because the cor- coraico, it.) the dance style coranach cor anglais cor anglais. [coranto.] corda corda, corda. cordance cordant. corda, sopra una cordax (lat.) k6plal (gk.) an corde corde a jour) ,~ corde a vide cor de chasse (fr.) a hunting horn. corde, on cor de signal (fr.) a bugle. cor de vache (fr.) cow-horn, used in cording to e. w. lane (" modern egyptians"), cording to their vocal agility. cor-dis cords cords. cords, as the hare and rabbit. cords, the core corelli, corelli, vivaldi, and others. cor (fr.) a horn. cormuse. cornamusa cornemuse " cornemuse, cornemuse, corner (fr.) to sound a horn. [cornet, [cornet.] cornet. cornet. cornetto cornet or horn cornet-player in a brass band. cornetto cornetto curvo (it.) corni corni in a, cornoaille." corno basso (it.) low horn in b. corno da caccia, hunting corno di bassetto (it.) [basset-horn.] corno inglese (it.) corno inglese (it.) [cor anglais.] corno (it.) [horn.] cornopean. [cornet, 5.] corno storto (it.) an coro (it.) [chorus.] cor omnitonique (fr.) a horn on which, corps de voix (fr.) the correct form. corrections are made by correctly called correctly written correctness of pitch corrente, corrente (it.) [coranto.] corresponding fraction. corresponding j corresponding modern scale. corresponding plagal tone correspond with corrupt. corrupted from the latin. corruption of the corruption of the word corti's organ. [coryphaeus coryphaeus (lat.) kofjvfaioc (gk.) (1) cost to both male and female pupils. cotgrave (1660), " resveil, a hunts-up, a [cotillon.] cottage. couched harp. couchers, journals, and ordinals." could could do so. could not be assumed without proof coule coule. counted his fault; however, he thinks he may [counter- counter- counter-balances must be explained. " counter he coulde, counterpoint [counterpoint.] count erpoi nt. counterpoint. counterpoint), and also in counterpoint are, counterpoint at the tenth. counterpoint (double). counterpoint in counterpoint is built. counterpoint is employed, but rarely counterpoint proper. counterpoints, counterpoint were fixed. counter subject counter subject. counter subject. [fugue.] counter-subject is primarily an counter tencr voice. counting sixth, counting time the country [country country. [country dance.] country dance country dance. [country dance.] [pavan.] country dance tune, about country dance tunes country lasses, every mother's child country singing for hire. country. the most common coup couper coupled. coupled with the drums, the notes coupler of this kind is couplers. couplet. courante courante (fr.) current couronne court. courteville, &c. courtiers at versailles. " courtly masquing ayres," and there were coussemaker, all of whom coussemaker's scriptorum, i. 217. coutes, couthe her covered. covered with sheep skin. cownterynge yn songe c. parhypate (c) phrase cracovienne. [polacca. crafte full parfytly. craft full parfitly." creamtine emit. crease.) creation, produced in 1798. creatures have a credit are those credo (lat.) one of the movements in crembalum. [jew's harp.] cremona. cremona. (1) a violin made in the town cremona on english organs. crepitaculum crepundia crescendo crescendo. crescendo zug cres., cres &c, respectively. it was to be understood cribed, in crico-arytenoid (alone). crico-arytenoideus cricoid cartilage cricoid cartilage; cricoid cartilage. crico-thyroid, crico-thyroid. crico-thyroid muscle crier's bell. crimina vocum," alluded to cristofori. cristofori's invention croce's musica croche (fr.) croft, and greene croft's crologus, cap. 17. croma crom horn. [krummhorn.] cromwell;" and the " schoole of [crook.] crooked horn cross, being called his anthem (cross-flute), crossing the hands cross, the sign of a double sharp, crotalum [crotalum.] crotchet. crotchet rest. crotchets, crotchets in a bar. [croupeza.] croupeza, crow, coronistce, [crowd.] crowle. an crown'd crucial example from " god save the queen," crucifixion. crusades. crwth. c schlussel (gcr.) c. stapes. c-te). and minor a -- c + e. c, the nearest sound to ct la pirouette a c trombone and 3 . culiar to the south culpa?. culties, besides cultivated cult to say. cumcurrent (see agoge). " cum ligatura." cum multi, chorus." cum sanc-to spi - ri - tu cumstances gave cun-dum mat cupo currende (gcr.) current. current of air. curtailed curtain curve back and run upwards again. curved curved, curved as a horn. curved course curvo curvo. cushion dance. cushion-dance. cussionalis brevis custom before his time. customs. custom was revived on the cut by a welshman named phillips, who, c, when sounded, is a c, with 3 and 4 cylinder valves bugle in c cwt. cylinders of glass, cylinder valves. [cymbal.] cymbal class. cymbalista. a cymbal player. [cymbals.] cymbals. cymbals and cymbals. cymbalum (lat.)icvft^a\ov(gk). cypher-system. [notation.] cza- czakan. a flute made of cane czardasch (hung.) chica.] czermak asks whether czimken -czimken. da ballo (it.) in dance style. da camera (it.) for chamber use. in da capo al fine (it.) from the beginning da capo al segno (it.) repeat from the da capo (it.) from the beginning. an d'accord (fr.) in tune. dachschweller dactyl. dactylion (gk.) an instrument invented daire (turkisli). dalla loro intensezza da lontano (it.) dal segno damaging dame, d'amour (fr.) [damp.] damp, damped, by damper, damper. damper-pedal in pianoforte music. damper, s dampers. dampers of a pianoforte. dampers, or without mutes. dampfer (ger.)(i)damper.(2) violin-mute. dan- dance " dance dance, dance. dance.] dance accommelody was dance accompanied by dance accompanied by music, dance, also a ballad. dance, as massinger in his play, danced the quaker's dance having dance in which the dance, or hey-de-guy. dancer beats a tambourine. dances. dances, at dance similar dances in the hungarian style. dances of the country people of bergamo, dances they accompanied dance st >' le dances was hey digyes or rounds. dance tune in common dance tunes, &c. dance which dancez gentiment par mesure -dancing. [dancing.] dancing. dancing. a graceful movement of the dancingthe roman dans ve dar- d'archet darkly, mysteriously. darm darmsaiten (ger.) dary waves dash, dash. dash, and fire. dashed on date. dates of the several productions dauer daumen daunce." david's tune given out. davies (1570-1626)111 his poem "orchestra" is davies' orchestra. davis as: dawn (from lat. day! day. day, forth days, d. bones in natural dcez (dc gestis regum anglor., lib. 2, cap. 8.) (dc gestis regum anglorum, dc la contredanfe d deux temps or dd rarissime utimur. dead-level of production. dead which may be sung by deaf. deal. dean aldrich, who was an de armonya. debut debutant, dec, dec. 30th, 1672." from this time forward dec, abb. of decani. dec, abb. of decresccndo. decachordon (gk.) an instrument decad, as in the de caix d'hervelois." paris, c. 1719. decani -decani. de chant, a melodious vocal phrase. decidedly musical. decide (fr.) firmly, with decision. decima decima plena dc touis, a major ioth decima quinta, a 15th or double octave; decimole. decisio. decision. decisive deciso (it.) [decke, 2.] declamation. decompose decoration de coussemaker; decreasing ...decrescendo decrescendo. decres., or the sign [decuplet.] dedicated to lord cowper. dedication. dedication festivals dedications frequently form a valuable deeds than in their words, deep bi? horn. deepest chest notes. deep, low tone. defects of defects of the equal temperament may defgab2t?ti deficiency. deficiendo deficiens. deficient. defined. definitely as when affixed. definitely settled. definitions, degree, not a skip, in strict style. degree of any scale. degree of the scale of degree of unity. degree or step of a scale. degrees of the diatonic scale. degrees, or ten sounds. degre (fr.) de guise. de hautbois dehnung (ger.) expansion, extension. dehnungstriche (ger.) a long stroke de hoffnung raubt. dei." de inst. mus., lib. ii., cap. 29 et 30.) de la chevardiere, deliberately. deliberato delic delicate delicately, tenderly. delicatissinw, very delicately delirious dance, delyn demancher demantius, " isagoge demi- demi-baton (fr.) a semi-breve rest. demi-cadence (fr.) a half cadence, demi jeu demi-jeu demi-quart de soupir demisemi- demi-semiquaver. demisemiquaver. demi-soupir (fr.) a quaver rest. demi-ton (fr.) a semitone. demi voix demoiselle (fr.) a coupler in the organ. de morgan. de musique, rue du demy denal d'en demander en vain. denis d'or. dense as they are dently of octave. deo," sufficiently proves. departure departure of depend on the beats they furnish. depicted. depicted on the arch of titus. depressed and forces depression or lowering. derfully. dering of words set to music. deriva- derivation. derivative. derivative of the derived. derived, as the reader derived from the latin salix derived from the moors. derives its name from der stimme, compass of the voice. der tonkunst," 1832. des ca -descant. [descant.] descant. descant clef. [clef.] descant its own progression. descant was taught. descending descending. describe described described. described above. described correctly described in no. 5. (descrip. loud., description. description is unnecessary. des dur {ger.) the key of d? major. desffgures des (ger.) designated by the term. desirable desired. desired to desired to embellish. desires, desk or pulpit. the raised des menstriers. des moll (ger.) the key of d? minor. des pieces " dessus, first treble, canto primo. dest destinies desto (it.) sprightly. destra destra, droite, destroy each other. detach one without the rest. details of a composition. deum." deum. a musical set- deutsche flote deutscher bass deutschland" 1796 is a description of a time deux deux temps deux terns deux valse developed at length. development of development of a subject. development or expansion of an devices; devil should not de viole (fr.) de violon (fr.) double-bass. devotion. devotionally, devoutly. devoto, devozione, con dexterity. dextra dextra (lat.) deying," d. facial =dfc d'harmonie diabolus." diabolus est. diagram of chords, &c. diagrams dialogue. dialogues. diambic (double iambic). diameter. diametrically diamond shaped diamond shaped. diane diap diapason diapason. diapason, a stopped flute. diapason cum diapente. the interval diapason cum diatessaron. diapasons diapente diapente. diapente d, e, f, g, a. diapente, stopped quint. diapentissare diaphony diaphony. [see under descant.] diaschisma diastaltic. diastema diatonic diatonic. diatonic degrees. diatonic harmony prevails diatonic passing notes. diatonic scale. diatonic subjects may, however, reach a diaulion (gk.) diazeuxis (gk.) hiafevzie. the separation di bravura ,, di camera, dichord. dichoree (double trochee). di colpo (it.) dictionary dictionary, "dido and ^cneas," did the same thing die, -die angst die diecetto (it.) dieci viole di brazzo. diese (fr.) diese (fr.) a sharp, # diese mineur, the key of c sharp minor. diesis (gk.) ciemc. originally the name dieze (fr.) a sharp, diezeugmenon diezeugmenon. dif- differ by about 200 years difference in the quantity of difference tones different differently according to the different nerves different qualities of different qualities of sound. differs from the difficult difficult, difficult. difficulties difficult now to determine. difficult to difficulty difficulty. di gala (it.) dignity, dignity. dignity ranks next to the dean. dignity, weight, di grado di lammcrmoor," has written for a dilated. diludium. an interlude. diluendo (it.) wasting away, diminishing di maniera (it.) f di manieratavfi dim, a pear. diminished, gfc--w diminished seventh diminish the power. diminuendo diminuendo. diminution are not diminution. [canon.] diminutive of ballata. di molto / di molto (it.) very much di molto, very fast. d'instrumens tant haut que has." di nuovo (it.) anew, again. dioxia \,gk.) the interval of a direct. direct depression of pitch by a directed, being slightly bent direct intervals. direction direction for the use of direction in mace's musicks direction, preface. directions that the direction that the direction that the notes direction to direct motion. [motion.] director of the choir. directs diretta, alia dirge, dirge. a solemn piece of music, of a diritta. diritto" (//.) dis- disallowed. di salto, by a skip. di salto (it.) discant discant. discant-geige discantgeige (ger.) violon " discant," had a compass from 13 ^ c, discant-schliissel (ger.) the soprano " discantus est aliquorum discord, discord. discordant. discordaunt ever fro armonye discord, if used at all. discord of the dominant " discords must discords oi discord, the actual discovered in denmark discoveries were impossible. discredit, discretion of the composer discrimina vocum, disdiapason (gk.) an interval of two dis (ger.) d disinvolto disjoined tetrachord. disjunct. disjunctivus, dis[motion.] disjunct motion is when they disjunct motion. [motion.] disjunct, or dislocation of syllables dis moll (ger.) d sharp minor. disorganized. dispensations. dispensed with. disperato, con disperazione (//.) [dispersed har- dispersed har- displays dispondee (double spondee). disposition. dissonance. discord. [harmony.] dissonant dissonant. distance. -distance from fundamental distance. in 1712, abraham jordan invented distant from the distinct, distinct origin. distinct pronunciation. distinguishes distinto district disuse of the amor-schall. disuse of the instrument. di testa (it.) d. (i) the first note of the phrygian, dithyrambic. dithyrambus ditions. dit les et dito grosso (it.) the thumb. dito (it.) a finger. [ditone.] ditonus di trilh.] diversity of notation between them. divertimento divided into divided into two. divided into two classes divide reptiles into ophidia divide the divinely warbled voice divine worship. to meet this difficulty a di viola," division, " prolatio minor." divotamente, divoto (//.) divozione, dixit dominus.' $ d-j-jre d. lichanos or (diatonos) hypaton. d major. document. original dodecachordon dodecuplet. do dwell, does not always does not occur doing dois, de dolcan. [dulciana.] dolce dolce. dolce maniera, dolciano. dolciano, dolcino dolcis dolcissimo doleful. dolzflote (ger.) the old german flute, dom. domain of form. domenico domenico alberti [1705-1739], whose name dominant dominant. dominant bass. dominant duodene), because dominante (fr.) dominant. dominant for their bass note dominant of a minor. dominant, on which dominants dominant seventh. dominant triad. [cadence.] domine domine, do-mi -nus dom, thou greatest don. done so safely. donment, despondingly. donment, passionately. donna, prima (it.) the principal doppclflotc doppelbe doppelflote doppelfuge (ger.) doppelgeige (ger.) one of the names by doppelgriffe (ger.) double-stopping on doppelkreuz doppelkreuz, a double sharp. doppelschlag doppio movimento d'orgue dorian dorian. dorian." and "when seven?" "mixo-lydian, dorian mode. dorian mode, &c. [greek music] (2) one of doric, dorien dost dot. doth dots. dotted notes. dou3le bassoon double (double.) [double double, double) double action. [harp.] double backfall. an ornament double bar double bar. double bar marked " fine." double-bass. double bassoon. double bourdon. double c double chant. [chant.] double coun- double counterpoint. double counterpoint at the octave. double croche (fr.) a semiquaver. double demisemiquaver. a note whose doublediapason, an organ stop of 16-ft. pitch. double diapason. [double, 4.] double dieze (fr.) a double sharp. double flat. a sign (v->) used in music double (fr double (fr.) large double-bass. double fugue double g key appears. this double second double hole at the back. double octave. the interval of a 15th. double pedal point. double quartet. a composition for two double reed. double regals had two rows of pipes. double relish double retardation.; double root. [extreme double security, many of these pieces were double sharp. a sign double sharp xdouble beat or doubles named double sonata. doubles or grandsires double-stopping. the stopping of two double the bass double the pace double time, double-travale double trumpet. an organ reed-stop doublette (fr.) a compound organ-stop doubling of an interval or part. doubly dotted), the doubt. doubtfully, irreso- douce douce gives an account of " le douceines, symboles, clochettes doucement (fr.) softly, sweetly. douce's " illustrations of douland, and published in 1609. his chapters dour dours.] doux (fr.) soft, sweet. douze modes approuves douzieme (fr.) a twelfth. dowland's dowland's pilgrim's solace. dowland's songes or ayres of 4 down down. down. (2) chords on the harp, lute, guitar, downa. down, a-down, an you down and 3 octaves up down, and he down bow. down-bow. down church music down (g down musi- down music down on the glottis. down. the downwards and backwards. downwards, knew very little about music. doxologia magna (lat.) the version of doxologia parva (lat.) [doxology.] doxology (gk.) the hymn or song of dprjio^ia. d. purcell, c. 1700. dr. adolph bernhard marx, justly remarks drag. dragging, delaying dragging the time. dral service. drals in england. drama, or at a concert. dramatic dramatic piece for one dramatic piece in which dramatis persona. drammaticamente drammatico (it.) drawback drawing drawn drawn, drawn from the drawn through the duple time- " drawn " while the fingers draw the draw them backwards;" but this gives too draw your wetted thumb drayton's " polyolbion," song dr. boyce, in his " cathedral music," dr. burney says, " that dr. burney says that many dr. burton in his " anatomy dr. busby in his musical dictionary [1800] dr. croft's " thirty select anthems," 1724: dreadful dreichorig (dreigestrichen dreiklang drei-stimmig dresden, in 1748. twelve years later kolbel dresden, without acknowledgment or profit drical drigals. drinking. drinking songs, from the drive any mucus towards the mouth. driven out dr. john case, whose speculum moralium dr. morell mackenzie thus well explains droite droite. droll, funny. drone. drone bass. druckbalg (ger.) a reservoir of wind, drum [drum.] drum. drum, always employed drum major. drum-major. drum may be noted that in drummer. drummer, tam- [drum.] [nacchera.] drums drums.] drum shaped drums in their regiments. drum slade drum, so called from drumstick. drum, used dsfe $=d=ttt&fed=*4-v duan (gaelic.) a verse, stanza. [du^aynas.] du cange, in ducas." ducing harmonics. duction.) ducts are introduced. due. due, a due corde dued voice, duet duet. duet, from bis and due to duettino (it.) a little duetto (it.) a duet. due voci (it.) for two voices. duke of florence :" dulcan dulcaynas dulcet. [dulciana.] dulcian, or dulcino (it.) the name of dulcimer [dulcimer, [dulcimer.] dulcimer, dulcimer. dulcimer. [canun.] dulcimer, lit. a little dulzaginas (sp.) dumb dump dump. dumpe. [dump.] dumpspeare duodecimo duodecimole. -duodene. duodene. duodene." duodramma duoi duoi chittaroni duoi cornetti. duoi gravicembani (cla- duoi organi di legno. duple duple. duple or triple duple time duple time of four dur, durable. durandus gives another meaning duration. durations of sounds ? durch durchfuhrung durezza (it.) rigour, harshness. dur (gcr.) the key of dur (ger.) dur. (ger.) dur. (ger.) the key of b major. during during a deep chest-note. the during an interval during the republic of 1792 in france. duties duties are duty. duty on the part of the watchmen. duval. malines, dessain. du violon, [dux.] dux (lat.) the proposition, theme, or dux, propositus, dwelling-houses d, which is dyin< dying away, dying away, decre- dying away, diminishing. dystonic. e3erfe= a baton each each additional (/) representing the each) as a concord each bar. each country in which each crotchet its due quantity." each give the sounds as written each group. each instrug each note. each note of the subject. each of each of the notes each of these is each of these movements each pair tuned in unison. each portion comprised each psalm. each section. each string is each tone was furnished. ea [cythara] canendo, et per [ear.] ear. earlier composers. earliest earliest histories, be- earliest of our historians. earl of oxford. (early early composers early form of the early period. (early systems early writers indicate earnestly. ears earth earth, ear to be easily, at easily, fluently, easily known." (playford, introduction to the easily, quietly. easily, with ease. easy easy, easy. easy, graceful allegro, easy, moderate easy, moderate time. |e basso eberlin. e. blancks, michael cavendish, e, c#, ai, and [ecbole.] ecbole (gk.) the terms eclysis (ekxvoic,-) ecclesiastico (it.) echeion. echelle diatonique, echo. eclisses (fr.) eclysis. ecstasy. edgar in having compelled subject kings to edge of the cords being thus edited by edition, edition. edition is very rare. edition of " luther's corales," 1840. editions editions (issued editors editors, ed. t. pegge.) education. e dur. e dur (ger.) the key of e major, the (e e e fig. 5), which pass through small effect in effect of the surface weights. effects. eflat. e flat, a flat and egualmente (it.) equally, evenly. egypt. egyptian harp. egyptian nefer. egypt was egypt was announced by the ringing of " egypt was glad " (handel). e. hypate eight eighteenth century. " eight has eighth part of a semibreve, eighth part of a semibreve. eight stringed lyre. einfalt (ger.) simplicity as, mit einheit (ger.) unity. einleitungs-satz einschlafen einschlagend eisenach eisen's rosemary eisenvioline [eisenvioline.] eis (ger.) e eisteddvodau have been since ^=eitegppi either for private or public use. either in either side of it being also struck. ela. elabo- elaborate as elaborate variations of a theme. eleelegantly, with elegance of elegy, or funeral song, eleison." elevatio elevatio, elevation, (elevation of voice). elevato (it.) raised, exalted. elevazione (it.) a composition founded eleve (fr.) a pupil. eleventh century elijah is more dramatic in elijah was elizabeth. elizabeth, who was an expert ellis's original letters. " el porque de la musica," 1673, suggested el que por amaros else in this more easy way. elucubratis, didicerim." e lus-ti-ge em avwufiu kax lioteiav embellish- embellish. embellishments embellishments. embouchure eminent organ-builder, henry willis, to emmanuel." emotion. emotions are displayed. empfindung (ger.) emotion, passion, emphasis emphasis. employed employed- employed. employed in england. employment employ the following notation emporte (fr.) passionate, hurried. empresse (fr.) eager, hurried. enarmonico (it.) enharmonic. enccenia. ence of the vibration numbers. encounter of an enemy. encouragement that encyclopedique," describing a newly-invented end. endeavour to establish end, freely vibrating at another endless complications. end of oboes, clarinets, &c. end of swell organ end of the " endolymph," another fluid. endowed foundations ends of their fingers. end were john walsh, of the " harp energetically. energia, con energy, vigour. enfant de chceur (fr.) a chorister-boy. enfasi, con enfatico (it.) with emphasis, earnestly. enformacion." 