|Bach, Johann Sebastian - Halleluja Chorus: "Gedenk, Herr Jesu, an dein Amt" for Small Orchestra |
BWV 143 No 7
Bach, Johann Sebastian (1685 - 1750)
Vents & Orchestre Cordes1 autre version
MAGATAGAN, MICHAEL (1960 - )
|Editeur :||MAGATAGAN, MICHAEL|
|Droit d'auteur :||Public Domain|
|Ajoutée par magataganm, 21 Oct 2014|
Lobe den Herrn, meine Seele (Praise the Lord, O my soul), BWV 143, is a church cantata by Johann Sebastian Bach. It is not known if he composed the cantata for New Year's Day in Mühlhausen or Weimar, between 1708 and 1714.The librettist is unknown. The cantata draws from Psalm 146 and the hymn Du Friedefürst, Herr Jesu Christ by Jakob Ebert to develop its seven movements.
Bach wrote the cantata for New Year's Day, which is also the Feast of the Circumcision of Christ. The prescribed readings for the day were from the Epistle to the Galatians, "by faith we inherit" (Galatians 3:23–29), and from the Gospel of Luke, the circumcision and naming of Jesus eight days after his birth. However, most of the text for the cantata was taken by the unknown librettist from Psalms 146. Movements 2 and 7 are the first and third stanza from the chorale "Du Friedefürst, Herr Jesu Christ" by Jakob Ebert, written in 1601.
The provenance of this cantata is disputed: some suggest that it may not be a Bach work because of its "unpretentious" nature and the lack of authoritative original music, or perhaps it was a transposition of an earlier work. Alternatively, part of the cantata may have been written by Bach, while other parts (likely the choruses and the bass aria) were added or amended by other composers.
The opening chorus is quite short, using imitative fanfare figures without much harmonic development. It employs a ritornello theme on the tonic and dominant chords, incorporating a descending-third sequence. Its text is the opening of Psalm 146.
The soprano chorale is accompanied by a violin obbligato. Although the vocal line is mostly undecorated, it is accompanied by a rhythmically active violin counterpoint following the circle of fifths. The obbligato line reaches a double cadence before the soprano entrance.
The tenor recitative is quite short and is considered unremarkable.
The fourth movement is a tenor aria in free verse. The vocal line is "convoluted and angular", reflecting the themes of misfortune, fear and death. Musicologist Julian Mincham suggests that these themes suggest that Salomon Franck may be the poet, as these were recurrent images in his texts, but also notes a lack of integration atypical of Franck's oeuvre.
The bass aria employs a triadic motif similar to that of Gott ist mein König, BWV 71. It is short and has a limited range of tonal development or chromatic variation.
The sixth movement is another tenor aria characterized by the layered scale figuration in the instrumental accompaniment. The bassoon and continuo perform as a duet against the chorale melody in the strings.
The closing chorus employs the third stanza of the chorale as a cantus firmus in the soprano. The lower voices sing Alleluias and are more varied in their writing.
Although the cantata was scored for three vocal soloists (soprano, tenor, and bass), a four-part choir, three corni da caccia, timpani, bassoon, two violins, viola, and basso continuo, I created this arrangement for Small Orchestra (2 Bb Trumpets, French Horn & F Tuba), Timpani, & Strings (2 Violins, Viola & Cello).
|Partition centrale :||Lobe den Herrn, meine Seele (11 partitions)||Niveau de difficulté :