 | Bach, Johann Sebastian - Prelude: "In dir ist Freude" for Brass Quartet BWV 615 Quatuor de Cuivres |
VoirPDF : Prelude: "In dir ist Freude" (BWV 615) for Brass Quartet (6 pages - 173.17 Ko)195x⬇ MP3 : Prelude: "In dir ist Freude" (BWV 615) for Brass Quartet 49x⬇ 355x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Quatuor de Cuivres | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 27 Jui 2016 The Orgelbüchlein ("Little Organ Book") BWV 599-644 is a collection of 46 chorale preludes for organ written by Johann Sebastian Bach. All but three of them were composed during the period 1708–1717, while Bach was court organist at the ducal court in Weimar. The remaining three, along with a short two-bar fragment, were added in 1726 or later, after Bach's appointment as cantor at the Thomasschule in Leipzig. The collection was originally planned as a set of 164 chorale preludes spanning the whole liturgical year. The chorale preludes form the first of Bach's masterpieces for organ with a mature compositional style in marked contrast to his previous compositions for the instrument. Although each of them takes a known Lutheran chorale and adds a motivic accompaniment, Bach explored a wide diversity of forms in the Orgelbüchlein. Many of the chorale preludes are short and in four parts, requiring only a single keyboard and pedal, with an unadorned cantus firmus. Others involve two keyboards and pedal: these include several canons, four ornamental four-part preludes, with elaborately decorated chorale lines, and a single chorale prelude in trio sonata form. The Orgelbüchlein has a four-fold purpose: it is a collection of organ music for church services, a treatise on composition, a religious statement, and an organ-playing manual. Short-short-short-long is the rhythm of the ultra short melodic fragment around which this chorale prelude is constructed. They are the four opening notes of an extremely cheerful New Year’s carol, which in turn is based on a sixteenth-century balletto by Gastoldi in triple time. This explains both the dance-like character of the piece and its tempo. The rhythmical motif keeps recurring on other notes in the hymn, which is why the words, too, keep almost completely to the rather breathless structure. But Bach sticks teasingly to these four opening notes, of which two are even the same note. It is only by degrees that we get to hear the whole melody, but even then the little motif keeps popping up. It is a joke that is well suited to the irrepressibly cheerful festoons that decorate the notes. It is supported in the bass by an ostinato with features reminiscent of a carillon. This, too, endorses the jubilant words – a hymn of praise to the coming of Christ. Source: Wikipedia (https://en.wikipedia.org/wiki/Orgelb%C3%BCchlein). Although originally created for Organ, I created this Interpretation of Choral Prelude (BWV 615) "In dir ist Freude" (In you is joy) for Brass Quartet (Bb Trumpet, Flugelhorn, French Horn & Tuba). Partition centrale : | Das Orgel-Büchlein (170 partitions) | | |||
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