1500, en fut tres remarquable." eng.) engel-stimme (ger.) [vox angelica.] engines," eng. kit. england. england had england the german england. the immediate england under the name rebec. england when a english english and scotch exclusively english bells. english composers, and the majority of english dances. english form of the ancient english horn. english in the various english organs engraving of music. enharmonic enharmonic. enharmonic change, or modulation. enharmonic change), thus: enharmonic diesis enharmonic genera of the greeks. enharmonic (p. 50 et scq.). enharmonic scale whatever. ening, leaning upon. en its outer surface. enjoyed by any other people, enoplius enoplius. iv6w\ioq (gk.) warlike music. enough to easily admit a finger. enough, very; entertainment. enthusiasm. entirely in falsetto. entr'acte (fr.) music played between the entrechats entremese (span.) entry of subject entusiasmo entwurf enunciated. enveloppa si de parolles envoy or stanza containing e of the quint [eolian harp.] ^eolian harp. [eolian.j eolian mode. /eolian mode. [eolian.] ./eolopantalon, e pastori -epf epicedion. epiglottis epiglottis, epiglottis. epiglottis-cushion. epiglottis falling back epiglottis lies epiglottis quietly. epiglottis; /. thyroid cartilage; epilenia, ixt\)'i>.) ionian. * eto-ayoiyj; etouffoirs (fr.) et perfecta. et pour les violes et sonnez doux de controvaiile et vis en ce parchet. etwas etwas gehend, andantino. euclid. euclid, at the euclid, int. harm., p. 19. euclid, p. 21. euclid's, to abbreviate references. euphonium. euphonium in c or b flat euphony. european coun- europe, and from europe, and while chivalry began to redeem european nations. european use demands. eurydice evacuant evans, and eveille (fr.) even after hochbrucker even among the manufacturers. even from such is justly expected ever cheered by the sound of a bagpipe. ever intended to be so. every lady." the figures from which a selec- every performer considered him- every psalm of the old version is every row every so-called evil, evirato (it.) [castrato.] evolutio (lat.) (ex. 12) is a canon 4 in 1, because ex. 1 would be put forth (ex. 26) "seventh on the mediant;" no. 5 (ex. 27) "seventh on the subdominant (ex. 29) " seventh on the leadingno. (ex. 2) shows a chromatic exact exactly. exactly half-tones exactly with it. exact pitch of every examined and examining example, example. example (34) has already been given, of an example, but example, by shakespear in " much ado about example: " in alwyni episcopi examples example shows examples of harmony examples of imitation examples of its scope given below. example, taken from "the exceedingly quick. exceedingly smooth, excellently sett for the harpsichord," 1705. excepting excitation of the ear by a sound. exciting actions. exclusive of marbecke's plain-song was the " ex cujus numeratione pariter execute will be found in execution. exercise, without point or meaning. exhaust-valve, exhibited a mirror for ex hoc nunc exist, exists among exists in front, that exits of the body. expand expanded expansion and development explain. explained. explained by " maister " thomas mace, explained under notation. explain fully the kinds of proportio: explaining explanation. explanation of czermak's fig. (taf. explanations have been offered, which explanations, which explosion gives rise to what may be looked exponent of art. expressed by the signs tr, expressed thus expression [expression.] expression colla chiave. expression of fear. ex-qui-si-ta extant forbidding its use in church. extant " kyrie," a creditable specimen for extat, ei extemporaneous em- extemporaneously. extempore descant. extempore. musical extend below tenor c. extended compass. extended compass and length extended harmony. extended, spread, diffused. extent, was external ex. to find the number of beats per extract is from the extracts distinguishable, extraneous. extraneous modulation. extraordinary style. eye or nose. 6pfiiy. fa bemol fabliaux, fablier (provencal.) fabliers. [faburden.] faces. faces d'un accord (fr.) the positions facetious facile facile instruction facilement facilita facilite facility, facilmente facing the \f, a comma flat, which is un: facon moderne pour couler fact fact i noticed, viz. faction. fact, rests in facts before them. facts have to be considered. facts indicated facture [facture.] faculty. fading fading away. fagottista (it.) fagotto. fagottone - fah fahobordone. fails, while in negatl%lto) f + a (in the subdominant duodene), fairly be translated fairly called " fair prince, here is fale, falero, lero, loo. fall by their own weight. fall (old eng.) f al> read [falsa.] falsa musica " falsa musica est quando de false [false false. false intonation. false or feigned music was that in [false relation.] false relation. [false string.] false string. falset falsetto [falsetto.] falsetto. falsetto is present in every falsetto register. falsetto voice. false vocal cords. false wit." falso-bordone faltige familiar. familiarly associated. family. famuli tuorum: [fancies.] fancies. fancy. f, and fandango fandango, fandango. fantaisie fantasie (gcr.) fantasiren fantastically, fantasticamente fantastic devices. fantastico (it.) fantastique (fr. farandola (it.) farandoule (fr.) f a, read f aristox., farsa in musica far the f as by boeckh fashion about the year 1540. fa, sol, fast, fast. fastened fastened at the lower end. fastened by fast enough. a quicker faster. faster than andante. fast indeed. fatally. fat> c fate, fate. faultless. fausse corde fausset (fr.) favoured. favourite authority in musical favourite (because easy) keys of the favour of kings, princes, and nobles was favour of the scherzo. f. bulley, fby contrary motion, that fcfcg^-i f. champneys, f/c(,\jj(7(aoti(.>/e -- \/f -- \c$, thirds of the f double sharp. fear fear, feast of featly here and there, february, 1716." fect 4th, fect fourth. fect fourth, fifth, fection which all else were making. federclavier (ger.) spinet. feel for feel gratified feeling. feeling, expres- feelings in music. feet, as, feet (groups of time-units). feierlich fejl rjr fejr=z fel ?^ feldmnsik, military music. felt female musicians females. female singer fer- ferent classes. ferent sounds, is ferial. [fermo.] fermo. fermo, the other a counterpoint. fern. (it.)^\ ferocita ferring to it.* fertig (ger.) fessor of fest (ger.) festival festivals." festival style, grandly. festive, solemn. festivita, con (it.) with joyfulness. festivo =fet f et c, g rariuscule. feurent meints divers acors few actors, rarely more than four. few words f-fa-uts, ffi^^g^j ppi ffi-*-^u ^ffl=p=g ff^-rir- c-nb^gp^ fft minor. fgab f hirschfeld and leveille, fiasco [fiasco.] fiat fiat depositio et e fiato, fiato (//.) (1) wind (fiawio, /ja\a('w). fibres). fibrous root or creepers. fication. fications ficient for the ficta musica (lat.) fiddle (eng.) the most familiar of fiddle, has no finger-board. fiddle-strings fie. fie. ;.* fieaae ttoti fiedel (ger.) fiddle. fied than the waltz. fiercely. fiero fifre (fr.), (fifteenth) fifteenth. fifteenth century. fifth and major fourth. fifth and sixth on f fifth in fifth of the scale of b fifths played as written fifths, sixths, fifty-five." fifty years, and the latter fig- fig. fig*! (fig. 1.) fig. 11.* (fig. 2.) fig. 2 fig. 2.* fig. 245, p. 326). fig. 2 is given by fig- 3-* fig. 3 fig. 3- fig. 3 is from a ms. fig. 3 represents fig- 4-* (fig. 5) the pallet c descends, fig. 6, but exaggerated. fig. 7.* fig. 9-* fig. in. (fig. in. ni, fig. iv. figura (lat.) a note. figura simplex, figurate, or figure figure. figure 2 implies a 4th figure 4 implies a 5th, or 5th and 8th. [figured [figured bass.] figured bass. figured f. figuree (fr.) figure of the figures, figures are used figures in order to (fig. v. fig. vi. filar la voceharmony. filching." file, filled up " fille quant ferez en karolle filling up. final final a. final c. final cadence." final e. finale, finale. final f. final g. finalis. final of finals finals. find finders. find the fine ^ fine. fine. fin (fr.) the end. finger, finger. finger-board. fingerbrett (ger.) finger cymbals. fingered finger-former. finger-holes and keys), and those produced fingering -fingering. [fingering.] fingering. fingering. applicatura fingering go. fingerleiter fingerleiter. (ger.) [chiroplast.] fingers fingers. fingers and with plectra. fingersatz fingersetzung) v fingers like a guitar. finger-stall. finished. finished, ended. finite canon. [canon.] finto fiochetto (it.) slightly hoarse. fioriscente| fioritura fiovaitcfis (8vo.) paris, 1821. ^fir* fire, fire. fire made in its fir, if jr , firmly on the glottis. firmly upon the wooden bracings or framing firmness. first first. first abdominal ring. first and second subjects first, as the first as to tonal fugues. first, a very unusual first eight alone first epitrite (iambic & spondee). "first essay of publishing church musick first fiddle first half, first improved first in first is first line first line of the stave. firstly the early embryo first octave. first of first pair, five in first pa;on (trochee & pyrrhic). first part of the allegro. first plan given (largest on the fi rst s first sight. first specimens of chamber music. first tetrachord. first, that they are first, the expansion first this ma)' occur in first viola first was called ut fis. fis dur (ger.) fisfis or fisis (ger.) fis (ger.) f sharp. fish fish, fish. fis moll (ger.) fistula fistula, fistula. fistula eburniola, fistula (lat.) (fitawvj fithelearundinis ordo, pan-pipes. five five- five. five-fifths semitones of 4 five-fold. (five hundred points of good husbandry, 1540). five of the tones five places are enough for all five principal five tones fixed, fixed bridge formed fixed rule for fixed, some moveable. f*j, and fjj a true third to d f. k., and published by john kingston in flageolet flageolet, flageolet. flageolet, so called after [flageolet tones.] flag fluit (dutch). flach-flble flaiito cuspido (it.) flajos de sans, fistule, pipe flajos et chevrettes flajos et chevrettes, flamps flaschinett flat flat, flat. flat clarinet, as: flat is set in flat major flats. flatte (fr.), schleifer (ger.) flattened (ex. 4). flattened v. flattered flatteringly.) flat to a sharp key. [flautando.] flauti flautina alia vigcsima flautino flauto flauto amabile (it.), flauto dolce (it.) [flute.] flauto dolce (it.) (sweet-toned). flauto francesc. flauto (it.) [flute.] flautone (16 ft.) flautone (it.) [bass flute.] flauto tedesca, or allemandc. flauto traverso flauto traverso (it.) the german flute flebile, flebilmente fleshy part of the cheeks. flessibilita (it.) [flexibility.] flexibility. flexible flexor muscles fl^h^mftffamdlp^hirir r flictedly, with sadness. fliichtig (ger.) light, rapid. fling. a dance performed by scottish f locher flon flood of tears will cost, florid florid. florid, bold, florid church (florificatio flote (ger.) [flute.] floten flourens * has experimented on the subject flourish flourish. flourishes. flourish of trumpets. flowery flowing, flowing style, capable flue flue- fluences. fluential flue pipes. flue-pipes are tuned, if stopped, by flue theory as untenable. fluous, or sharp. flute [flute, [flute.] flute- flute, flute. flute). flute (16 ft. and 8 ft.) flute (1712.) flute. (1) one of the most widely used flute a bec [flute a bee] flute a bee (fr.) [flute.] flute a bee, or english flute. flute d'amour (fr.) a low-toned flute, flute douce (fr.), flute of the hebrews. flute or flute, piccolo, or flute raveua. flutes flutes, flutes: flute traversiere (fr.) fly. a hinged board which covers the (f#.) lydian. f moll (ger.) the key of f minor. f " multipliciter foco (it.) fire, spirit. focoso (it.) with spirit, fofa (port.) foglietto fois folc gifts fold fold, fold chords, folded inwards, but stands erect. folds, foliated. followed followed. followed by absolute silence. followed by " an epistle to all followers of lully, campra (1660-1744) is the following following, following are following are examples following are the forms following bar. following bar, or, syncopated. following, but following course, some (thyro-epiglottideus following diagram shows following diagrams will explain this following example following example from fetis following example (no. 4) is from gerbertus following examples following groups following lines following proportion following table contains a following table will follows: follows it. follows ps. follow strict time after any fondamentale fondamento fonds d'orgue (fr.) the foundation foot, as a footlights and the curtain. foot of frontispiece (for for a for a bar's rest. for a child, for a detailed account of this for a dot for alia breve is for all the for a long for a long time after. for a low pitch. for although for, although music was for, although the compositions of for any note. for as for a species for a third testimony we may foration for a trine below. forbidden by musical law-givers. the great for, by, on for, by the constitutions force force. forced. a term signifying forced into for certain for certainly she's forces it out. for church use. for clinical purposes. for common time. for counterpoint, but did not always give for courtiers' ears. for cunning such, and vertue much; for dr. burney states that "his (bach's) fore for each scale. forefinger, &c.) foregoing fore him. foreign to the old church modes. forest flute. fore wrong. for example, for example: for example, 17 :5 was said to be for example, after the regular for example a piece in the for example, c# to b?is a diminished seventh for example, lcs for example, the for example, the song of which a for ex. see appendix. for four hands. for four voices in harmony. for further details and for further information forgotten that in for granted for harley, (for iertia), or for instance, the for instance, the false vocal for it for it not only for itself. for its inversion. for its signature. for it was the fork (early in this century) forkel, and forkel says that " bach [forlana.] for long distances form [form.] $ form form. form." form a compound stop. (4) a mechanical form a concord. for making any vocal sound. formally. formances formances. for many for many years a form a separate melody. form as the symphony formation of a sequence formation on the lyre. formed formed by formed by c-gj, and its inversion. these formed by four fifths up, which formed either of small formed of a straight metallic tube. for men's voices. former are used for formerly formerly, formerly. formerly a solfeggio name formerly given to an formerly, in some english formers. forming a passage. forming part of two new decads. for mixed voices or instruments. form of dance. form of early form of second. form of the kyrie form of the symphony. forms forms, forms. forms which form the consequent for music made and not inspired. for nearly twenty for new forms of the beautiful. for pianoforte and organ music, &c. for pianoforte playing, for pipes for pra)'er, for rallentando. for repetition. (for />rima), or for ruling the stave. for secular purposes. for short divisions for shortsign for sounds. fort forte forte, forte.] forte is now. forte or organ. forte-piano or fp. forte possibile (it.) as forte, soft then loud. forth forth, forth. for that for, that "for that if forth, but for the for the bass for the belief that for the cause of the for the cittern, for the edification for the " eustachian for the full duration for their ordination. for the likeness. for the one exceptional for the organ for the poor productions for the psalms some for the purpose. for the purpose of pointing. for there exists for these indications. for the several for the sign for the somewhat abstruse for the subject is mythical for the two parts. for the'voice. for the voices or instruments. for they that for they that led us for this for this class of work. for three for three equal voices. for three parts. for three principals, for three voices, instruments, for three voices, or forth, together for time so spent, fortissimo for triple time. fortsetzung for two voices or instruments. forty respectively. for " u " curves. for valuable information on for violins for viols for voices or for voices or instruments. for volti subito, forward each man set forwards. forwards, and another who could for which he deserves most for which it is intended. for yong practitioners," c. 1656; are here forz. forza, con forzando [ forzando forzato (it.) [forzando.] found found. found at p. 184. whoever shall desire to found desirable. founded on a coda founded on two principal themes or found was published between 1740 and 1750. four (four four bars. four-fold ; having four fourier's theorem. [acoustics, n.] fourlane four lines. four notes. four-part harmony. four parts. four sentences for that fourth fourth, fourth. fourth) fourth above. fourth and fifth fourth and major third fourth, &c. fourth comprises fourth epitrite (spondee & trochee). fourth line of the stave. fourth lower. fourth octave. fourth paeon (pyrrhic & iambic). fourth rules need no explanation. fourths fourths. fourths). fourths, and thirds. fourth, sixth, seventh, and ninth. fourth time in fourth, to which they belonged. four time. four times). f. parhypate f. parhypate. \f. parhypate (beside hypate). fqg&jr^efeijqg fraction of (fra diavolo). frame movement. france in 1793. the melody to which it was francesco conti. francesco durante (1684-1755), who, as a francese. franchinus. francis de la fond in 1725, suggested a franco and francois jaqui, 1565," i2mo. the melody franculus (lat.) frangaise frankfort-onfor franz -ton frasi (it.) phrases. (fr.) a small kind of bagpipe, fraternity fr. cloche. fre- freak, freddamente, con freddezza fredon free canon, free chant free for action free in form [free parts.] free parts. free writing fregiatura frei- freie schreibart (ger.) freischutz will prove. (2) a powerful reed french french, french. french " diapason normal french flat-tuning. [flat-tuning.] french horn. french horn. [horn.] french music french pitch; lower french poetry french revolution of 1792 were associated french sixth. [extreme sixth.] frenzy. frequent frequent. frequently frequently resolved frescobaldi frescobaldi. fresh frets. fretta, con $~^frfsis^ (fr.) grand (fr.), grand chantre (fr.) (having a friday." friedemann bach (17 10 -1784) though, fried. hillmer of leipzig, in 1799. fright, " frische frisch (ger.) lively. (fr.) note frogs. frolich (ger.) joyous, from (from from 1660 to 1840 the sanctus was never from a diary kept at rome in 1697, by a from a drama from a glee, in its being sung by from a musical point of view another from andre's "lehrbuch from another from another. from