 | Mozart, Wolfgang Amadeus - "Bei Männern, welche Liebe fühlen" for Flute & Viola K.620 Flute, Violon |
VoirPDF : "Bei Männern, welche Liebe fühlen" (K. 620) for Flûte & Viola (2 pages - 88.6 Ko)2 699x⬇ VoirPDF : Flûte Part (69.46 Ko) VoirPDF : Alto Part (72.13 Ko) MP3 : Audio principal (72.13 Ko)237x⬇ 2266x
Bei Männern, welche Liebe fühlen for Flute & Viola
MP3 (1.31 Mo) : 
(par Magatagan, Michael)96x⬇ 353x
Bei Männern, welche Liebe fühlen for Flute & Viola
MP3 (1.31 Mo) : (par Magatagan, Michael)87x⬇ 228xVidéo :
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| Compositeur : | Mozart, Wolfgang Amadeus (1756 - 1791) | ||||
| Instrumentation : | Flute, Violon | ||||
| Genre : | Classique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 08 Oct 2014 The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The work premiered in 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna. The opera was the culmination of a period of increasing involvement by Mozart with Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. Mozart was a close friend of one of the singer-composers of the troupe, tenor Benedikt Schack (the first Tamino), and had contributed to the compositions of the troupe, which were often collaboratively written. Mozart's participation increased with his contributions to the 1790 collaborative opera Der Stein der Weisen (The Philosopher's Stone), including the duet ("Nun liebes Weibchen", K. 625/592a) among other passages. Like The Magic Flute, Der Stein der Weisen was a fairy-tale opera and can be considered a kind of precursor; it employed much the same cast in similar roles. Mozart evidently wrote keeping in mind the skills of the singers intended for the premiere, which included both virtuosi and ordinary comic actors asked to sing for the occasion. Thus, the vocal lines for Papageno—sung by Schikaneder himself—and Monostatos (Johann Joseph Nouseul) are often stated first in the strings so the singer can find his pitch, and are frequently doubled by instruments. In contrast, Mozart's sister-in-law Josepha Hofer, who premiered the role of the Queen of the Night, evidently needed little such help: this role is famous for its difficulty. In ensembles, Mozart skillfully combined voices of different ability levels. The pitch ranges of two of the original singers for whom Mozart tailored his music have posed challenges for many singers who have since recreated their roles. The Queen of the Night's "Der Hölle Rache kocht in meinem Herzen" ("The vengeance of Hell boils in my heart") reaches a high F6, rare in opera. At the low end, the part of Sarastro, premiered by Franz Xaver Gerl, includes a conspicuous F2 in a few locations. The duet "Bei Männern welche Liebe fühlen" is from Act 1 Scene 2 and although written as a voice duet, I created this arrangement for Flute & Viola. Partition centrale : | La Flûte enchantée (91 partitions) | | |||
