 | Bach, Johann Sebastian - Sinfonia from the Easter Oratorio for Small Orchestra BWV 249 No. 1 Vents & Orchestre Cordes |
VoirPDF : Sinfonia from the Easter Oratorio (BWV 249 No. 1) for Small Orchestra (57 pages - 680.62 Ko)290x⬇ VoirPDF : Flûte (93.52 Ko) VoirPDF : Hautbois (91.81 Ko) VoirPDF : Timbale (63.74 Ko) VoirPDF : Alto (83.04 Ko) VoirPDF : Violon 1 (93.91 Ko) VoirPDF : Violon 2 (85.06 Ko) VoirPDF : Violoncelle (89.64 Ko) VoirPDF : Trompette Sib (74.99 Ko) VoirPDF : Flugelhorn (67.84 Ko) VoirPDF : Piccolo Trompette (74.81 Ko) VoirPDF : Conducteur complet (367.24 Ko) MP3 : Sinfonia from the Easter Oratorio (BWV 249 No. 1) for Small Orchestra 31x⬇ 376x
Sinfonia from the Easter Oratorio for Small Orchestra
MP3 (12.75 Mo) : (par MAGATAGAN, MICHAEL)0x⬇ 0x
Vidéo :
![]()
![]()
![]()
![]()
![]()
| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Vents & Orchestre Cordes2 autres versions | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 28 Nov 2015 The Easter Oratorio (BWV 249) is an oratorio by Johann Sebastian Bach, beginning with Kommt, eilet und laufet ("Come, hasten and run"). Bach composed it in Leipzig and first performed it on 1 April 1725. The first version of the work was completed as a cantata for Easter Sunday in Leipzig on 1 April 1725, then under the title Kommt, gehet und eilet. It was named "oratorio" and given the new title only in a version revised in 1735. In a later version in the 1740s the third movement was expanded from a duet to a four-part chorus. The work is based on a secular cantata, the so-called Shepherd Cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a which is now lost, although the libretto survives. Its author is Picander who is also likely the author of the oratorio's text. The work is opened by two instrumental movements that are probably taken from a concerto of the Köthen period. It seems possible that the third movement is based on the concerto's finale. Unlike the Christmas Oratorio, the Easter Oratorio has no narrator but has four characters assigned to the four voice parts: Simon Peter (tenor) and John the Apostle (bass), appearing in the first duet hurrying to Jesus' grave and finding it empty, meeting there Mary Magdalene (alto) and "the other Mary", Mary Jacobe (soprano). The choir was present only in the final movement until a later performance in the 1740s when the opening duet was set partly for four voices. The music is festively scored for three trumpets, timpani, two oboes, oboe d'amore, bassoon, two recorders, transverse flute, two violins, viola and continuo. Source: Wikipedia (https://en.wikipedia.org/wiki/Easter_Oratorio). I created this arrangement of the opening Sinfonia for Small Orchestra (Piccolo Trumpet, Bb Trumpet, Flugelhorn, Flute, Oboe, Timpani, 2 Violins, Viola & Cello). Partition centrale : | Oratorio de Pâques (15 partitions) | | |||