a particular sound-board. from a set [bass flute]. from a the 8th to from a work entitled "the newest from below by buttons attached to upright from cherubini. from employing " sentences which nobody (from e. roger's virginal from fancy or accident. (from fides and from fux (welcker's english translation) from germany part-songs from graun's from g to b. from having been sung by a party of from him, are from his conception from icpovw, to knock, strike). from lat. from maul, from oakeley. from sargent. from sargent's psalter. from spontaneous vibration from that event from that fact. from that given by koch in his lexicon) from the from the above examples we have from the dominant from the doric. [plain song.] from the greek from their plates was issued in 17 10. the from the italian mandra, from the latin calamus, a reed. from the library of from them from the part from the row from the salisbury hymnal (from the same from the sign $. from the time when from the two preceding examples, it will (from the word cantor.) from this latter from this method from this plate, and from thus predominating from two roots, g and d respectively: from whence it derives its name. front frosch frottola (fr.), pause (ger.) fr. pavilion, ger. schallstiick. (fr.) scene d'entree. (fr.) scherzando. [scherzo.] frt^= fruchte," seven sonatas, f see " de clavibus," p. 214. " unam dictarum f sharp. f sharp major. f sharp minor. fsr^tj. ftg-fry^ f, the clapper. ftoc. ftr&cr c(tr "^^r fuga fugal fuga ricercata, fuge (ger.) a fugue. fughetta (it.) fughette (ger.) [fugue.] f'ugue, and canon. fugue as, fuga doppia, a fugue, cequalis motns, a [fugue.] [direct.] fugue, having two subjects fugue or melody fugues have what fugue-subject. fugue subjects when treated by inversion [fugue.] [sustained note.] fugue, the answer being termed the reply. fugue, the subject of fugue with two subjects. - ful ful, ful1 0r 8 an ful, gratefully. fulke greville. it admitted of much full anthem. full anthem, which full cadence. full choir, in response. full chord. full power full score. fullstimmen (ger.) full stop. (1) in lute playing, a full full tones, applied to full-voiced, full-toned. fully, elegantly. fully established, fulness of the voice. fulness of tone. functionally a functions, duty. funda- fundamental fundamental. fundamental bass. fundamental chord. fundamental note, gene( (fundamental) o-ooo funebre, a funeral march. funeral. funerale funereal, mournful, in the funzioni fupon andthe block fur- furious, frantic, with rage. furiously. furlano furnish a tune for dancing. [ballet.] furnished furnished " grounds" for furnished the poetical groundwork of many furnished with keys. furore, con further description. further to improve these plans fury, passion, en- fusa (lat.) a quaver, fusee (fr.) rapid division, fust subject. future development. fxtxuiiav g. abb. for gauche (fr.) left; as, 7i?.g., gabel (gcr.) (gaelic.) gaillarde (fr.) [galliard.] gaily, gaiment gain the heart of every youth. gajamente galantemente gali et arie per -galliard. galliard. galliard." "galliard " " a swift galliards, and almands." galop galopade. galoubet gals.] gamut. gamut and d, their places marked the gamut, by dr. john blow, gamut. [notation.] =(g= and played ganz ganza, con garbo, con (it.) with grace, politely. garrire (it.) garrison of strasbourg in 1792. [gassatio.] gassatio. " gassenhawer." gastoldi is the gatherum, tolly polly, hoite cum g a true gauche gaudentius, p. 22, &c. gave for the employment of both hands, --gave the gavot gavot. gavotte (fr.) [gavot.] gazette, (gcr.) (gcr). [gcr.) (gcr.) similar motion. {gcr.) the working out of gear. gebrochene akkorde gedackt gefiihl, gegenbaur, gegengesang (ger.) antiphonal music. gegensatz (ger.) counter-subject. gegjecpas^ jgrefetjii gehalten (ger.) held, sostenuto. geigcn-ivirbcl, peg. "geistliche lieder," " geistliche lieder," wittemberg, 1545 gekneipt gelassen (ger.) calm, tranquil. " (gene- general. general adoption of the term vivace. general-bass," berlin, generalbasschule," general -bass (ger.) thorough bass ; generally generally. generally adopted, of generally, and so became synonymous with generally, because pythagoras had generally of generally of 16 ft. tone. generally of 4 generally of a plaintive (generally with some rude general name for the general name for the notes general name of " flute." generate de la musiquc, i. 131, 8vo., 1869.) generator. generoso (it.) nobly, with dignity. gentilezza, con gentle jesus, be our light gently on the strings. genu flectatur." genus george wither. (ger. (ger.) (ger.) ] ,., (ger.), (ger.] [ger.) {ger.) ger ^ ger -) ger. (ger.) (1) minor. (2) soft gerade-taktart gerbert's (ger. bratsche or altgeige. {ger.) continuation. (ger.) (delicately voiced). {ger.) distributed (ger.) [f holes.] ger. glocke. (ger. harke.) (ger.) (having flat lips). gerlach. (ger.) leit-ton (ger.) nota (ger.) lit., iron fiddle. a german german, german, and more german flute. german invention and influence. german music was german name german organs. germans germans have no changes german sixth. germans to the notes, germany. it was supposed ger.,nagel-geige. (ger.) the alto trombone. (ger.) the art of expressing (ger.) the bellows-treader. (ger.) the note ax gesang," 3 vols, quarto gesang (gcr.) gesang" was variable and consequently the geschwind (ger.) quick, rapid. ges dur (ger.) the key of g flat ges (gcr.) the gesticulation and rapid movement. gestossen (ger.) staccato. get the following get this series (gev.) (gey.) g^feh-hm* ^^gfeign ghazel. ghazel (arab.) gheyn family, whose works are to be found ghiribizzicommencement gibbons's service in f [1583-1624] found gico gift, gigelira gigelira. giles farnaby (bac. mus., oxford, 1592), gin, contains [gingras.] gingras. gingrina (lat.) giochevole giocondamente (it.) joyfully, merrily. giocondato (it.) happy, joyful. giocondezza (it.) mirth, jocundity. giocondo (it.) jocund. giocosamente, giocoso (it.) sportively, giojante, giojosamente, giojoso giovanni gastoldi [1532-1598] the reputed gioviale giovialita, con (it.) with jollity. gipsies, as the gir.olamo frescobaldi (1591-- 1640). gis, gis (ger.) gis moll gittern. [guitar.] gittith (heb.) this word, which giubiloso giustamente giusto give " give me a spade," given given. given in given in germany to all given in order to show given note given out given subjects. given three notes are given to given to ballad given to the given to the followers given to them. given to the pre- given to the stave give out tone. gives over-tones or give the following: (gk.) /aayar. (gk.) (airvkvoi). (gk.) av\6c, derived from aj//ut, to (gk.), avafiadfiot, the name (gk.), cruarpov (from (gk.), instrumental music. (gk.) ixikwv. an instrument used (gk. kavhv). a rule, (gk.) o-^ela. (gk.) (pixog). (gk. taxafioc) (gk.), trifihiov. [gk.) virupxn^- {gk.) x au e> nt a tortoise (lai. (gk. y_opavxr/c from xwell, or bravely, done. it were necessary. it when it will be it will be unnecessary it with a little sand. it would it would appear thus in it would appear to it would be it would be easy to produce it would be produced. it would have been it would require the position (it) zinhen (ger.) i, when the added i will ask you to give me your ixa-^itjtwv. i/zaxrwy), who ascended the ambo and sang jack jack. jack, and s string. jack at greenwich. jack of a spinet. "jacks," which were provided with jacob. "'j a female singer. jager-chor (ger.) hunting chorus. james young, london-- janissary janitscharenmusik. janitscharen-musik (ger). jar. j^cag^slgppjs^ jean antoine de jean phillipe rameau, ject ject. ject before that of helmholtz. ject is not to be wondered at. jedoch gnindlicher wegweiser, jeffreys v. jelly-fish and sea-anemones. jeoymn. jephtha. jeprouve la martyre jest, jest. jesu." je- su dul jeu. jeu d'anche (fr.) reed stop. jeu d'ange (fr.) the vox angelica stop. jeu de flute (fr.) flute stop. jeu d'orgue (fr.) an organ stop. jeune, natif de valenciennes. jeux forts (fr.) loud stops. je veux, lisette, [jew's- [jew's harp.] [jew's-harp.] jew's-harp. jfa: jfch jft-. j. heptinstall, london jicta. jig. jig.* jigs." jigs, though now danced jingles jingles. jingles, a tambourine. jiqj 3u0[ j. keyc. jkjirr mtt -jksz jm; cifrife gg j-mru-uz & joan," " joannem benedicto successorem, " jobal is broker song and glew, jocular style, joculator. j of an improvisation. (johannes de garland). joh. crlger, 1649. john day, who in 1560 printed the church john de meum in france, dante john goss. john goss. the earliest composers of john hawkins, john jenkins (b. 1592), one of whose three-part john of gaunt returned from spain. few john stainer, joice. joint joinville speaks of joke jones's first jongleurs. joseph," by orlando di lasso, paris, 1607, (joshua). journal, journal, dec. 25, 1884. jovial, pleasant. joy and delight. joyfully. joyfully and with joyfulness. joy or merriment joyous, gay. joys, joys abound. " f j^q_uujt_^ ^jrds j rur f, j s determined which forms j. toynbee, f.r.s. jubal " was the jubilant. judas maccabaeus. judas maccabceus, and the judas maccabceus in 1746, joshua in judge. judging from the specimens judgment upon spaniards, judice, julien julien. julien.] juliet," julius a., junct. (june 6, i860), and from other sources, will jurisdiction, abandoned the bill. just just after justed are called bearings. justesse (fr.) equality, purity, and justice of the case may require. justices. justified the composer's foresight, justify the means. just intonation. juvenile or adult. juxtaposition jzl. kai crvi>tovo\vdi(rri kammer -musik, " kampf und sieg," 1815. k an flute. kanonik. kantele. kapellmeister karixafde kauffman of dresden. kaxtlrai keckheit (ger.) keeping the middle and keep to the time. keksixi), kensington museum kensington museum. kent bugle. kept in keraulophon. an organ stop, invented by keraulophon, &c. the great organ being keren. a hebrew trumpet. the word is kermangeh. kermangeh," another bowed kern " kern des ketten-triller (ger.) [kettle- [kettle-drum.] [kettledrum.] kettle-drums. kettle-drums. timbales (fr.); timpani key, key. key. (1) a mechanical contrivance for [key, 5.] key, and consisting key being less perfectly -key-board. key-board key-board. key-board.] key-board. clavier (gcr.) the range key-board, invented by c. w. le jeune, which key-board may be moved key-bugle key-bugle. [metal wind instruments.] key-chord keyed wind instrument key e|?, key a, &c. key g minor. key having four sharps key in place of the wire and button. to key, j jack, s string. (key note). key-note of the church key-note. the note which, according key of a major. key of b minor. keys keys. keyscores, keys, like a pianoforte. key-trumpet. [metal wind instruments.] key-violin. key when the finger is suddenly removed, a key whose tonic chord key, with slight passing modulations. kibaoa). killed with kindness." kin. kind. kind as the chromatic, but made kind of clarinet required kind of female or boy's voice. kind of indian kind of jig, or a waltz. the name is perhaps kind of lute, having wire kind or genus kinds, kinds as to kinds of intervals. kinds of melopceia. kinds the flute played by a mouth-piece, kingdom " vermes," or worms, kings and nobles, whom they praised or king's entertainment. kington's 2nd set of madrigals. kirche kirchenmusik, [kit.] kit, kit. kitra or gunibry. kiy^prjrrai (p. 21.) klang klangboden klangfarbe klang (ger.) sound. quality of sound, klanggeschlecht klangleiter (ger.) klang or klangfarbc (ger.) [acoustics, 16.] klappen-fiugel-horn (ger.) keyed bugle. klappen-trompete (ger.) keyed trumpet. klcin-flbte (2 ft.) kleinbrummer (" kleine kleine flbte klingel (ger.) a small bell. km forzando knees of the performer. [knell.] knell for the onset." knicky-knackers. the common knight's tale: knives. know knowing it to be unauthorised. knowledge at oxford (improved further at knowledge of harmony; or knowledge of the composition, can perform." know my celia's charms ?" by s. webbe, and known afterwards to the known as known as the " pomum adami," or adam's known "grounds" known hymns, such known in england as " luther's hymn ;" known objects. thus, the grand pianoforte known the beauty and grace of melody in known thousands of years ago. known to be of interest. known use know the names of knuckle-joint, but to koenig, made his appearance from kollmann on " style and konig. (ko\o, cf. b quad- moll (ger.) a minor, the tonality of moll (ger.) minor. moll (ger.) the key bt7 minor. moll (ger.) the key of d minor. moll (ger.) the key of e minor, the moll (ger.) the key of g minor. mollis contrarius (lat.) moll-tonart (ger.) the minor mode. molto allegro, very quick molto (it.) much, very as, molto adagio, monaulos (gk.) ftovavxoq. a greek mon enough. monic an moyen age, by e. monic modulation monies with their fundamentals monium. grand jeu, the full power. monk monk). monk and ouseley's monkey. monochord, and with monocorde, a (fr.) monocorde (fr.) on one string. monodie(fr.y monodrama. montant, and was played montant (fr.) ascending. monter in, ut, re, &c. (fr.) to sing a month months. montre (fr.) mounted diapason. an monument" monument, published in 1676, signifying a mony mony. mony.] " moon guitar." moorish drum. mor- moral morceau mordente (it.), more more; more and more. more appropriate more, as piu allegro, faster more bars, with more closely together. more frequently the latter. more modern more noticeable more or less moreover, by skips from one moreover, diaphony was well more rarely, oak, moresca more sharps more sim- more staves together. more than more than a semibreve, a more than one rank of pipes. more than two instruments. more urged moriscoe, to. morley, in his " introduction to morley's consort lessons morley, speaking of the morn morn-ing. morning song, of a noisy morris dance. morte morte- mosque, who, having ascended the gallery of mosso, a very little more most most, as, most birds have two larynges, an most books describe the most charming character. most commonly most favourable specimens. the words of most great most humbly beg for oh adjoyn it to most important of most iof the words of most of the early printed music most part mostra (it.) mote. motes, fabliaux, et chansonettes motes, gaudias, [motet.] motet or motet sung "motett," no. moths and butterflies. [motion. [motion.] [motion]. motion. (1) the movement of a single motion similar, motion than simple allegro. motives form a section motteggiando motus retrogradus, mounted cornet. mounted cornet. [cornet, 3.] mournful character. mournfully, mournfully, sadly. mous with mouth. mouth of a pipe or musical mouth organ. [pan's-pipes.] mouthpiece, embouchure mouth-piece inserted mouthpiece like the oboe. mouths. mouth upwards, move- move. moveable. moveable (being hinged at d), lies move by moved, as pin mosso, more moved or faster movement movement, movement. movement called scherzo. movement has movement in the art of music. but 3rds movement, only twenty-six bars in movement, overture. movements movements. movement shouldhavetwothemes, movements which moves moving moving; and the strings, which by the kees moving" by means of a wheel. moving the stopper up or down mozart mozart. -- mozart and weber never. mozart employs one in the score mozart himself declared mozart in don giovanni, wrote mozart. symp. no. mozart, the mr. chappell mr. chappell (popular music, p. 792), says mr. darwin (" descent of man," vol. i. p. 20) mr. denison recommends mr. eccles, mr. h. purcell. mr. toynbee ms. copied by the late j. m. neale from mss., no. 10,335, eleventh century m th component of n will have mttsica, cap. 37. much much by much contrapuntal much is conjectured. much italian as much more much musical ex- much of the gregorian much pypyng per repayres." much sustained. much uncertainty. mueller's multiple of it. multiplex. multiply multiply by 8 mund mund) mundstuck, mouthpiece. mundtrommel, brummeisen mundy's songs and psalmes. munich, has shown, by the use of revolving munter murky. murmuring. musa) musam meditaris mus.bac muscle; muscle. muscles. muscles. the larynx is covered with many mus. doc, trinity college, toronto muse d'aussay, trompe petite, music music, music. music] musica musica," 1556 music accom- music a clef. [clef.] (6) key, in its modern musica di chiesa, church " musicae active micrologus, musical m usical musical burletta musical composition. musical declamation. musical drama (1851) by musicale," 1672, uses do for ut, and speaks musical exposithat musical expression to be found musical feeling would doubtless musical feet were governed by quantity, musical form. musical ideas are presented. musical instruction musical instruments. musical instruvogelgesang (ger.) musically. musical notes musical periods. musical phansies fitting musical phrase. (3) musical poet, who, unwander about the musical sounds. music a minim rest. music being found music by the abbreviations for. or/. music cannot be maintained. music for it music form part of rhythm, and music for the harpsichord music for viols music" from the sacred works of handel, music, has probably greatly influenced the musicians musicians' musicians afterwards took the musician who undertook such a music,-' instrument. music in the olden time," p. 626) shows music is music is to be sustained. musick" musicke " musick's musicks monument," 1676) music. musica di camera, musico "music of the future." music of the war-dance. music, or musical ear. music played by waits. [waits.] music to music to gain his music types, but engraved music up to the time musicus for 1699, the "new teaching songs, music was music was founded upon the music was sung to a syllable. the purest music with sublime effect, as by music, written thus musique selon must must, must also note his must be must be added, must be considered must contain two must of necessity be the same. must premise, that must reach the musyke"; the drone of the bagpipe and the muta mute. mutiren (gcr.) the change of voice. m), which sends an incomplete parti- m will have mn vibrations mwlnmlkh my ladys mysteries described,"' quotes the following mysteriously. mythological hymns and nabla yifixa (gk.) [nebel.] nablium (lat.) [nebel.] nacchera (it.) a military drum. [na- naccherone nachahmung (ger.) [imitation.] nachdruck (ger.) emphasis, accent. nachspiel (ger.) a postlude. nachstverwandte tone (ger.) naenia (lat.) nafiri. an indian trumpet. naif nail violin. naked naker. a drum. [nakeres.] nakeres.] nakeres (old eng.) the explanations of name 'name name. named named, named bartolomeo named fougt, obtained about the year 1764, named koch, who named on two principles (1) by the largest name for a bag-piper. a pun on the words name for an appoggiatura. name for composi- name for the name for the lyre, name from being held name given to the name is probably namely, namely, that name of the second. thus, d r names names. names only the preceding principal name they were recognised by charles vi., nam*pos nantias." nant seventh, figured nant, with second form narairxokii, narrow box of thin even-grained deal, narrowed. nary descending minor), c nary tenor voices. nassat. [nasard. j national national air, national music. national scale. natrav he bnrxooi'. natural, natural. natural harmonics natural key. key of natural modulation. natural pitch. the natural, which was called b durum. nature nature appeared nature of nay. nazard. [nasard.] neapolitan guitar. neapolitan sixth. near nearest relative keys, q. v. nearly 5,000 years in history. nearly equal to nebengedanken (ger.) nebenstimmen necessarily must undergo. necessary necessary. necessary examinations. necessary in the sonata. necessary to [nechiloth.] nechiloth (heb.) neck. neck, of a violin or needful. nefer. an egyptian guitar, called also nefru. negative neghinoth. neglect it. negro negro harp. nei d is satisfied. neighbour, and so on in turn. neighbours." neither did the cultivation of neither more nor less neither solo nor verses. neither was there any neity. nel fine nelli's or nel tempo n equal temperament semitones, nerves of hearing. [ear.] nerve, the nerve of taste. ner, with indifference. ness, rapidity. nete (gk.) [greek music] nete hyperboleon. netoid. nets as a reflector. [neuma.] neume for an ascending brevis plicata. [neumes.] neumes were but an expansion neumes which had neumes with neum psalterium.] never been surpassed. never generally used. never was yet new flute master," printed in 1704. the new harmonies upon the old plain-song, new hymns new hypate new instruments by new instrument was newly corrected and amended." edinburgh, newly set forth by philip rossetor, 1609." new method of figuring a bass by calling new poems which grew new version" new version. " sing praise next next, next example next few years the custom of psalm-singing next illustration. next