 | Bach, Johann Sebastian - Prelude: "Christ lag in Todes Banden" for Oboe & Strings BWV 625 Hautbois, Violon, Alto, Violoncelle |
VoirPDF : Prelude: "Christ lag in Todes Banden" (BWV 625) for Oboe & Strings (2 pages - 102.26 Ko)151x⬇ MP3 : Prelude: "Christ lag in Todes Banden" (BWV 625) for Oboe & Strings 34x⬇ 339x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Hautbois, Violon, Alto, Violoncelle3 autres versions | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 02 Aoû 2016 The Orgelbüchlein ("Little Organ Book") BWV 599-644 is a collection of 46 chorale preludes for organ written by Johann Sebastian Bach. All but three of them were composed during the period 1708–1717, while Bach was court organist at the ducal court in Weimar. The remaining three, along with a short two-bar fragment, were added in 1726 or later, after Bach's appointment as cantor at the Thomasschule in Leipzig. The collection was originally planned as a set of 164 chorale preludes spanning the whole liturgical year. The chorale preludes form the first of Bach's masterpieces for organ with a mature compositional style in marked contrast to his previous compositions for the instrument. Although each of them takes a known Lutheran chorale and adds a motivic accompaniment, Bach explored a wide diversity of forms in the Orgelbüchlein. Many of the chorale preludes are short and in four parts, requiring only a single keyboard and pedal, with an unadorned cantus firmus. Others involve two keyboards and pedal: these include several canons, four ornamental four-part preludes, with elaborately decorated chorale lines, and a single chorale prelude in trio sonata form. The Orgelbüchlein has a four-fold purpose: it is a collection of organ music for church services, a treatise on composition, a religious statement, and an organ-playing manual. Here Bach has realised the ideal of the chorale prelude. The method is the most simple imaginable and at the same time the most perfect. Nowhere is the Dürer-like character of his musical style so evident as in these small chorale preludes. Simply by the precision and the characteristic quality of each line of the contrapuntal motive he expresses all that has to be said, and so makes clear the relation of the music to the text whose title it bears. Source: Wikipedia (https://en.wikipedia.org/wiki/Orgelb%C3%BCchlein). Although originally created for Organ, I created this Interpretation of Choral Prelude (BWV 625) "Christ lag in Todesbanden" (Christ lay in the bonds of death) for Oboe & Strings (Violin, Viola & Cello). Partition centrale : | Das Orgel-Büchlein (167 partitions) | | |||
