 | Bach, Johann Sebastian - Aria: "Seligster Erquickungstag" for String Quartet BWV 70 No 10 Quatuor à cordes |
VoirPDF : Aria: "Seligster Erquickungstag" (BWV 70 No 10) for String Quartet (4 pages - 128.31 Ko)269x⬇ MP3 : Aria: "Seligster Erquickungstag" (BWV 70 No 10) for String Quartet 46x⬇ 329x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Quatuor à cordes1 autre version | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 17 Aoû 2015 Wachet! betet! betet! wachet! (Watch! Pray! Pray! Watch!) is the title of two church cantatas by Johann Sebastian Bach. He composed a first version, BWV 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to BWV 70, a cantata in two parts for the 26th Sunday after Trinity. On 2 March 1714 Bach was appointed concertmaster of the Weimar court capelle of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the Schlosskirche (palace church), on a monthly schedule. Bach originally wrote this cantata in his last year there, for the Second Sunday of Advent. In Leipzig, Advent was a quiet time (tempus clausum), thus no cantata music was performed in services from Advent II to Advent IV. In order to use the music again, Bach had to dedicate it to a different liturgical event and chose the 26th Sunday after Trinity with a similar theme. The prescribed readings for this Sunday were from the The Second Epistle of Peter, "look for new heavens and a new earth" (2 Peter 3:3–13), and from the Gospel of Matthew, the Second Coming of Christ, also called Second Advent (Matthew 25:31–46). An unknown poet kept the existing movements and added recitatives and a chorale to end part 1 of the new cantata, the final verse of "Freu dich sehr, o meine Seele" by Christoph Demantius. Bach performed the extended cantata first on 21 November 1723, and a second time on 18 November 1731. Bach shaped the opening chorus in a da capo form and used a technique to embed the vocal parts in the concerto of the orchestra. A characteristic trumpet calls to wake up, initiating figurative movement in the other instruments and the voices. The choir contrasts short calls "Wachet!" and long chords "betet!". All instruments accompany the recitative, illustrating the fright of the sinners, the calmness of the chosen ones, the destruction of the world, and the fear of the ones called to be judged. Part I is closed by the final verse of "Freu dich sehr, o meine Seele" in a four-part setting. The recitative in movement 9 opens with a Furioso depicting the "unerhörten letzten Schlag" (the unheard-of last stroke), while the trumpet quotes the hymn "Es ist gewisslich an der Zeit" (Indeed the time is here). This chorale had been used as kind of a Dies irae during the Thirty Years' War. The recitative ends on a long melisma on the words "Wohlan, so ende ich mit Freuden meinen Lauf" (Therefore I will end my course with joy). The following bass aria begins immediately, without the usual ritornello, molt' adagio. After this intimate reflection of the thought "Jesus führet mich zur Stille, an den Ort, da Lust die Fülle." (Jesus leads me to quiet, to the place where pleasure is complete) the closing chorale is set richly for seven parts, independent parts for the upper three strings forming a "halo" for the voices. The instrumentation of the Weimar cantata is lost. The cantata in two parts of 7 and 4 movements was originally scored in Leipzig for soprano, alto, tenor, and bass soloists, a four-part choir, trumpet, oboe, bassoon, two violins, two violas, and basso continuo. Source: Wikipedia (https://en.wikipedia.org/wiki/Wachet!_betet!_betet!_wa chet!_BWV_70). I created this arrangement of the final Aria: "Seligster Erquickungstag" (Blessed day of revival) for String Quartet (2 Violins, Viola & Cello). Partition centrale : | Wachet! betet! betet! wachet! (8 partitions) | | |||
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