in order next pair next primary seventh next the next to him next to the archdeacons. nexus nexus (7rxoo/). nicer distinctions nicholas church, berlin. niederschlag nies. nightingale. niirnberg, in 1730. nimble, quick, ning of a bar ninna, nanna {it.) a cradle song. ninth, chord of the minor. ninth, chord of the suspended. ninth descends also. ninth, interval of a. nised standard of pitch. n j r7 gefife#^g ;nnta), no. 1 is the port de voix simple, no. 2 is called no. 2 the port de voix double. no. 3 (ex. 25) is said to be derived from g, no. 3, from " erotemata musicse," no. 6 (ex. 28) "seventh on the submediant;" nobile nobis no-bis, &c. noble, nocturne (fr.) [notturno.] nodal line. [acoustics, 13.] node. [acoustics, 7.] no deity but nodes) ? no doubt the progress of nofre. nofre. [nefer.] no g sharp or e flat" (p. 26, vol. 1); but at noid cartilage of each side. no. i, from finck's " practica noil troppo, no invertebrate noise, noise (old eng.) music, or a performance noisily. nome [nomenclature.] nomenclature. nomenclature." [nomenclature.] [no- nomine) of the lord our god." no more shall the horn non-cyciicai none so musicall as non-festal as, ferial use, music " nonne preestes tale." no. of beats per second. no. of vibs. no other intervals possess. (no place nor is this all two normal normal diapason, a recog(3) fixed pitch normal pitch. [pitch.] normal scale c, normal scale of c. it has normalton norman, row, nos. 5 and nos ambrosiani " " not, not. nota nota- nota. " notae pneumaticae." not a few not always easy to find. not, at discretion. [notation.] notation, notation. [notation.] the notation was thus laid. notation would not at the end, notazione musicale '-not because they not belonging to any not be the case. not be written upwards ", not called into question. not difficult to gain the note [note note. note." note.] note against note. note and its super-octave. note, as note by a quaver. note c' [stave.] note each, subject to tuning. note first. note (fr.) note, from note g flat. note has note higher, but the lowest note hypate in greek music. note illustrates the combina- note in the key. note is given to each syllable note lichanos in greek music. note must be a concord, the note near note next to be sung or played note of a stopped organ note of (a) the hypo-dorian note of the line or note of the organ key-board. note of the subject, note of the value note or character employed notes notes. notes.] notes above the phrygian; (c)the eolian mode. notes actually written. notes and clefs notes are called notes are in the order 3, 5, 8. notes as notes below the dorian note seven times notes in its compass notes nearly coinciding in notes of a melody proceed. notes of a pipe notes of the open strings (q. v.) notes of the scale. notes or sound. notes, outside the notes such as \\c notes used in writing notes were tied : note with a separate finger. note with two hooks. not heard until keys are held nothing else. nothing is nothing more or less than nothing remarkable in any of the nothing seems more not, however, (not in 1696, as some notker, a monk of s. gall in not marked for repetition. -- not necessarily incor- not objectionable not only not only, then, is not only was the not prize our trea not quite, equal to not scientific not so fast as allegretto. (2) not the case. notturno (it.) notula notula of a (notulas) for no-tum no tune could be drawn from not unfrequently introduced not wanting. notwithstanding not yet commonly met with. nourished. novello. novello, ewer and novemole. [nonuplet.] " now, now, now a piece of music now a sound wave consists now, as then, now, by means now if we see now let him try to raise the now let us bend the fingers nowmhoflrfifl now obsolete; now stands, now understood now used now we observed that now when nth. nth ,, 12th nth centuries becomes (n) the nuances (fr.) shades nubian kissar. nucleus." nullifies the elevation number number and arrangement number of consecutive feet. number of segments varying with the pitch. number of turns. the number of vibrations of a numbers numbers. numbers and ratios. numbers in number which have had a short numerical calculation, see appendix. numerical ratios obtainable numerous numerous examples of gavots b}' well-known numerous to give with completeness, and nun danket alle gott. nuovo, di nuptial nuptial song. nuremberg, 1570. nuremberg, in 1690. [nut.] nut. o. a circle, formerly the sign of tempus oaten pipe, oaten-pipe. oats. obbligati obbligato [obbligato.] obbligato. obedient servant, james clifford." oberst. ...oberstimme oberw. object. objections is very plain object their peculiar study. oblige obliqita. oblique. oblique, and contrary oblique body may oblique motion. oboe and clarinet. oboe d'amore. oboe-flute. oboe, or haut- oboes, the observances. " observe observe chords observed. observed, that there observer, with his obsolete obsolete. obsolete term obstinata, a obtain obtain. obtained. obviously the case in point. ocarine occasionally occasionally a occasionally involved a slight occasionally on stands. occasionally used by the greeks. occasion in occasions. occur in homer occur in the same chord. occurred, and occurrence of syncopation oct 24 octav). octave /octave\ (octave) octave, octave. octave) octave above octave above c in alt. octave and a fifth or sixth. octave c, d, and so on. octave, have always been largely octave higher in pitch. octave higher than octave higher, that is from octave in alt. [pitch.] octave lower. octave lyre. octave of g). octave, or fifteenth. octaves octaves. octaves above the diapasons. (2) a coupler octaves and one fifth, namely octaves, as the case may be. octaves, has been gradually increased octave string octave (th. octave twelfth. octave without the upper note. octavions. octiphonium [octuplet.] octuplet. odeum oertel, of of 218 black-letter ballads, and (as a rough "of 3 en 4 stimmen," and this is of 4 ft. pitch. of a bar. of a bell. of a breve into semibreves of accent." of accents and stops. of a certain average pitch. of a chant, of a choir. of a chord. of a composer's material. of a composition. of action was of a four-fold arrangement of africa. of a fugue of a future age. of a gentle of a gothic b. of a greek lyre exhibits the of a guitar or lute. of a hymn or psalm tune. of air is undivided. of a like character. of a little book called " euphonia of all i know."t of all the structures of a long of a long stick. of alypius are: of a major third, as from of a modern musician. of a movement of an almost exhausted stream. of an echo organ, of an inch apart. of an instrument. of an oblong form, and of an old tenor of an opera or drama. of an orchestra. of an organ of an organ- of an organ. of an organ, not having pipes of an organ would appear very of another interval, nearly, but of any authorized edition. of any given pitch can he de! of a passing folly. of a passing-note, that of a pause of a phrase, formerly called a of a piano- of a piece of approval during a performance. of a pyramid. of a quadrille. of archbishop winchelsey (a. d 1305) it was of a recitative. of art. of a semibreve. of a set of quadrilles. of a shrill tone, of a slave. of a sound-board, and admitting the of a spiccato. of a sprightly character. of a supposed similarity to the of a symphony is a sine qua of a tenth of a theatre. of a tutti, is said to be ripieno. (2) of a violin bow, of a violin, or of a violoncello, of a waggon on the way. of a widely different nature. of ayres of ayres. of bars. of beats per second of being opposed accurately to the thumb. of bellows. of bells, of berlin. 1832. " chorale book," dedicated of bononcini, of both sexes. of breathing. of broken harmony of builders in the country. of burgesses." of can- of canons. of canterbury. of cantus mensurabilis. of carbonic acid gas of cardinal sterkx, archbishop of mechlin. of castanet (knicky-knackers). of caste. of catgut. of cathedral service. of chanting the psalms adopted of chord of classical of cluny, in his enchiridion [c. 920.] while of coalition of contrary motion must of conveying dramatic expression, though of copper or of cornewaile." of counterpoint. of cremona. of dancers. of david, with tunes by henry lawes." of decent folk. of different - of different radii. of disjunction, or diazeuktic tone of dissonance of divine psalms, hymns, and spiritual of ear. of early music. of early works, whether a production was of e flat major or minor. of eight of eminent musicians of employing of enunciating canons, of epiglottis of equal intervals. of erard's of euclid. of executive of extra - european of fashion by the " beggars' opera." offending. offen (ger.) [offertory.] offertory. offertory and benedictus officers official of five sounds, of f major. of four kinds of four sounds. of four sounds each, of franco. of fretted violins off the ground. off they briskly set." of fundamental ;- of gen. t. p. thompson and mr. of good contralto singing. of great of greater of groups in each bar, not according of guido " (note to p. 5, vol. 1). of harp, tuned as it was required of hautboy [waits], and these terms are of high degree, were all ballets of his second principal theme. of his see. j of horn and bone, oficleida of illumination. of improvising. [extem- of independent themes may be of instruction of instruments. of intervals of intervals. of inventive of italy. of its construction. of its corresponding authentic. of its predecessor. of its shape, which of its surface. of key of key for of key is made. of larger works. of lines of love." of lower brittany. of lower-toned or bass pipes. of mambira, of mammal, according to rathke. of many shapes. of melancholy," 1621, says: "there is no of metal of metal. of metal in pairs, called jingles. of mind needful of minor of minor canons. of modes commencing one fourth of mozart. of much money. of mucous membrane (the skin lining any of music of music, of music. of musical of musical aid. of musical notation. of music. a name given to of music. [greek music] (2) conjunct motion, of musick.) of nearly of nerves, but this is disputed. of notes of notes. of old styles. of one-fourth of a quaver #^ of one of the of operatic music. of organ pipes. of other dancers. of other distin- of other kinds. of pace. of percussion such as cymbals, gongs, &c. of performing rights of players on of poetical improvisation of prometheus. of pythagoras, of quadruple of quantity and emphasis. of regular cyclical systems of reissner of relatively of rhythm. of samaria," by sir sterndale of semibreves into minims. of shakes. of sharpening a note previously of showing dissatis[fiasco.] of silly boies." of simple of singing psalms together." of s. john. of sonatas, published in bologna in 1690, of sound. of sound produced. of sounds of sounds. of sound. the rules for of space. of special doctrinal views. of stated intervals. of sternhold of st. gall. of st. petersburg, having become possessed of stringed instruments, of string instruments in a of strings. of structures known of subjects. of suite or sonata. of sundre kindes," 1607. of sweetness. of sympathy upwards. often often applied often applied to a often confounded with often of often tend to misleal. often used. of the of the 19th century, it of the 1st, 4th, of the account of of the act of of the air. of the air through them of the alleluia. of the ancient prototype. of the anglo saxons. of the apennines. of the arabs and moors. of the aristoxenian of the art of bowing. of the authentic of the author, byjos.corfe"(c. i78a)is perhaps of the available registers. of the babylonian of the backfall description. of the ballet. of the bar in the chant. j of the bells, and then return of the bible." of the bombardon class. of the books of walsh of the borrowed tunes. of the bow also differ. of the catch. of the chest. of the chica. of the church [plain song], of the cithara. of the city of of the common bassoon. of the common chord of the current. of the dancers. of the dean. of the dutch organs of the ear. of the earliest " suites of the early books are printed, of the elbow. of the entertainment. of the epiglottis," of the epiglottis. of the exercises "pour le clavecin," by j. s. of the fact. of the fifth and of the final of each pair. of the finger of, the first improved of the first line and where of the first order. of the first part. of the following of the french court dying with of the galliard. of the given of the gloria of the glottis. of the greek church. the word is probably of the greeks was called xf^l1 1 of the greek theatre. of the harpsichord makers of the higher of the holder. of the hoop. of the hoppers attached of the incus. of the instru- of the instrument. of the instrument, originally of the interval is at its maximum. of the ioth and of the jack before described. of the key of f. of the lamina spiralis. of the laryngoscope. of the later names given to of the latter. of the lines. of the lord chamberlain's of the lower vertebrata. of them. of the major scale of the marks is 5." of the middle finger. of the minor sixth). of the minstrels. of the multitude in a passion-music. of the music. of the natural b. of the ninth on c of the notes of the octave. of the old religious orders. of the old use by marbecke himself. of the one of the order lepidoptera (387), or of the other. of the pairs in two minutes of the parts of the pitch of the present day omit them. of the principles of the psalms, of the recognized "forms" it is of the resonance-body. of the right to publish of the roman play. of the romans of the rose." of the same of the same pitch. of the scale of the sea. of the second form (ex. 2), it may be stated of these early sonatas. of these man)' examples could be quoted if of these sonatas or of the seventeenth century. of the seventh. of the several cities. of these writers, with a of the sign is found of the simplest character. of the smaller between of the sonatas of of the stapes. of the stave. of the strings. of the strings of an instru- of the subject given in ex. 49 of the subject, namely of the system of the system. of the system of 53. of the tenor. of the tenor voice of the third below of the thumb. of the titles ap- of the tragic dance. of the true basin of the tune printed of the tuning wire given in 15, of the twenty-two of the upper root. of the uvula. of the vast number of italian of the ventricles of the larynx. of the vibrating body. of the violin family. of the vocal cords. of the voice of the voice. of the whole. of the word of the word passa-mczzo. [paspy.] of the words. of the work of the works of philipp emanuel. of the world. of the zauberflote. of this of this article. of this class are of this family, also of this instrument. of this shape, of this species of those productions, so that from of three of thriving. of time of tone. of tone," 1875. of tr emblements ; namely, (1) the simple of trumpets, a of tubes of tune. of tuning. of tuning the lyre was to the of twelve. of two crotchets. of two feet in length. of two tetrachords by a tone of uncertain derivation of unrest. of us then a song and of various kinds, of various tunes linked together of various wind instruments. of vertebrates, vol. of vienna, in 1829. of view, as meyerbeer did much. of viol. of viols." of vocal recitation. of voice. of voices or instruments. of which of which are here depicted. of which contain nerve cells. of which it originally consisted. of which the mark (/) is prefixed; so of wind. of wolfenbiittel, 1841. of wood wind instrument, having a double of worship, was placed in the back -ground, of zinc or wood. ohne oikovjiivqc, (old old age. old church music. old comedy (old eng.) {old eng.) oldest form of minor mode. old-fashioned old form of stromento, old form of the word bass. old harpsichord music, old instrument, old italian dance, old name for the " old notation." old or new version. old overtures old proverb. old rules for [old systems of notation.'] old term for the old term for the sensible old testament, associated with old writers used o-lim oliphant. oliver ol the five olympus must have *omhxs3j^ (omitted.) om-nes omnes. omnes, omnia (lat.) chorus or tutti. onagon. a chippawa drum. on a harpsichord were moved on analysing our feelings on and between on, and y\w-ra the on brass wind-instruments. once once. (once-accented octave.) once attached. once employed once in holy scriptures, in 2 sam. vi. 5, once restored. [ondeggia- ondule onduliren (ger.) to make on duty. (2) a lay vicar. " one one- one; one. one." on each side of them. one, and vice versa). one at leyden, in 1635. the music was also one author, more honest, one complete vibration. one degree. [disjunct motion.] one descending a like one direction. one end of the one hand, but a kind of one harmony. [chorus.] one horn would be in b one language one minim. one more be set on g, on english and foreign on entering. one of monteverde's operas, one of the one of the most one of the most important one part music. one period one playn song. ones :* one semitone less one sharp in the signature. one time one verse of which runs on every stave one," was quite watermanic. one who has one whose one with three holes only " only only. only " by license." (only cartilages and bones shown). only four. only however by only in the former sense. only, it must be remembered, only meant merriment. only one subject is employed. only one theme which only used over a very short on musical intervals (1835). ^ e on one side of a on one string. [a una corda.] on paper. on physical laws. on placing the socket on % onran-fugue on such an organ. on taking breath (fig. 6) the " processus on the on the beat. on the bottom on the fiddle, chanterelle. (on the fourth.; on the guitar. on the manuals it is of on the nerve. on the octave lyre on the old theory. on theoretical grounds on the pedals. (4) the eight days follow on the pipe and squeezed down on the right side 1, 2, (on the second (on the seventh.) (on the sixth on the sixth of the on the superdominant. on the supposition on the theory or (on the third.) on the violin. on the violin, &c. on the whole, the history on this on this part of the subject on, upon, by. "on wednesday the 20th, the sacred \opdisv.) open open. open, as corde vuide, open [open diapason.] open diapason. open diapasons on open foundation open harmony. opening, extending. opening into opening of open notes. " open " notes that open string are produced. open wood pipes. opera [opera.] opera. opera buffa, a comic opera. o-per-a do-mi opera house opera, or the words of a song. operas operas. operas have fallen out of memory. operas, judged by the ordinary opera, so called. operatic school, &c. operatic season. operibus comprobes." operist-- oratorio. [ophicleide.] ophicleide. ophicleide. a keyed serpent. (pqig and ophicleides, alto and bass. ophicleide, saxhorn, bombardon, &c. opinion on its merits. opportunities opposed to instrumental. opposition to a tonal fugue. opus (lat.) a work. composers number or 10 per second very nearly. or 16 ft. in length. or 5j beats per second nearly. or 8 ft. pitch now obsolete. or a canto fermo. (or a double suspension/ or affection. or a hurdy-gurdy. or alia mente. or anthem, or such like or a selected portion of or a short or a tempo, in strict time. oratorical. oratorical, never vocabular. oratorio, " der tod oratorio of the messiah. oratorio was recognised by the or bard. or basis of a scale or key. or b-f diminished ? or black note (nero). or broken in half. or by a cembalo. or by the voice or cadence or characteristic music. orchesis orchestra [orchestra.] orchestra. orchestra, and orchestra (gk.) orchestrajor a orchestral orchestral instrument. orchestral music. orchestra music worthy of notice." orchestra or chorus. orchestra, or chorus. orchestra, or voices. orchestra which or chorales or chorus parts. (or) clarini or clavichord action. or clawed string. or clef. (2) a failure. or closer or combination or concert room. or conjunct fourth. or counterpoint moved about it. or crwth. or "current traverses" or curved form. or dances or dances. or deciina. order hymenoptera (366), including bees and order indicated order in which order of harmonic order of systems. order to order to mark the progress ordi- or diminished fourth. ordinarie as musicall ordinario ordinario." ordinary ordinary no- ordinary or usual ordinary system of " hunting." ordinary term ordinary voices. or divisions for the voice. or dumpe. or duple time. orecchia musicale (it.) oreille musicale (fr.) [orecchia.] or episode or even less. or even more strings. or expression. or fantasia on popular melodies. or farce. " orfeo," 1607. or finale. or flourishes or gamut-way ; but organ [organ, [organ.] organ, organ. [organ, 14.] organ, 2.] [organ.] (3) a wood screen placed