 | Bach, Johann Sebastian - Prelude: "Kyrie, Gott Vater" for Pipe Organ BWV 669 Orgue seul |
VoirPDF : Prelude: "Kyrie, Gott Vater" (BWV 669) for Pipe Organ (3 pages - 124.97 Ko)483x⬇ MP3 : Prelude: "Kyrie, Gott Vater" (BWV 669) for Pipe Organ 112x⬇ 521x
Vidéo :
![]()
| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Orgue seul16 autres versions | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 03 Sep 2016 The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his musically most complex and technically most demanding compositions for that instrument. In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such as Frescobaldi, Palestrina, Lotti and Caldara. At the same time, Bach was forward-looking, incorporating and distilling modern baroque musical forms, such as the French-style chorale. The work has the form of an Organ Mass: between its opening and closing movements—the prelude and "St Anne" fugue in E-flat, BWV 552—are 21 chorale preludes, BWV 669–689, setting parts of the Lutheran mass and catechisms, followed by four duets, BWV 802–805. The chorale preludes range from compositions for single keyboard to a six-part fugal prelude with two parts in the pedal. The purpose of the collection was fourfold: an idealized organ programme, taking as its starting point the organ recitals given by Bach himself in Leipzig; a practical translation of Lutheran doctrine into musical terms for devotional use in the church or the home; a compendium of organ music in all possible styles and idioms, both ancient and modern, and properly internationalised; and as a didactic work presenting examples of all possible forms of contrapuntal composition, going far beyond previous treatises on musical theory. BWV 669 is a chorale motet for two manuals and pedal in 4/2 time. The four lines of the cantus firmus in the phrygian mode of G are played in the top soprano part on one manual in semibreve beats. The single fugal theme of the other three parts, two in the second manual and one in the pedal, is in minim beats and based on the first two lines of the cantus firmus. The writing is in alla breve strict counterpoint, occasionally departing from the modal key to B flat and E flat major. Even when playing beneath the cantus firmus, the contrapuntal writing is quite elaborate. The many stile antico features include inversions, suspensions, strettos, use of dactyls and the canone sine pausa at the close, where the subject is developed without break in parallel thirds. Like the cantus firmus, the parts move in steps, creating an effortless smoothness in the chorale prelude. Source: Wikipedia (https://en.wikipedia.org/wiki/Clavier-%C3%9Cbung_III). I created this transcription of the Chorale Motet (BWV 669) "Kyrie, Gott Vater" (Kyrie, O God, Eternal Father) for Pipe Organ. Partition centrale : | Chorale Préludes (47 partitions) | | |||
