 | Bach, Johann Sebastian - Aria: "Gott hilft gewiß" for Viola & Strings BWV 86 No 5 Alto et Cordes |
VoirPDF : Aria: "Gott hilft gewiß" (BWV 86 No 5) for Viola & Strings (5 pages - 124.79 Ko)168x⬇ MP3 : Aria: "Gott hilft gewiß" (BWV 86 No 5) for Viola & Strings 40x⬇ 194x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Alto et Cordes | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 03 Jui 2015 Wahrlich, wahrlich, ich sage euch (Truly, truly I say to you), BWV 86, is a church cantata by Johann Sebastian Bach. He composed the cantata in Leipzig in his first annual cycle for the fifth Sunday after Easter, called Rogate. The theme of the cantata is a quotation from the gospel, beginning the cantata with the promise of Jesus "Verily, verily, I say unto you, whatsoever ye shall ask the Father in my name, he will give you". An unknown poet used as movement 3 the 16th stanza of Georg Grünwald's hymn "Kommt her zu mir, spricht Gottes Sohn" (1530), and as the closing chorale the eleventh stanza of "Es ist das Heil uns kommen her" by Paul Speratus (1524). The poet hints at the question how the promise can be understood looking the reality of life. In movement 2 he uses the image of a rose with thorns to illustrate two conflicting aspects. In movements 3 and 4 he confirms the promise which has to be seen in the perspective of time. Movement 5 refers to the waiting for a promise being kept, and the closing chorale assures that God knows the right time. The structure of the six movements – a gospel quotation in the beginning, chorales as movements 3 and 6, the sequence of recitative and arias – is similar to Wo gehest du hin? BWV 166, first performed one week earlier. The gospel quotation is given to the bass as the vox Christi, the voice of Jesus. The instruments, strings probably doubled by oboe d'amore, introduce vocal motifs which the voice picks up. The bass sings the text three times, while the instruments continue playing the same motifs. Julian Mincham observes: "The richness of the text, the unobtrusive nature of the melodic ideas and the gently flowing rhythms combine to create an appropriate atmosphere of dignified restraint". In movement 2, the alto is accompanied by the strings and a violin obbligato in virtuoso figuration, which may illustrate the heavenly light promised as the final fulfillment. In the chorale of movement 3, the unadorned cantus firmus in the soprano is embedded in a trio of the two oboes d'amore and the continuo. In movement 5, the last aria, a motif of five notes is first introduced by the violin and then picked up by the tenor on the words "Gott hilft gewiß" (God's help is sure). The motif is repeated in the violin again and again. The closing chorale is set for four parts. The cantata in six movements is scored for three vocal soloists (alto, tenor and bass), a four-part choir only for the closing chorale, two oboes d'amore, two violins, viola and basso continuo. The cantus firmus of movement 3 is sung by a soprano. Source: Wikipedia (https://en.wikipedia.org/wiki/Wahrlich,_wahrlich,_ich_ sage_euch,_BWV_86). I created this arrangement of the Tenor Aria "Gott hilft gewiß" (God helps indeed) for Solo Viola & Strings (2 Violins, Viola & Cello). Partition centrale : | Wahrlich, wahrlich, ich sage euch (6 partitions) | | |||
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