behind [organ.] (3) the service which took place organ-builder. organ builder could organ, by means of which the pedal keys are organ case. organ construction. organ construction. ( 1.) a complete [organ construction, 20.] [organ construction, 4.] organetto organ (from the gk. opyavov). this word organ has been found organica organic music. a mediaeval name organ is concealed. organised society of performers organist. organist in wiburg; halle, 1856. "chorale organist of westminster abbey organo." organo di legno. a claque-bois. organ of st. margaret's church, lynn, in organophonic. organo plcno, the organo portabile organ or pianoforte. organorum." organ pipe. organ-point. [fugue.] organ reed stop of 16 ft. pitch. organ reed stop of 8 organs organs. organs." (bible.) organs, consisting of star-shaped cymbals organs in concert rooms and public organ, sometimes of 16 organs stood organ stop organ stop. organ stop of organ stop of 8 organ stop of similar organ stop, the nacht- organum organum hydraulicum organum pneumaticum organwavy undulating tone. organ without a double diapason (32 ft.), but orgcl-punkt (gcr.) or gedeckt (ger.) orgelgehause (ger.) an organ orgel (ger.) an organ. orgel-punkt(gcr.) a pedal point. [fugue.] or generator. or graduation of sound or grotesque character. or group of figures. orgue expressif (fr.) harmonium. orgue portatif orguys, cytolis, monacordys or harmonium. or humorous character. or hyperboleon. (or hyper-iastian), or hyper-lydian, (or iastian) or or icikevfia (from oriental flute. oriental harp. original originality as possible. originality left to original key. originally originally, originally a dance song. originally from the east originally it consisted of the originally of original pace " by the beat." original places. original position. original subject (see exs. 43 and 68). original time original, versatile, original (written in 1260) origin, popular or imperfect or importance. or in imitation. or, in other or instrument. or instrumental or in the style or inversions of a chord. or in what is called rondo form. or i time. or it may appear in the orjcornzjcpz or judgment. or, kcu xiiciari. or key-board or latin language. or leader of an or leading note. or ledger lines. or lengthened or less an aria d'abilita. or little. or lyra-way. or main droite, the right or marriage song. or measure. or metal, placed in a hole, or or metal, with or middle fourth. or mocking was shown. or motley, which is subjoined. or musette. or musical or mythic ring of the ornament ornament, embellish- ornament, or grace. ornaments, graces, or natural. or natural voice. or obtains them or octaves. or of a long into breves or of a maxim into longs. or of both three and five. o (rondo) minuet by mr. jerry clark, c. 1700, or only slightly modified. or ornamental notes. or other or other indicated movement. or other instrument. or over against each other. or parts. or passing note. or pause for all the per- or pedal or perfect. or perfect cadences. or perhaps orpharion. orpharion lute. orpheus seeking euridice or pifferari or pistons or pistons, blown by postmen. or play or playing. or plays the tenor violin. or precision. or produce an undulating tone. or prolonga- or real ? or rebeck. or reeds. or register acts upon the slider. or rests are placed. or rhythm of the plain song, orr\(jai rrjy rrjc fxovaikt)q or robbed. or semitonal shakes above this) or signs or similar motion. or singles or six gut-strings, or slightly rounded piece of wood or small bassoon, " se usa or sometimes the or sometime without it." or staccato. or stopped. or stops in an organ. or strings which produce them. or style. or subject or subordinate subjects. or subsidiary theme. or such as move up or or suonata, as applied or tambour. or the abbreviation cres. or, the devout or the victors in the games. or * time, each in rondo or treble or turned or two violins, a or unconcern. or violin. or, we might even ask an or, when its upper "or when to the lute or where both parts or whistle or whistle. or with a portamento. or "wonted tunes." osservanza, con (it.) with exactness. ossicula, covered with moist other other. other direction other extended composition. other ferre passynge other hand. other in other in modern languages. other instrument. other instrument of a like kind. other instrument of its class. other instruments. other intervals. other in the tonic major. other keys. other portions. others others, others. others again trace it to others (by blow and purccll) 1705." other scales but little used. others delight in a kind of others find others in a nasal tone. others of close-grained. others offending. others say that other, standeth still." other stringed instrument of other than other voice. otherwise be an impossible otherwise contradicted. otoliths and supplied by a nerve. o. t-,st dla ottemole. ot the words. ought to be called ouie ouie (fr.) the hearing. ouihernes'paum. ou il n'a quime seule corde our dances, our great our great god. our limits. our limits preclude our lord's hands. our own countryman, william shield (" in- our time table ous forms. out, out. out a third. out in out, length- outline, is out of an accordion. out of place. out of the out of the ancient out of tune. out of use, introduced. outside; as, extreme parts, outside the town's wall). out so low a note, 2nd. the number of out the pedals. ouvert ouvert (fr.) open, as a ouverture ovalis. over overblow. a pipe is said to be overblown. over coming generations. overit over it. overlading of fioriture. overlaps over quickly; d.s., dal segno, to the sign; overtones. overtones or harmonics. overtura overture. overtures and choruses. overtures consist almost en- overtures or ov. to coriolan. ovtwq apfiovia irevri owen, anat. owing owing to own, own accomplishments, and own compositions. own sound, oxford can oxford, november, 1889. oxybaphon oxybaphon. oxypycni. oxypycni (med. lat. from gk. 6t,vg, acute, ozvfiatyoi'. (p. 19, edit. p. 348, we have substantially a pythagorean p. 41 of the same volume he shows by a (p. 62) as written by notker, abbot of the pace. pace, solemnly. paean sprang p^agrj ^ sgn paid dancers were employed. painfully apparent. pair of organs. the word pair simply " pair of scissors." pairs, pait in the dodging. palestrina. palilia. palimbacchic. pallet / pallet. [organ, 4.] palm of hand. palm of the hand. pambe. a pammelia pamphlets." pandoura. [bandore.] pange lingua. pani panied with panies. paniment [pan's pipes.] pan's-pipes, or mouth-organ. pantalon pantingly. panum. pany a fugue, paolo colonna (1630-1690), among others. paradise paradise and the paradox, for it may be asked, how can an parallelen (ger.) parallel motion. paramese paramese. paramese or trite. paranete paranete. paranete diezeugmenon. paranete (gk.) -apayij-i]. [greek music, pare for playing, to set in tune. parhypate parhypate (gk.) trapvtrart]. [greek music] paris paris, paris, 1519. 20 b. m.), they are changed into paris, 1607, 3 vol., in 4 obi. paris, 1857, et ante). paris bells. paris, robert " par les heritiers de parrallelbewegung part p art part. part). part a gainc. part and the number part, as op- part assigned to an part, counterpoint part having " parthenia," parthenia,' part he was accustomed to sing. partially familiar." partial repeat. partial-tone. particles particular particular interval particularise. particularly (particularly particular method of "saying" the psalms particular nation. particular patron. partie (fr.) parties par claude goudimel." part in modern full scores. part is heard alone part is note against partitura, partizione (it.) [score.] partly known in his time, or of subsequent part-music. music partner by placing a cushion before him. partner on his right hand. part of part of instruments of the part of my dutv call'd for, which i owe part of the part of the building in a part of the credo, part of the plagal mode. part of the sanctus in the part of the scale. part of the temporal bone. part or division of a part or melody. part, or original movement parts parts, parts. (parts 8 and 10, vol. ii.), in rimbault and parts are very relaxed. parts as in the others. parts have 4 subjects parts in score. parts into parts [motion]. parts of the action. parts of the membranous labyrinth. -part-song. [part-song.] part-song. part-songs, &c. part-songs (from the word lieder- parts, only being given parts or divisions of a bar. parts, the parts, the counter-exposition. part writing, as parvulorum, 15th century, the word is used pas- paspy. the english name for the dance passacaglia (it.) passacaglio, [passage.] passage, passage. passage.' passage-boards. passage of repeated passages as the following passages, marked by the signs/z,5/ or >. passages or scalje. passamezzo. passa-mezzo (it.) [paspy.] passe-pied. (fr.) [paspy.] passes above the tonic [passing passing discord. [passing note.] passing from a higher de- passing note. passing shake, passion. passionatamente passionatamente, passionately. passioned manner. passione (it.) passion jesus christ," printed on vellum by passion music. passion week in the roman passy-measure passy-measure (old eng.) a corruption past, pastete (ger.) [pasticcio.] [pasticcio.] pasticcio. pasticcio (it.) pastiche pastiche (fr.), pastete (ger.) pastoral. pastoral character, pastorale, pastorale (it.) [pastoral.] " pastoral symphony." (pastoral symphony). pastorelle (fr.) [pastorella.] pastori pastoricia (lat.) pastorita. pastourelle pastourelle), la pateticamente, patetico patetico. pathetic manner. pathetic style. pathos. patient's mouth patient's right patimento patimento. patri. patriotic pa-tris, pattern" as pattern of, the comic operas. pauken pauken (ger.) instruments formed of paukenpauken \ger.) [kettle-drums.] paul gerhard's hymns ;" becker, leipzig, paul's paul's churchyard. pausa (lat.) a sign for silence. pause pause. pause (from fermare, to [pavan.] pavan, translated from tablature in paventato, paventoso pavilion). pavilion chinois. pavilion (fr.) (pc. in a. fig. 5). peacefully, placidly. pearly, heavy, clumsy, firm, &c. pears for the pearson's library in 1788 for 36 14s. 6d., pecking on my toe peculiar peculiarities, peculiarity peculiarly pedal pedal, mute, or pedal organ of 16. pedal part in octaves. pedal point pedal- point. pedals. pedals. &c. pedals," " choir to pedals." pedal which acts upon the sliders. peg- peg of an instrument. pelham humphreys. penalties pendent motion. pendix. pendulum. pendulum of s. sord [penillion penillion singing. pennes, et d'archet penorcon. pension \ pentatone. pentatonic scale. the name given by penultimate, thus peo - pie people, delighting in jokes."** people of all nations. people who use it. pepys, in his diary, speaks of per- perament. peraments, perceiving [percussion.] percussion. percussione perd perdendo. perdendo, perdendosi perdendosi perd. perden. pereunt, quia scribi non possunt." perfect- perfect. perfect, aline perfect cadence. perfect concords. perfect consonance, (perfect) fifth, perfect fifths. perfect fourth perfect fourth from perfect inor octave. perfect intonation. perfect numbers are rare."* perfect third perfectum perfectus. perfect when the semibreve is performance performance. performance of music performance of music. performances performed performed. performed at saddler's wells, performed by both in unison performed by those in general use. performed on any number performed without either. performer must return performer on performer only. performers joined hands performers themselves." performer upon any instrument. performer upon the performing alternately. performing rights. performing, to play in an un- perhaps it would be more true, perhaps some musician of the perhaps so named from perhaps unwittingly peri.' perijourdine. period. period are as effective periodenbau periodical periodic vibration periodic vibration. [acoustics, 9.] period of vibration. [acoustics, 3.] period to the present day. peri's " eurydice," is perli defonti," bologna, 1685. the " kyrie permanent permission to break one of permitted. peroolesi. perpendicular position. perpetual canon. perpetuated it. perpetuo per second .+ personaggi. persons of rank pervade the body.* pesante. slow and weighty. pet, peter, in " petite flute (fr.) " petits petuosity; from slanciare, to rush upon. pflliger's archiv, vol. pfriectsm pha m [phant. phantasie phantasies (old eng.) phantasticke phantasy, pharynx, phica.] philip rossetor's (philo de vita, cont.). phonascus (lat., from gk. tyuvaakoo). a phoniacus (stile sinfonico, phonier phonometer. an instrument for phons phony.] phorminx phrase. phrase of music. phrase, or introduction phrase or point pro- phrases," phrygian -- phrygian phrygian. physiologically quite incorrect. physiology of the voice. phys., vol. vi. p. 185) piacimento (it.) j strictly in time, ad piacimento (it.) [piacere.] pianette [pianette.] piang piangendo pianino (it.) pianiss. ...pianissimo piano piano, -piano droit. pianoforte [pianoforte.] pianoforte, pianoforte. pianoforte." pianoforte or harp." pianoforte playing. pianofortes. pianofortes, &c. pianoforte score pianograph. piano (it.) softly, abbd. p. pibroch. pibroch of donuil dhu picciolo piccolo. [piccolo flute.] piccolo flute. piccorn. piece, air, tune, com- piece, composition, work. piece, crooks, piece for piece marked with the sign $, and conclude piece of piece of harpsichord piece of metal piece of music. piece of music, a piece of sculpture. piece of wood having a piece or pieces, dovetailed, pieces of pieces, of a shrill pieces of wood of graduated pieces on the pianoforte. pieds piena pieno, piena piercing. piercing cry) pietosamente, pietoso pif- piffarari, [piffaro.] pifferino pigment pignez et miz en pure corps. piisp^^f pil1624. m. este's 6th book (anthems) pile, pileata major, 16 feet stopped. pileata minor, 4 feet stopped. pince [pince.] pince bemolise pince diese (fr.) pincement pince or pinched. (1) a direction in pindar "pinna," or auricle (1), and pipe and pipe on oaten straws.' pipes began to be covered pipes, in the third pipes or mechanism. pipe, souffle, muse, naquaire, pipes speak rapidly. pipes stand. pipes with pipe (ugab)." pipe work (of pique piquiren piston. pitazione, con pitch [pitch.] pitch, pitch. pitch 8 x .01955 pitch at present employed, sung by females pitch by the use of a natural. pitch is flattened enough. pitch of a pipe before pitch of our scale. pitch of sound. pitch of the notes. pitch on the manuals, or pitch throughout. pity, pity mingled with our annoyance, we feel piu forte piu piano piva pixiafxa. pizzicato place place, place. place.) placed placed. placed for the placed over resonators. placed over the chief note placed upon the place of the dot. places." places being a later idea. places large place will stand your place wisdom. placidamente, placido plagal, hypo-.eolian plagiaulos. plagiaulos (gk.) -- plain [plain plain chant. plain-chant. plain-chant" (paris, 1750). plain-chant. [plain song.] plainly, plainly discernible. [plain song.] [plain-song.] plain song plain song. plain song." plain song and the ancient hebrew music, plain song had entered the country. plain song. the kind of music used from plainte (fr.) an elegy, or lament. plaintively. plan plan of a plan or design of a composition. planxty. planxty. a harp tune of a sportive and plaque plaque (fr.) struck at once. plate plate of a resonance box. plates of iron plates of metal. platform in plato, quoted by hawkins (p. 91, novello's plaved plaved. play, playable like the violoncello. play all notes between play as fancy played played. played an octave higher. played at the end of the service. played by the mouth. played by the whole string-band. played four times. played in octaves. played in the time of four-- played in the time of four or six. played thus played thus. (2) glissando. played upon a played upon by a plectrum, which was a played with played with a played with a bow. played with difficulty, are given by berlioz player player, player. player on reed-pipes player on the flute in the player on the oboe. players. players on player upon playford's psalms, third play full chords piano. playfulness. play-house tunes. playing, playing. playing a thorow- playing, by which the first playing on two strings at once. playing or singing. playing upon a continued bass, with a playingwith a frequent play in octaves. play in public. play me some merry dump," which may play pique. play songs (les) play very piano. playwright is obliged to introduce to make pleasant, agreeable, pleasantly. pleasing pleasing, agreeable. pleasure pleasure. plectrum. plectrum (lat.) trxijierpov. plectrum was not invariably used by the plete or not plica (lat.) plishment. ploke (gk.), trxok)). [melopoeia.] ployed in the orchestra. plucked with the finger. colv pluperfect, which has been plures ex una (lat.) many parts from plutarch, plutone plutone. pmo. pneuma. [neuma.] pneumatic bellows. [organ, 12.] [pneumatic organ.] pneumogastric nerve just below the exit pn, pn, the pocetta (it.) [poche.] poche, pochette pochette (fr.) pochettino, pochettino, pochetto (it.) poco lento, rather slow poco piano, rather soft poco ritenuto, held back a little, podatus. poem are to be found in bach's matthew poem, " a treatise poem, certain poems and songs poems of a poems of considerable length, of various poet as to the actors. poetical allusion to stringed poetic material of poetic rage, or poetry. poets poets." poi (it.) point point, point. point.] point, an point and fugue. point at which a cadenza point de repos (fr.) point d'orgue (fr.) pointed out pointe (fr.) dotted. point is for the most part excluded. point of rest, point oi point out shortly the arrange- points points. points of the cords touching." poi segue, then follows. polacca. polacca (it.) polish. (polish). polka polka. a dance of world-wide popularity, polycephalus. polychord. polymorphous. polyphonic. pom- pommer. [bombardo.] pomposa unnecessary. ponist, pons) of a cithara. ponticello ponticello (it.), chevalet (fr.) pontificem." pont-neuf (fr.) a common ballad, such popular among the modern greeks. popular in early times were popular instrument, (popular music, i. 42.) popular music, peculiar popular: these are pore.] porpora (1685-1767), dr. boyce (1710-1779), portability, portable musical portable organ. portamento (it.) [portando portando la voce (it.) sustaining the portant structure. [portative organ.] portative organ. portato (it.) lengthened, sustained. port de voix (fr.) portio is of three kinds: (i) multiplex. portion as, head, chest, &c. portion runs portions of the scale. ports this resemblance. portuguese love song. portunal-flute. porum posato (it.) quietly. posaune (ger.) [trombone.] posaunen (posaunen) from the trumpets. posed posed for imitation. (2) any passage which posed to be impromptu. posed to that which posement poser of counterpoint. posers of music to the mass. poshiveand posita, mediocris. positif (fr.) a chamber organ. a choir position position. position at the position by a small wedge position during a very high note. position during whispering. position (fr.) position (fr.) [position 3.] position in four parts. position in quiet breathing. position of a fugue. position of the ears, position of the hand." position of the hand in positions. positions for the organ. positions of position to the incus. positive positive organ. positive organ, which was fixed. possession of such powers possible possible. possible in the future, possible resolutions possible scientific feats. possible sound. post. posterior, and external. postlude postludium (lat.), nachspiel (ger.) pot-pourri. potpourri (fr.) a medley a collection potte,'" pound intervals. poured. pour quatre. pour souffrir qu'a mon age pous pously. power power. power and skill with power: kings did not scorn power of power of the sounds. [pianoforte.] (2) in power of the tone produced. power of vibrating sympathetically since power than the power to the tone. (pp. 39, 40). he also enumerates ppi=|s3^aspi practical practically practically several practical musick," 1678, the clefs are in practical purposes. practice practice. practice as more manageable. practice of music. practice of music," quotes a practised in the days of queen elizabeth practise of these instruments." praecentor's praise praised praise him upon "praise him upon the praise of musicke, printed at oxford by john praise ye the lord. prano, &c. prayer-book version, " with trumpets also prayer, rogation, preacher's voice preambulum, preludium. vorspiel (ger.) precarious, precedent founded by the preceding lines [precentor.] precentor. precentor in a prechantre precipitation, impetuously, hurriedly. precisely at the same hour. precisely similar terms precision. precisione, con (it.) with exactitude preface. prefectus chori. prefixed.) prefixed is intended to be prefix to the prelude, introductory preludium (lat.) [preludio.] premeditated, extempore. premiere vue (fr.)) preparation." preparation of preparation of a discord. presa. presa (it.) lit. taken, caught. a cha3g5 prescribuntur present at all. present but presented in fig. 10. later, however, the present prayer-book present time. preserved in the presided. pressante pressed. pressed by the following signs pressed in thorough bass figuring. pressing, hastening on pression. pressiren (gey.) pressure. pressure of air prestamente, prestant. prestezza, con. prestissimamente presto presto (it.) presto, less rapid presumed that operatic pretty love," 1580. in the longer prevailed, prevailing previous cadence, previously priate passages. price 4ci. each. prick-song. priest priest. priests of mars gradivus, twelve prima primary chords primary negative. primary negative system primary positive. prima vista primo primo modus. prin prince albert. princeton theological seminary principal principale (it.) [principal 4.] principalis extenta (lat.) principalis mediarum (lat.) principal (old eng.) the subject of a principals. principal song principal subject or theme. one of principal subjects principal theme or principal. the name given by handel principal vocalists, those to whom principal voices by mrs. hudson, of york, principle principle, as follows principles principles. principles of principle that the principle to organ-stops. printed printed, printed by printed by andrew hart. printed by welcker, gerrard street, soho printed catalogue, contains 408 ballads printed in the greek " common" musical printers. [printing of [printing of music] printing of music. printing that the prioress's tale, of chaucer, the privileges were fixed by king howel dha, prn^ proasma. proasma"the english," says probable that probably about 1530. probably a mere fraction of probably had leaping probably indebted to an englishman, probe probe (ger.), prova problem. problems, 25 and 44 of sect. problems in tuning. proceeded with. proceeding. proceeding by rule 2 we have (proceedings of royal society, 1864,) contains " proceedings of the royal society," vol. proceleusmaticus. process. process, and processus vocales. proclus says produced produced. produced a produced are an octave higher. produced at birmingham in 1846, and st. produced by produced by carillon - music. produced by simple produced by striking. produced by the vocal cords coming produced by vibrations numbering 500 and produced by vibrations which are as 1,2, 3, 4, produced fresh vitality. produced here. produced in london in 1763. produced in the year 1805. produced on this instrument. produced when produce the sounds. [musical box.] (producing calmness.) ( producing excitement.) (producing sadness.) production production of different productive of the highest profession. profoundest inspirations. programme and spoke out progres d'octaves. progressing progressing by skips. -progression. progression. progressionsschweller projecting between the manuals, instead of projects into the calibre of prolatio. prolatio.] prolatio imperfecta. prolatio is perfect prolatio (lat.) prolation, one of the prolatio, the prolific writers prolonged. prolonged by a tube which opens on the prolong the prominently before the public. promptement (fr.) quickly. pronounce. (pronounced prontamente, pronto (it.) proof of their assertion prope media (lat.) [paramese.] properly properly-cultivated voice properly, many pieces to proper position. proper production of tone. proper to the alto voice [proportio.] proportional proposed for imitation. proposes to say proposition of a fugue. proposta (it.) propriate gesticulation. prosa [prosa.] prosa. prosae sequential (lat.) [prosa.] prosarium (lat.) a book of proses. proscenium, (i) the quadrangular space proscribed by church-musicians. prose (fr.) proseleusmatic (double pyrrhic). proserpina prosie sequentiie proslambanomenos. prosody. prosuperparticularis. protection and support. protector prototype. prototype, the rebab. proud proud, fierce. proudly, proudly, fiercely, prova prove proved proved to have taken place. provence by one rigaud, and from him to proverbially merry cobler has now proverbial result of familiarity. proves proves, make up the former.* proves that the influence of the providing the sum required by the proximately perfect third to (c). prse prseludium of 22 bars in which sentences prsetorius, about 1619, describes prudently, discreetly, with judgment. psalm psalmes. psalmody," psalmody. psalmorum psalmorum vcrsibus intexendis vel psalms and hymns, and the psalms to hornpipes." psalm-tune introduced with a " very pretty psalter psalter. psalterium p salterium .] psalterium.] psaltery is most psaltery. [nebel.] psaltriae (lat.) pseon. psgfippt^g^ig ps. lxviii. 25. "first go the sharim (singers), (ps. lxxxi. 2) by the word psalm, "take a public public assemblies were publication. public by a man named stolzel. thetuning publick entertainments," 17 16. public music school. public, until burlesqued and public without fee or license published published by grafton in 1550, entitled " the published by william pearson published," &c, &c. published in 1703 published in england, was the work of published in paris in 1821. published " twelve new publishers pubother pues que pudiera olvidaros pues sin me y& esto decoro (puipucoi). (pulchritudo soni) pulling down keys one octave above those pulpitre in the 15th century. pulpitre (old fr.) [pulpitum 2.] pulpitum (lat.) (1) the xoyelor, or stage pulsatile. pulse of the punch and judy." punches than the " punching." punkt (ger.) punktirte noten, punta d'arco (it.) with the end of punto fugato," puppet-shows, usually accom- purcell, purcell. purcell composed purcell is said to have purcell's purcell's song, " let the dreadful purchasing pure, pure declamation. pure flute-like quality of tone. purely, purely conventional purely tonal pure, neat. pure part-writing. pure, plain, simple, un- pure, simple, neat. puritans purpose, purpose. purpose of the dance. purpose of this is obvious. purposes purposes of distinction and purposes of the plain song. purposes the notes purpose to quote. pushed in by being struck on the pushed up or (push), sometimes abbreviated by p and t. put to death ^pwfia rovaiov p^yed pyramid pyramid. pyrophone. an instrument invented by pyrrhic. pyrrhic. (1) a dance among the greeks, pythagorean [pythagoreans.] pythagoreans. pythagorean semitone pythagorica, (table of intervals) when the q } [fingerin g.] qjuom quadrate quadrate (or b quadratum). the sign b, quadratum quadrible. quadrille. quadro.] quadruple. [quadruple croche quadruple croche quadruple measure of 4 (<2> ^> cs o) quae semitonium quality quality. quality of sound, timbre (fr.) quality of the notes quality of the sounding bodies. quality of tone. quality of tone. (2) the peculiar "ringing" quality or the quam quantities. quantity quantity, quarta deficiens. quarte quarte de nazard (fr.) an organ stop quarte du ton (fr.) the subdominant. quarter note, a quarter note. a crotchet, j quarter tone, half quarter tones. quarter-tones. [quartet. quartet. quartetto (it.) [quartet.] quartfagott (ger.) a kind of bassoon, a [quartflote.] quarto d'aspetto quarts, quasi quasi virginum." quatre mains, quatre mains, a (fr.) [quatrible]. quatriblequatrible (old eng.) quatricroma (it.) quattro mani, a quattro tromboni. quaver quaver. quaverings, warblings. quavers, &c, are qucrpfeife (ger.), que -ant queant laxis." "was the melody," asks a queen " into crotchets quent querflote (ger.) queristers, querstand question. " qui qui -a pro-pe est quick quick and quick, dexterous. quickening the time. quicker, quicker. quicker than usual. quicker time than the preceding move- quickly. quickly and with quickly, but not too quickly came into fashion that in quickly, rapidly, with quickly, sprightly. quickly towards further improvement. quick. nach und nach quick step. a quick march. quick, swift. quick, swift, rapid. quick time. quid quien pudiera olvidaros quietly, quietly. " qu'il faist rimes jolivettes qui lucis auget tramitem ? " qu'il veuille a sa mie envoier." quin) quindecima. [quinta decima.] quinible. (old eng.) quinque vocum," venice, 1573. (1.) " missa quint. quinta quintabsatz quinta decima quinta(/m at the fifth. [quinta modi.] quinta modi (lat.) quintaton (ger). quinta toni quinte, or quintsaite. quinte, quintsaite [quintet.] quintet. quintfagott (ger.) [basson quinte.] quintfuge (ger.) quintilianus describes quintilianus (in quintilianus sums up by giving quinton (fr.) the five-stringed viol. quintoyer (old fr.) to descant at quints, quintsait quintuor quintviola. quired two organists. qui septimi et octavi in e." quis est quite quixote. -- quodlibet. quodlibet. (1) a sort of fantasia; (2) quoj qu' oncques mais tele melodie quoniam," and so on quotation from an older melody. quote. quoted examples, that which quoted in the quoting. rabbia, con (it.) with fury. racfz racter, deriving its title racteristischer racters. ...raddolcendo raddoppiamento radical bass. raemes tierces." rag aofio- ragoke. a small russian horn. rags, raginees. rail rail. rail., abb. for rallentando. raising the rake. rallentamento rallentando rally four, rally only one rally the rameau, but range range. rangement of sounds according rangement sometimes followed by schumann, range of the ranges ranks. ranks of pipes. [organ.] ranks of pipes to each note. rant. an old dance [ranz des vaches.] ranz des vaches rapid rapid. rapid execution. rapidity. r ap idly, rapidly: rapidly. rapidly along a bench faced with tick. rapidly and with rapidly and with fury. rapidly as rapidly increased rapidly on the rapid neapolitan dance rapid succession. rapid then as now. rapid vibrations rapsodie (fr.) rarely used. rarely written. rastral. [rastrum.j rat? rate choirs rated. rately soft rather broadly, rather higher. rather less quick rather loud. rather slow. rather, the displacing the rathselcanon ratio ratio. ratio is . ration of a given rations, embellishments. ratio of the interval ratios. rauscher ravanastron. " ravenscroft," edited by william turner, ravenscroft in 1609, under the title of" pam- ravenscroft's hornpipe ravvivando il tempo, = ray rcxeiop) reach of the strings read read, readers. readily, readiness of execution. read: "june 4th, the anniversary of the king's read of "thirteen pair of single read without syngynge." ready for use. ready, to pre- real real bearing on the art. real fugue. really been an organ. really reckon really the reason. reasonable doubt. reasonable to assume rebec ; but it was altered in shape. rebec or three-stringed received its receiving recently, recheat. rechte hand (right hand). recht (ger.) reciprocal vibrations, for a lax recit recit. recit. accomp. recitation. recitative [recitative.] recitative. recitative in alexander's feast, recitatives recitatives. recitative with accompaniment. recitativo recit. stromentato. reck- reckoned. " recorder " recreation in musicke," or as rect, recta modulatione est rect, but often treated rectness rects recurrence of the leading-note. re diese (fr.) the note dj. redondillas redoublement redowa, redowak, redowazka. reduced in size, and the reduced the number of the lines, by making reductio modi (lat.) (1) the bringing reed instrument. reed instruments reed-knife is a long piece of reed of harmonium. [reed.] reed-pipe consists of a boot, block, reeds are of two kinds, reed says that reeds into the bellows. reed stop reed stop in an organ. reed-stops [organ, 15.] reel {old eng.) kreol. re-entry of subject. re-entry of the subject. refaire la chaine des dames. references to musical reference to intervals). reference to quality of tone. referred to, attention refer to a system of chords. reflection can only be reformation. reformation witnessed, among the refrain. refrain of a song. regales de bois (fr.) regalls," [regals.] regard as imperfect. regarded regards the chant regards the time or tone. regard to form. regis. prior: s. swithini register register. register as written. register in an organ. registers, and hold down full chords. regular cycii- which regular system, fifths, e. regulate the pitch. regulating button. regulation (of a keyed instrument). the rehearsal. reign of edward i., c. 1303 reign of king john. reign of saint louis (1226-1270). reigns. related to related to them. relation relation. relation.] relatio non harmonica (lat.) relations. relative relative chords of c. relative diameters of a peal [relative key.] relative key. [relative keys. relative keys. relative keys, keys of relative keys of c. relative minor of g major. relative pitch. relative to relaxing the time. reliable of all the evidence religiosamente religiosamente, religioso religious religious or devotional religious services are held. reliqua igitur pars, quae relish. remain remainder remainder of bone. remaining notes remains therefore, to remarkable for beauty and remembering mi re, mi, fa, sol, la, remplissage rence must be rences of rendered pleasing to the eye. rendered " tone-poet." rent. renvoi (fr.) a repeat. repeat, as al segno (%) go back to the repeated invertedly, descending." repeat, or repeats." repeats, as for instance a repeat. wiederholungszeichen (ger.) a repetition repetition. repetition, as scnza repetition (fr.) repetition of a piece is repetizione (it.) repetizione, without repeating. repfiara replicato (it.) repeated. replica, without repetition reply or reply. the answer in a fugue, the subject reponse (fr.) the answer repos (fr.) a pause. representation. representations. representative of representing the pulse or beat represents their action reprise or burden. reptiles. reputed inventor of fal las. reqmred. request, request gave them trouble. requiem (lat.) require. required required. required perfect diatessaron. required the genius of cramer, requires the true requiring a licence. .requisonae voces (lat.) equal sounds, reserved for the final act. [resin. resin. resin, or rosin. resolution of a discord. resolutions resolutions, as follows resolution would resolved into constituents resolved wrongly [resonance.] resonance. [acoustics, 21.] resonance-body, resonance-box, resonant, harmonious. resonslre fibris, respect, respect. respect." respects to the respiratoria " respiro (it.) response. responsive or rest rest, rest. rest are rest are sufficiently obvious. rest of its scale, rest of the sounds. restoration of a work. rest or pause. restrain- rests with cardinal mazarin result: resultant tones. [acoustics, 19.] resumed." resurrexit," retained retained. retained its p (pneuma). retained they take place before lauds. retardation. retardation oft wo parts, retrogrado (it.) [retrogradus.] retto, direct or similar return to the original time. rev. [reveil.] reveille, reveil (fr.) reveil, revelly (old eng.) music which reverse motion revigilare). revived. rev. louis fitzgerald benson. revolving cylinder of rev. t. helmore. re," written for r(ftfcl) rfz., rhapsodes rhapsodie(gt'r.j) rhapsody. rhetorical ren[recitative.] rh h'dvaxoyikij r. h. m. bosanquet, m.a., fellow of rhyme was also called a "jig." rhyme, which rhythm and tonality. rhythm by driving the accent rhythm of dancing, in the worship of cybele. rhythm of each should be arranged rhythmopce'i'a (ok.) the due arrange[metre.] rhythm well marked. rib-carrying vertebra. (fig. 7.) ricercata ricercata, a fugue contain- rich. rich and powerful tone. richard mears rich talent, (ricss.) ries ago, its effect would probably not have rigabello; cujus in ecclessiis rigabellum rigadoon. rigadoon, 1716. right right. right)." right, as rechte right bronchial tube. right hand right hand. right or wrong in music. right side, thus right thumb rigid lips, which do not admit of being rigols- rigols. riickfall (gcr.) riickpositiv (gcr.) rijv rilasciando rilch, rilka. rinf. j ring ring. ringelpauke {ger.) a sistrum having ringing, rings attached to springs. rings of bells and rings were sometimes placed. ring to the subject. rinuccini's opera " orfeo," [ripieno.] rise risentito rise of the ballet is risoluto risonanza risposta rist. rit;. 3. ritardando ritardo {it.) [retardation (1).] riten ritenuto rites. ri - tis ritornello. [interlude.] ritson, in ritual, riverso. rivolgimento rivoltato rivolto {it.) [rivolgimento.] rlqnui), a &*r*-mmc= rnotulis robert bell robert lienau. robinson. roccoco, rococo {it.) old fashioned, rock harmonicon. rohr-flbte rohrflbte {ger.) roi'4 rolerole rolling, roll of a roman roman, because romance (eug., fr., sp.), romanza romance, imaginatively. [romance.] [troubadour.] romanesca romanesque romanorum" boethius, who was romans, romans. romans, a kind of harp. [sambuka.] (2) the romans may have roman-strings. [romantique.] romantique (fr.) in the style of a romants, romanzesco (it.) romaunt " romaunt of the rose." romaunt of the rose. romaunt (old eng.) the dialect rome, rome. rome, 1637, was one of the earliest books rome, and there remains but rome in 1600. ten years romeo and romera. a turkish dance. rome, venice, pis- romish church, rondeau (fr.) [rondo.] ronde (fr.) the rondiletta, rondinetta, rondino, rondo. [form.] rondoletto (it.) a room, and (4) the room which an organ root (as c), root ; a', the descending aorta. root-bass or root of the density. roots, the tonic and dominant. rosalia. rose," rosin- rosin. rossini's " toi que l'oiseau," rossini used it rota rotation. rote (old eng.) rotruenges. roundelays rotterdam, zutphen, and elsewhere. rouen bells. roughly, roulade. roulade (fr.) roule a la croix d'or round round. a composition in which several round, but the word [round, canon.] roundel. roundelay, roundelays. rounding particles of air, would be round may be even sacred. round o. a rondo. [minuet.] rounds [round.] some round the finger-board. round tones by a voice route, to the wind-chest, rovesciamento. [rovescio.] rovescio, rovescio. rovescio (7/0 by contrary motion. row. rowland row of kevs. the pedals extended from c row of keys on an organ. royal academy of music, founded 1824 in royal society of musicians." roy was as follows rpayikog. rpiraa iiroycoov. rpsalmmelodicon.] rrxayiavxoq. (lat.) tibia rsfl rtr r r ^ ^-^4=1 rubato rubinelli the singer, rubrics. ruckung (gcr.) [syncopation.] rudimentary wings called halteres. rues "). rugerio. ruhepunkt, ruhig (gcr.) quiet, tranquil, calm. rule " rule rule. rule 7 of the third species, rule all things, ruled the choir,' when two rule for beats, two rule is saddled with many exceptions, as rule of the octave. rules, rules 4, 5, and 6, require no rules for rules must be observed rules of form rule, the rullante (it.) rum, rum ac cornuum. rumbelow, run. rung running a division running back, spreads itself on nearly the runs thus rural festivals. russian horn-band. a band of players russian lute. rustic rustic, a la bucolique, rutscher - wne corde (fr.) tab- taballo (it.) kettle-drum. tabl. an egyptian drum formed from a tablature [tablature.] tablature. tablature.] tablatur," leipsic 1571 where in the fourth table table d'harmonie table d'instrument table music. (1) compositions intended table of harmonics table of muscles. tables. table sec (fy.) table to administer the -tabor. [tabor.] tabor. taboret- taboret, taborns, tulket among, tabor were the ancient tabour, tabouret, tabourin tabours, tacet (lat.), tace tact (ger.) takt. tactus (lat.) the tafel). tafelmusik (ger.) [table music] tail tail. taille, first or high tenor. tailpiece of a violin tails tails of the tained, as tained, &c. &c. taining the tainment. take take a thin book take its name from the gavots, " peuples taken downwards taken from kaps- taken from the work it precedes. take place takes place (see also exs. take the taking taktnote, a semitaktschlagen, taktzeichcn, a time-sign. tale tallis thus talmud as having been in existence talon tamboura. tambour de basque (fr.) a tabor with tambourin d'alcimadure. -tambourine. [tambourine.] tambourine. tambourine playing." tambourine, tambour de basque, tambourineur tambourin (fr.) (1) a stage dance tambour major tamburino (it.) a drummer. tamburo (it.) a drum. tamburone (it.) the great drum. tame tance in this mass. tandelnd tando. tangente tanz tanzkunst, the tapers and thuribles. tardamente (//.) slowly. tardando (it.) retarding the tardo (it.) slow, dragging. tarily closing their external tarn tartini's tones. tas. taste, bravely. tastenschwanz (ger.), the extremity of the taste of the age in which he lived." taste or judgment. taste solo tate and brady, tation.] tation in france, taught by aristoxenus. :tave [tave.] taves), is ?tav\iov. tavolino t cap. teacher, enjoyed a teachers of secu- teal tearful tearfully. teatro (it!) tebor technik (ger.) te deum, te deum" te deum and jubilate for s cecilia's day, 1694. teenth century. tel, telemann, telling," telling english. tells us. tema [temp. ed. ii.] [tempera- [temperament.] temperament, temperament. temperament." tempestoso tempestuous, moved, templar origin. "temple of the muses," finsbury square, tempo tem-po tempo a battuta. tempo di tempo di ballo, dance time tempo di gavotta tempo di minuetto (it.) tempo giusto tempo (it.) in tempo ordinar io, tempore performance. well tempo rubato, robbed or \ tempo, tendre tempo, the same time. temps faible, temps fort, (1) strong time temptuously, tempus tempus, the division ten., abb. oitenuto. tencbrtz tended compass tenderly. tenderly, delicately. tenderly, softly, tenderness, ardour. tender, sweet, graceful. tendons of tenerezza, con tenete (it.) keep, hold, sustain. tenleiter (ger.) tenor tenor, tenor. tenor, and bass. tenor, and two violoncellos tenor c. tenor compass. french horn, with and tenor- drum, -tenore. tenor f. tenorist tenorist. tenor posaune tenors tenor trombone. tenor trombone, both tenorzeichen (ger. tenseness which tension. tensors of the ten - stringed lyre ten strings. te om nes gen -tes. teoria teoria d'armonia, theory tepidita ter, terial are of term term, term. term applied to cheerful term applied to intervals. termed in the breviary a nocturn. term formerly applied to term in fugue writing, applied term originally applied terms terms of expression, which led to term used by the old term used with various signi- tern tern. 1 ...tempo primo ternal, ternal radius is tern of illustration terpander." terpayepw terpoint terpoint, terpoint. ters q, and (k tertia (lat.) [tierce.] tertius, or quartus. ter unca terval terval, terza, the terzdecime (ger.) a thirteenth. terzdecimole (ger.) a group of thirteen terz-flbte (if ft.) [terzflote.] terzflote (ger.) terz (ger.) [tierce.] terzina (it.) terzo mano terzo, the [terzquart- terzquartakkord terzquartsextakkord terzquintsextakkord tes infidelius ? tesque manner. testudo). testudo (lat.) tetrachord. tetrachordal system tetrachordon, bogenclavier tetrachords. tetrachords above it. tetrachords correctly, i tetrachords placed below the text for his text is conveyed. text, theme, subject tha; than than a fifth. than andante. than are common now. examples might be than a tone. than equal than equal temperament fifths. than for instrumental effect. than in the than minor. than seven strings. than sponta- than striking. than that employed for secular than that from which we started by 12 x .01955 than the accompanying parts. than the contralto, though than the notation. than the soprano voice, than those of other than triple measure. that above that act provided that that anna slezak, a farm that at which egypt was that class of composition. that cristofori that had a common origin. that " ii piu that, in that in the earliest public that is, one which can that issued in england. that is supposing n to be that is to say, a key that it will never do. that it would occupy 117,000 billions of years that limit to five or even that music was cultivated by the working that no reasonable ground of that of adam of that of alypius for the that of bringing that of the calabrian bagpipe that of the cranium internally. that of the first movement. that of the latter, an that of the mediant. that of the trumpet. that place. that place standeth y r that scale. that schobert published nothing until 1764, that shown above. that signs of b that speak that strain again that the greeks that the long-drum that the lower animals have that the perfecting of the that the reeds that the vibrations that the word has a that time to the present that was to be severe, that whereas one that which is to thay "the " the (the [the the.] the}' the 14th and 15th centuries. the 16th century it might the 16th century onwards. the 1 8th century. the 19th century the 4th is the the 6p\ricrrpa or the ab the abbreviations the above the above diagram shows the above (ex. 1) shows the suspension the above example the above example being in the key of c, the above few examples may the above figure (fig. 5) represents a the above is also the above named number. the above principles are required for the above shows the above specimen the above system (known the absence of such marks gives the the accented the acquired note the acquired tone the act of accenting, the actors the actual sounds required. the adaptation of new words, the admission of this the air. the air particles the air-passages above the larynx, the the air passes the air, therefore, is the alternation of the alto the alto voice. the american organ the the ancient the ancient b. [b quadratum.] the ancient britons. the ancient hymn, " alma redemptoris." the ancient kettledrum. the ancient lute. the ancient practice. the angels' the anglo-saxon the animal then the answer the answer is, however, the anterior and the anthems of the first the antiphon was the apex of the cone the application of the the}' are thus indicated the aristoxenians viewed the arms the arrangement the article madrigal. the art of bowing. the art of using the aryteno-epiglottidean muscles, since the astonishment of mendelscarefully." the a-string of a violin is theatre. theatre of the theatres, and other public places. the author of the words. the axis the back of the bow. the back of the stage. the back turn, the bad the bagpipe. the bagpipe was known the band the bandmaster the banjo is strung with the bar the bar. the barrel. the basket, ring, the bass and the bass clef. the bass-drum the bass-drum being sometimes played the bass note. the bassoon. the basso ostinato. the bass part. the beating reeds the beat is the bell. the bell of a horn, or the bell of a trumpet (fr. the bellows of old organs. the bellows-treader the bells the belly of a violin. thebes by his lyre. the best the better class of the bible, the big drum. the black keys of the pianoforte. the block in which the the boat, the body, to which the bony the bony semi-circular canals (fig. iv. the bottom board h i. the bow near the point. the bow, originally curved, the brace of the brawl and " the break." the break in the voice. the bridge (lat. the bridge of a violin or the bugle, the c the calculation of intervals, the call the canalis membranacea. the cancelled b. the capacity of the singer or the cardinal adds the cards the careful union the carlist rebellion of 1834-1839. the case. the case in a har- the cases the cathedral psalter. the cavity of the vestibule is prolonged the c clef the chang -ing the chapel royal), edward johnson (mus. the chinese organ, which the chinese, though the choral body the choral song. the chord the chord) the chord of the the chords the chords marked the chorus the choruses the choruses of the choruses to the christian use of bells. the chromatic scale. the chromatic scale is the church-song had become exceedingly the cithara is the clapper, the clarendon press series. the clarinet the clarinet and bassoon. the clarinet employed. the cliifonie the climate of a country, by the close note. (1) the code of criti- the collection of alms the college hornpipe. the colon the weaker. the coloured the combination of others. the commencement the common the common dances, popular the comparative thinness of the compass the compass of any instrument. the compass of the the complicated structures of the component the composer must end this the compositions the compressed the compressed air in a then the comthe word is, the comthree, and four voyces," 1673. the concertos the concluding the conclusion the congregational psalter. the conseantecedent, the constant use of the "contra the contrabasso the contrary is often the the control of the sliders. the convenience of the convenience of holding. the coranto the costs the counter-subject or the " crack " in the the cranial cavity. the cricoid and thyroid the crico-thyroid the crico-thyroid muscles. the " crooks" the curfew, evening the current of air the cushion the custom the dampers. the dances the dancing of the bayaderes. the dandring drums alloud did touk." the day-hours. the dechantcur should be the deepest tones (32 the delicacy of expression with the design the desired result. the destruction of troy. the development of the 'the devil among the tailors.' the dew." the diagonal the diagrams given the diatonic the differ- the difference by which a the difference thus made the difficulty in the difficulty of expressing the difficulty of reading them. the diminutive the diminutive of the diminutive of aria a " the diseases of the ear," by the dissolution of the distribution of the cochlcal the division of musical the dominant the dominant. the dominant, as the dominant chord g, b the dominant, one part --the dominants the doric mode the dotted line the double the doubled the double flute the double harp the double was preceded by a small the doubling of an interval or part. the down the down-stroke the downward wave the drawing the drum as the the drums and the dulciana stop the dulcimer is the duo- the e and f natural, the earliest the early masques were simply the early organs the ears of the parisians. the egyptian the egyptian lutes the egyptian name of the the embracing and the employment of a ground bass as a thee, my god, this night." the end of the the end of the last century. the end of year 1560 was 796, and only 44 the english the english country the english country-dance. the english name the enharmonic of olympus might the enharmonic scale was the enormous popularity of the work, and the enterprising the entremets thus the error lies. the e string. (fr.) chanterelle. the example. the exception to the existence of this privilege the experiment of schumann, which led the expression of musical humour, as by the external auditory canal (fig. 1. 2) is the facial nerve the fal las of thefatver } a "dtotheson the faults the fiddle class. the fifteen scales the fifth the fifth position the figure 2 must be found wherever the figures 1, 2, 3, relate to the final e. the finger-board. the fingers the fingers. the fingers are the fingers of the left the finisher and tuner. (the first the first the first and last movements the first are as follows the first begins the first book printed the first division of the first giving out of subjects and the first had the first inversion of the first, king of egypt. the first knowledge of their the first known specimen was "the first musicke that was the first note of the bar. the first of the first or the first pair the first phrase the first public conceit in england the first trace of a "the first violin by mr. giardini. the the fistula pastoricia was the flageolet, which the flute held crossways, as is now the following the following are the following are impossible (and the following are the chief: the following braule from delaborde's the following compass the following (ex. 4) a ninth the following exabove are not present. the following example the following example (from delaborde) the following example has the the following example is from cherubini the following examples of falso-bordone, the following facts. the followingfigure shows it the following (from gerbertus) will the following, from guidetti the following illustration, from the following is an example of double the following is the hexachord system the following: \,\, \, j, |, and the the following manner. the following passage the following plan the following poem or glose, by don the following proportion the following tune, the following unusual sign the following was a common the following, which is the f or bass clef. the forefinger. the form the former the former, the former. the former are, the former is a the former is attached just below, the the former is not the former portion. the former renders the the former " the the former, the breve was the form of a musical note." the form of the bow, which was the four boards the fourth a the fourth c the fourth is in the fourth species the fourth string or base. the fourth when it is on c the fraction 3, and the fraction, re- the free edges, 3rd. two elastic membranes the french the french and belgians have the french chanson, the french engravers exhibited more the french have failed the full the full chorus the full power of an instrument, the full power or force the function of this the fundamental the gavot seems to the general compass of the the german the german name the gibbon has a well-developed larynx, the gift the gipsy rout, 1623. the gist of the gk. the gloria, the glottis still the good the grace now called a "shake." the gradual growth of the neck the graduated the " grand chain," or the gre- the great the greater doxology. the greater perfect system. the great mistake has the great organ. the greek antiquities. the greek enharmonic the greeks were acquainted with the greek word, monsike, embraced all the gregorian system. the ground-note the group the guinea-pig the guitar the guitar and others whose the guitar belongs to the second the guitar family, somewhat broader and the gum the gut- the hair of bows rough, so the hammer. the handkerla the handle the handle of the malleus is the happy the harp the harp. the harp in use before the harp ('o ra^iv 'i^ovja t. trachea. tt represent tuba tubas corneae." tube. tube " (fig. 1. 4) forms a communication tube gave out a drone. tube, which is fixed into a socket, tucker, stutgart, 1854. d. [tucket.] tu m'as trompe toujours, tune. tune. (1) a melody or air. [air.] (2) tune, air, or melody. tune an instru- tuned tuned, tuned by cutting off part of the tune, harmony, accord. tune in his opera of " dioclesian." tunes tunes. tunes.] tunes of various kinds were tune, song, or melody tune than another. tuneth to the players mynde. tune to which a roundelay was sung. -tuning. tuning hammer tuning of the lute. tunings. tunisian kitra. " turbas." ture, tu rex turin (turk.) turkish (turkish). turkish music, turkish style. turn or double (fr.), doppelschlag (ger.) turn, or passing shake. turn, or time turn quickly. turns, graces, tury. tus cochlearis. tusser (1523-1580), the author of " five tutto arco, the whole tuv eirtaxopsuv, o tuyau d'orgue (fr.) an organ pipe. tuyaux a anche (fr.) reed pipes. tuyaux a bouche (fr.) open pipes. tvvec ovv uaxakai re twang caused by the discharge of an twelfth. twelfth). twelfth and tierce. twelfth or fifteenth. twelfth, or octave fifth. twelve ,, twelve-eight twelve fifths either way and 7 oc- twelve years before the date twice (twice). twice. (twice-accented octave.) twice as fast. twice as quick. twice played or sung. twitter like a swallow). two- two, two ancient greek two breves. two centuries. two feet having the two flutes of the two-fold. two heads, held two longs preceded a maxim "in two long syllables. [metre.] two may two minims two minims in a bar (being equal two octaves. two octaves and a half. two or four dots are placed two or more groups of two other smooth surfaces. two-part and two pence half penny is his rent, two pence half penny is my rent, two performers only. two rows of strings two sounds. two strings are two, three, four, five ranks, &c. two ways either by two ways of per(it.) j two words. two years two years later. [drum.] ^txisoi'/^w, to tym- tymberes, la flauste brehaingue tymbres & tympana vos buxusque vocant tympani. tympanon (fr.) a dulcimer. tympanum tympanum. tympanum and supporting the drum, tympanum; b. incus; c. -- " tymphans, type type, however, was most generally used tyrolienne. u7roirtept,avreg aoiorjv, uc ; these udmi=^* uebelklangl ,~ . uebellaut \( uebereinstimmung uebermassig (ger.) augmented. uebung (ger.) an exercise. uhland. uitkoq, ue uncommon unconnected, incohe- uncoupled. unda unda maris, &c. undecided manner. undecima under under; as, sous-dominante, under-fifth. undergone inversion under his feet. undersong. [burden.] understanding understood, understood. understood], understood to mean, under the under the roman empire, the under the rule under these circumstances under the side under the word descant will undertones. under which term we under your able patronage i have undetermined. und frohe lieder singen, und frohe liedtr, &c. undulating. undulazione " unequal temperament." unessential unfortunate, unfortunately, no distinctive sign unfrequently introduced and ungerader takt unharmonischer uniform surface. unis. unison of voices or unisono (it.) unisonous (eng.) unisons, unisons. unisonus (lat.) unitamente (it.) together, unitedly. units = / units. units. units in units of time (short and long). " universal magazine," for june, 1784, we university. university of oxford, unknown elsewhere. unless sharps or fiats be added. unless some other unlike. unlike a. unlimited number of dancers. unluckily, there are but unnecessary unnecessary. unnecessary here. unnecessary to give here. unnecessary to give more examples of unov-tru {gk. un pochettino, making a un poco piu, a little unprepared, un- un regale. unterbass (ger.) unterdominant unterhalbton untersatz unterstimme until until after his death. until in until the until the reign of until the siege of maestricht in 1747. until thirty until very unto the world. up and down up-beat of the first bar. u p" bow up long notes upon upon a ground bass, and upon as a fool." upon a subject used in the "kyrie" and upon by one slider." upon by the fingers. upon every note. upon instruments played with a bow. upon one note, a bad shake. [vibrato.] upon scenes that are upon the upon the aulos or upon the bells. [pianoforte.] upon the drum upon the echo-organ. upon the finger-board of certain upon the following plan: upon the magadis. upon the neck, or fina resonance box. upon the question upon the universal love upon was that which had been upon which pedal music up part. uppatura (med. lat.) upper one upper string, upon which the melody was upper thames street, london. upraising stinted song. upright up thus [music primer, up to the middle of the 18th upwards upwards. upwards, as upwards of sixty pieces for it. urge on, to command). the word urh-heen. the chinese urn, urn, ixc. ~urv ~a\ai6raroi usage. use, use. used used. used about used, and are of great utility. used as an equivalent used as the text. used by dancing-masters. used by the various used for treble voices and used in making the pipe form the body. used in modern egypt, but used in pairs. used in the greek used only for b flat. used, the used to express simple used to show the end used without preparation. useful notes use he was probably unacquainted, hence use of use on ordinary days. use the 'jingles' where use " waits." usical 1ierms us is made by the name of airs." us sing un us sing un-to the usually a long time before she usually called the rival of usually called the " slow movement usually employed usually lively and the usually of 8 usually of ebony. usually six. [chest of viols.] (2) the sounds usually stated usually written for this voice usual to write over the usual, used, accustomed. usus, the use, ut bemol (fr.) the note c fiat. ut diese (fr.) the note c sharp. ut ut queant laxis utriculariae utricularias. (u/urc'i/3o\a) says aristides uvula. [larynx.] v. 4, p. 148, col. 2. vacillando (it.) wavering, uncertain as vagabondage, died vagabonds except valce valce (//.), valse (fr.) vale," by constantius festa (15 17- 1545), is a valeur (fr.), valore val of an valour of the warriors. [valse. valse a deux temps (fr.) a form of valse, in waltz time [waltz] value value, value. value and discouraging its use. value of (\e) by about -^ of a semitone. value of notes value of the many marks. value of unit valves or pistons valves to the cornopean. vamp. vanitas," vants to the former troubadours. var. va rallentando, go on variable pressure. .variation varie varied, varied. varied compass and quality of tone which varied treatment. variety, variety in the variety of variety of names for variety of rhythm. variety of the eolian various various dramatic variously defined. variously strung. various meanings. various other various words in- '.varuvm vation in 1495, in " syntagma musicum [vaudeville.] vaudeville (fr.) vaudeville gavotte. [vaudeville, opera, &c] v; be the ratio, expressed in vearas c " vedi le fosche" (trovatore). veemente (it.) vehement, forcible. veemenza, con (7/.) with vehemence, vei? blttcri v veil velio vel lira. veloce (it.) rapid, swift. velocissimamente (it.) very swiftly velocissimente (it.) swiftly. -velocita, con. velocita, con (it.) velocity of sound- velocity of sound. [acoustics 5.] velocity of the veloped into ve lower.) vency. vener menestraux, sans dangier venice, 1596 venice (1634). venice, 1729, shows the form with the venice in 1591, by gastoldi, who is the venite on easter-day. ventages. ventages but not keys. ventilhom in es, waldhorn, and pauken vently, vehemently. ventricle." venusto (it.) beautiful, graceful, fine. ve pol (verb. verb in common writing verbindung "verbunges." [dutch concert.] verdi. verdi's, though verdi, the next great vergniigt verhallend verhaltniss (ger.) proportion verify or to deny. verilay (fr.) [vaudeville.] vermindert vero verschiebung (ger.) the soft pedal of a verse 5 of psalm xx. verse," and wound up their verse (old eng.) verses only when convenient. versetzen (ger.) to transpose. versetzungszeichen (ger) accidentals. versifications of version, version as cymbals, except in zech. xiv. 20, versions) versity. vers l'autel." verspatung (ger.) retardation, delay. verstimmt (ger.) out of tune. versus fescennini (lat.) vertical, verweilend(ge?\) delaying, rallentando. verwerfung (ger.) transposing. very very. very. allegro assai, very very doubtful. very far from the truth. very im- very largely very loud. very moderate. very musical very narrow, all the very quick. very resolutely. very similar to a sonata, but in which very slow very slow, and susif very slowly. verzierungen (ger.) ornaments, deco- verzogerung (ger.) " vesperale romanum mechlinias," 8vo. f. vesperal now issued from mechlin. vespers, or vessel, generally of metal (-^axke'ior) used as a vestibule; 2. fenestra ovalis vezzosamente (it.) viadani, about the year 1605, which has vibra- vibrante (it.) vibrate in part of their length. vibrating vibrating. vibrating particles. vibrating portion. vibrating reed of vibrating tongue or blade. vibrating, tremulous. vibration vibration. [acoustics 3.] vibration being called its period. vibration of vibration or tremolando. vibrations vibrations. vibrations. [acous- vibrations are harmonic. vibrations of straight rods may be vibrations of the strine. [vibrato.] vibrato (it.) vicar choral. [lay vicar.] vicars vicars. vice. vicembali.) vice versa. vice versa (ubi in victors. victory. vidant de vide " vide ut quod ore vido viel (ger.) much (vielle) vielle (fr.) vienna pianoforte action. vierfach vierspiel (ger.) viertelnote (ger.) viertheilston (ger.) viervierteltakt (ger.) vierzweiteltakt (ger.) viewed from the side. vif (fr.) lively, brisk, quick. vi. fols. 18 and 19.) vigiiela (sp.) a simple kind of guitar. vigorosamente (it.) vigorously. vigorously, vigour. vigour, and vii., no. 13, pp. 399-410. vij a villancico, villancicos. villancico (sp.) -villotte. vina vina. vincentino galilei (p. 143 of his " dialogo vincenzo rulto, viol viol, viol. viola [viola.] viola. viola and the alto trombone. viola and violoncello. viola da gamba (it.) one of the viola da gamba. (sve lower.) viola di bardone (it.) an instrument [viola.j violas [viol da gamba.] viole. viole, guiterne, citole viole, rubebe, guiterne violetta. violetta marina [violin. [violin.] violin and harmonium violin class. violin clef. violine, 2te violine, iste violin in the 17th century, is violinist in an orchestra violinists to describe the :::} violino violino, (violino 2do. violino 2do. (violino imo. violino imo. violino piccolo. violino primo, violino primo, first violin. violino principale violino ripieno, a violino, to play violin playing. violin," pp. 52, 53, &c), and later through violins, violins. violins, 1 violins, 2 violins, viola, violon celjj (violoncelli (e) (violoncello violoncello. violoncellos violone. violone (it.) violone (it.) contre-basse violons du roi," the king's little viols, viols. vir^ak cefuu<\ virelais. virelay (fr.) virginal and [virginals. virginals or spinets were -- virg. je. virgula (lat.) (i) " ^viroi-io-art) ciutovvq virtuose (ger.) a skilled virtuoso viser." visible. vis la, tout en un cerne vista vi-tam vivacetto (it.) rather vivacity. vivamente vive (fr.) vives in modern greece. vivido (it.) brisk, lively. viz., viz.: as vj-uvuioq vntcs. vo -bis vocabulary of latin and english words, he vocal vocal. vocal cords vocalisation. vocalization. vocal music vocal music. vocal or instrumental music. vocal or instrumental shake. vocal ornaments at the vocal performances." vocal score. [score.] voce voce, voce di gola, a guttural or voce di testa, voce dl petto, the voci voci. vocis) voci, volta, volti, &>c. vofxot voxe/ukct, vogelpfeife (ger.) [vogelflote.] voglia voice voice; voice. voice as vox humana, voice, as will be hereafter mentioned. voice, &c. voice gains in brilliancy voice in boys or females renders voice of the ox and of the bull. voices voices. voices, composed by mr. henry purcell voices or instruments. voices or, in three parts. voice to a part. voice, when the male makes a low grunt. voix celeste (fr.) voix (fr.) the voice. (vol. vol. volante (it.) flying," applied to the execu- volkmar, volkslied (gcr.) a popular song. [lied.] " volksthumliche voll (ger.) full vollstimmig (gcr.) vollstimmigkeit volmente volta volta, volta, once, volte volte, volteggiando volti volti (it.) turn .volti subito volti subito, turn quickly. volume, any thing volumes containing 1785 ballads, mostly with -voluntary. voluntary. volved in the syncopation von sieboldj has vorausnahme vorbereitung vorhalt vorsanger vorschlag vorspiel (ger.) vorzeichnung vowel "vox angelica" [vox angelica.] vox angelica.] [vox humana.] vox humana. vox humana {lat.) a reed stop in the vox humana stop. voyces voyez benoit ix. et v.s., volti subito, turn vtf- vtratwf) vuide [vuide.] vuide. vulture's quill. v. vocal cord and its free edge vw* ^zt=gjt r l wagenseil (1688- 1779) are in correct form, wagner. wagner and gounod more wagner's nibelungen waits [waits.] waits, hornpipes, wakens from sleep. a signal given by drum waldhorn (ger.) a hunting horn. a walking, walkt wallachian monasteries. walls and not directly. walnika, walraent's waltz. waltz, valse walze. walze (ger.) a roll. a symmetrical walzer wandering wandering. wandering min- wantonly destroyed. ward course by the block. ward curved wards. warlike, martial. warlike occasions. warllke martial warsaw, vienna and war-songs. (warton, was. was about seventy was adopted was afterwards was against the french equivalent was a kind was almost was already included in sol. was also used occasionally was appointed in 1780. was attached was because was called damenisation. was called harmonia (apjuorta), the " fitting was called machicotage. was called the pneuma. was consequently impossible was considered necessary was danced was displayed. was employed by the hebrews, was enriched with was entitled was extended to the united kingdom by 41 was first tried by scarlatti, was formerly sold on the pont-neuf, paris. was formerly used was found necessary was from 978 to 1016. the manuscript was was from an author's poems. was given at oxford, in the year 1670, the was given by reason was intended, and was introduced by mr. was introduced into england was many a tymbestere, was more workable with was no longer a was not was not an unusual thing was not discouraged among was not employed. in later use, was not long was no turning, only was originally that was originally written. was originally written in was performed. the instrument was only was perhaps not was played was played upon by means of a clavier. was preceded by was probably brought to wasps; of the order coleoptera (378 385), or was published at geneva, in the same year; wasserorgel was sometimes by was sought was the was the diapason of the greek system. was the first englishman who used was the modulation esteemed.* was the shake as now practised. was thus played was tied, the turn was was to madrigals. was used was used. was used only was violently opposed by matthew lock, but was whose was william byrde (1543-1623.) was written watch water. wave waved waves wavy and tremulous sound. way. way by some of the greek writers. way down wayghtes. ways. the example shows the w. cartilage of wrisberg. w.c.linnaeus martin, weak weak, weary, faint. weblr. wechselgesang weelkes' ballets and we find that we find that the cochlea we have the number for two weich weight weight. weight set weissenote (ger.) white note weiteharmonie well and skilfully managed. well as theatres. well. used as an expression welsh {welsh.) we may wenig we now understand went through many editions. were (1) mode; (2) time were absent. were against all accepted rules. were, because of its unusual were christopher we reckon them by were constantly so changed by were each called were embodied into our were famous makers of violins. were included in were, into a nosegay, from were introduced. were invented, called were named -- were often selected by composers were said to sing by the tablature. (2) a were used, sparingly were written. wesley's psalter. westerham. cm. westminster westminster. cm. weymar, wfciov whales) the glottis is very small, and what "what are the names whatever the form what hellish toies what was what would what would now be when "when " when when a when a 264: when about 33 when arsinoe was performed at "when asked the when bacchius asks when c whence their name. when chromatic passages abound. when employed as serenaders. when every person when given on when /has reached its when henry when he was when humphreys when imitated. when it when it is when it is not expressed openly. when moving when musicians were possessed when necessary when not possible the chord when one part moves when organ builders when rapidly written when screwed on when she is " when the when the communion when the drums are required simply for when the french when the handle, having when the lower note is a when the metal is (when the note or when the organum was added when there is an when the top board when they when three strings are employed when turned round, opens when two when unessential when used in an whereas, in examples 1, 2, and 3 above, no whereas the following where it still remains. where matthias van den gheyn where more than where more than me where they could not be whether taken up or down.* whether they had a one which action which act on the keys or manuals. which admits of which an actor has which an instrument which any scale was composed must be which a player produces the tone of which are as 1, 3, 5, 7, &c. which are doubled. (2) a which are less than an octave. which are made specially which are models of beauty and effective which are nearly which are of wood. which are repeated at intervals. which are supplemental to which are surmounted by a bell. pavilion which being translated which contains cues, &c, used which crosses the which dancing was performed. which each country produced which emotions, by reason of which ends which form which govern them. which had b for its leading note. which had four strings which had probably not more which had to be unravelled. [canon.] which has the same name. which has three sharps which he says of the dancer which is as much a which is roughly about f- of a semitone. which latter has which lengthens its value by one-half, which long trackers pass. [organ, 8.] which lyric poetry was sung. which may which means which more which musicians were not slow which music naturally suggests which must which now excite my fierce alarms ? which one part or more which parchment which performers were arranged which produces the unison which raises the dampers. (2) of pedals. which ranges from which render it generally which seem which separate them. which she may be clinging which spaces have been left. which stringed instruments are played. [bow.] which the compressed air enters. which the drums are in d which the hindu scale which the octave which the other descends, which the term which the voice which they are about to be resolved. which they blew and pouped, which they give rise. which travels from the medulla oblongata which two notes are long which was their only instrument of which we which were almost invariably which were played upon by the fingers. while " while while the same law while three of the bells whim, whimsical, humorous. whisper- whistle. (1) to make a musical sound white whiz or who, who became who disapproved who follow the who have who have gained who in 1582 published an edition of trevisa's whole whole church. whole lyre to any other pitch. whole note. a semibreve. whole note.' what is, or what whole string. whole; tutta forza, whom whooping of the gibbon who sang whose whose contrapuntal whose rule it became exceedingly popular. whose tones whose works who still call it laud. who throws back who was agent who were who were assembled around "why why have wide, widening, wider grooves. widmung." wiederholung wie vorher (ger.) the time as wiirde, with simplicity and dignity. willaert, will apply to the next example (5). will be a will become will be dress'd in surplices. will be seen to pour out will do.' will give " william william godbid william guiart (1248) william hall, oxford-- william of malmesbury, referring william turner, oxford, in 1634, the same willis, for will next be second, will not return exactly to c will of the will of the composer. will, pleasure, a will, pleasure, a volonte, will prove. will rejoice in will shortly explain the reason. will sing aloud will stand in wind wind- wind-bag. wind-band. the wind-chest and sound-board. [wind gauge.] [wind-gauge.] wind gauge. wind-instru- wind-instrument." wind instruments. wind-instruments. wind, or windpipe being visible. windsor, wind trunk. winterfeld's winterfeld's " der evangelische kirchenleipzig, 1843 wirbel (ger.) wire. wire is provided at "wirtemberg choral wise, weldon, blow, wise would, lest wishes into effect. wissenschaftliche zoologie, torn. with (with with- with 3 and 4 valves with 3 or 4 valves; trombone in e flat. with a with a flattened note. with a free accompaniment. with a full, strong, sonorous voice. with a hammer. with a little with a long neck. with a major chord. with an with an expression with a pianoforte. with a seventh part, ad libitum, being con- with a slow and a quick movement, for a long with a solo. with a thick glove when playing. with a thorow bass with benches. "with chatzozerah and sound with clarinets and bassoons. with closed mouth, humming. with country dances. with dancing. with delicacy. with devotion, affection. with dignity. with eagerness, with em- with emphasis. with expressive energy. with force. with gentleness, with grace, elegance, with gradu- with grandeur, nobly. with great with great accuracy. with great freedom with great rapidity. with hair-like bodies, reminding us of the with hornepipes within a given key within the with keys (rarely used now). with many others equally absurd. with melody, harmonised with more or less success. with motor power. with music. (2) with musical notation above the words. with one respiration. with only with ornaments. with or without some (without without; without acknowledgment. without altering the without band accompaniments. [a table without employing the lines. withouten the toums murey ; " without interruption, without interruption. without jingles in the hoop. without organ without pause. without pedals without premeditation. without prepara- without rule. without the pedal without touching others. without words. with passages uncertain with pastoral simplicity. with pebbles. with points, marking a repeat. with questionable effect. with rapidity. with redford with reference to modern languages. with regard with regard to with regard to the with regard to the inclusion of with regard to their compass. with respect to with sadness, with sadness. with seven ventages and one key. with soft stops. with sustained with swiftness, with tenderness, with that of the octave. with that of the symphony. with the with the bellows of an organ. with the bow. with the bow, as opposed with the college of st. spirit and mary, with the demand. (/ with the double octave of /. with the .(eolodicon. with the first verse. with the floor. it with the fundamental bass, as given by with the hautboy ; and mr. h. coleridge with the instru- with their bony cases. with their relative minors. with the left hand with the left hand. with the rcbab of algeria. with the right with these instruments, with this with this dance. with this ends with three strings. with three ventages. with thy with twelve strings. (with two mouths). with weight, with weight, impres- with which to inflate the bag. with wire instead of cat-gut. wit-low trees wit of music well he knew." wittenberg in 1573, with the music for the wm. smith, ll.d. wolf [wolf.] wolf. wolf. heckel's "lautten buch," wolstani, at the end of the 13th century. woman women who wore high-heeled boots. won- wonder and admiration. wonderful wonders wood fixed inside wood pipes are four-sided, the wood, struck with hammers acted upon by word word " word, word. word at-doxoyiat, collections of small word comes from the anglo-saxon " gle," word, for word has been derived from word is supposed to have been words words. word sabeca. words caput words generally selected from the scrip- words of a melancholy words of the accompanying chorus sung." words or word stage-play includes every " tragedy, words. the catch should be amusing, the words, the invaluable property of word to mean " shepheards' word to part-music seems to have been word with a like meaning work work as worked worked against them. work fanciful work. lip-stops. work. [passion music] bach, one of the work published by john dowland, " lachrymae works works of work was intended worship. worshippers, tunes set to worst. worth, or length of a note. would would be would be both tedious and would be equal to would be given would form an interesting episode would have indicated the would otherwise raise the note.* would rather gain in grandeur. would read would seem would sound would sound: would still enjoy their privileges and would you know my celia's charms, wreath of roses," published in 1828, will be wright's provincial dictionary. wrisberg. wrist guide. write writer of the same age may be cited. writer on, or a writer regarded them, " as clouds may be writers. writers declare writer's " feminine monarchic" writers named above, from whom jenkins writers on mensurable music the write the ultimate of a writing. writing was called by them " falso-bordone." writte n. written, written. written. %--- written about his notation, written as follows written by brockes. a hamburg poet, written by him in england, was brought written for written for the written, in c. written in heroic stanzas, written in riddle -form canone chiusa. written in tablature. written in three ways, written music. written music, as opposed written sometimes in written thus written under them wrong wrong." wrongs ere wsfr w. turner. wurde wurde. /.wvmk))i> txroiyetutffeiq.) [xanoralso with self-acting machinery. xanorphica xanorphica. (x*'ave), 'xej\[ xiv. xiv., who in 1658 was weak enough to confirm xix appendix xliv.) ^xl j zf frg^sgjijesfl xoyt~tov(gk.) [pulpitum.] xpai^ft ucikcucot' " "xpiotoq kaayjbv." (xplo-'o- xtj3s (x) used before xx., gerbert's scriptorcs, ii. 256. xylophone. } xylorganum. yang year year. year 1400. year 1660 john playford invented what he year 1725. years. years ago, the whole of the music years later. years more, when the publication of years, namely, from 1760 to 1830; the most years only from our own time), yet. yet hucbald's yielding, slackening yit would he lye {yjpunarovaiov). yn all these worship the hevene kyng." yo. an indian flute. yonge's musica transalpina, 2nd york (1070), set about collecting those which you must younge's musica transalpina. your y sin dios, y mi." yth.) yufjlfiii distinguat septima quamvis. zacconi, " prattica di musica," zambomba zampogna zampugna. zaner. zante, zapatadeo (sp.) zarge (ger.) the sides of instruments zartlich (ger.) zarzuelas zauberfiote." zeal, energy. zealously, ardently, zeichen (ger.) a musical sign, note, or zeitmass zeitschril't fur zelo zeloso (it.) zealous, energetic. zergliederung (ger.) zerstreut zeuktic tone ziarovov /.ia\air ziemlich (ger.) moderately, as ziemlich ziffern (ger.) to cypher. ziganka. ziganka. a dance popular among the zig-zag, thus zikrs- zikrs. religious dances of the dervishes zinc zinc is used sometimes for large zing insect, whence our word, bumble-bee zinkenisten, zione zither (ger.) cither. zogernd (ger.) ritardando. zoppa (it.) [alia zoppa.] zourna. zufallige (ger.) accidentals. zugwerk, the zuklang (ger.) unison, consonance. [zummarah.] zunehmend (ger.) zunge zuriickhaltung (ger.) retardation. zurna. zusammengesetzte zusammengesetzt (ger.) compound. zusammenklang,zusammenlaut(ger.) zu singen gebrauchlich begriffen." zweifach zweifacher zweifacher. zweigestrichen zweiunddreissigtheil-note zweivierteltakt (ger.) two-four time, zwerchflote (ger.) the german flute. zwerchpfeife zweyten lautten zwischengesang zwischenraume zwischensatz (ger.) an episode. zwischenspiel (ger.) an interlude played zwolfachteltakt zymbel -zymbel." />
Stainer, John - A Dictionary of Musical Terms 4th edition Dictionnaire