Free-scores.com : Bach, Johann Sebastian - "Erbarm dich mein, o herre Gott" for Oboe & Strings (Hautbois, Quatuor à cordes)

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CRITÈRES : Autres chorals et préludes, BWV 721 (91) (Bach, Johann Sebastian)

HAUTBOIS › Bach, Johann Sebastian

"Erbarm dich mein, o herre Gott" for Oboe & Strings
BWV 721
Johann Sebastian Bach
Hautbois, Quatuor à cordes

VoirPDF : "Erbarm dich mein, o herre Gott" (BWV 721) for Oboe & Strings (7 pages - 171.19 Ko)317x⬇

VoirPDF : All Parts (165.73 Ko)

VoirPDF : Violoncelle 1 (60.93 Ko)

VoirPDF : Violoncelle 2 (60.95 Ko)

VoirPDF : Hautbois (53.71 Ko)

VoirPDF : Alto 1 (59.1 Ko)

VoirPDF : Alto 2 (60.28 Ko)

VoirPDF : Conducteur complet (116.57 Ko)

MP3 : "Erbarm dich mein, o herre Gott" (BWV 721) for Oboe & Strings 48x⬇ 387x

Erbarm dich mein, o herre Gott for Oboe & Strings

MP3 (4.22 Mo) : (par MAGATAGAN, MICHAEL)3x⬇ 1x

Vidéo :

Compositeur	Bach, Johann Sebastian (1685 - 1750)
Instrumentation	Hautbois, Quatuor à cordes
Partition centrale	Autres chorals et préludes (91 partitions) 2 autres versions
Genre	Baroque
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 10 Mar 2016
It was only for fifteen years, or the first third of his active professional life, that Johann Sebastian Bach served as a church organist. As such, he was mainly expected to accompany church congregations during hymn singing, and to provide them with musical support before the singing began. This involved outlining the melody, giving the key note, and setting the tempo and the mood, both musical and spiritual. When seated before his organ manuals, Bach the musician, believer, and poet instinctiv...(+) It was only for fifteen years, or the first third of his active professional life, that Johann Sebastian Bach served as a church organist. As such, he was mainly expected to accompany church congregations during hymn singing, and to provide them with musical support before the singing began. This involved outlining the melody, giving the key note, and setting the tempo and the mood, both musical and spiritual. When seated before his organ manuals, Bach the musician, believer, and poet instinctively paraphrased the religiously-charged hymn tunes, providing a sort of theological commentary in music. This was the chorale prelude. Bach inherited the basic musical form from Johann Pachelbel, enlarged on it in the style of Georg Boehm and Diderik Buxtehude, and raised it - as he was to do with so many other musical forms - to a peerless degree of development and perfection. No absolutely accurate count of these works can be made, but there are known to exist at least 200 chorale preludes to the hymns most frequently sung in the Lutheran churches of Thuringia. The Chorale "Erbarm’ dich mein, O Herre Gott" ("Lord God Have Mercy On Me") BWV 721 occupies a unique place in the canon of Bach organ chorales. The stately melody rises from a heavy, mournful bass line in a somewhat archaic style reminiscent of Johann Kuhnau. Bach was acquainted with the affable, highly cultivated Kuhnau, a lawyer as well as an organist and composer, and eventually succeeded him at Leipzig's St. Thomas church. The piece can thus be considered as both a musical tribute to Kuhnau’s art, and a prayer for the repose of his soul. This chorale is one of Bach's most strikingly simple arrangements: Within this simplicity, however, is profundity. The setting has the affekt of a mysterious, somber procession, evoking the plea for mercy of the text (in English): Have mercy, Lord, my sin forgive; For Thy long-suffering is great! O cleanse and make me fit to live, My sore offence do thou abate With shame do I my fault confess, 'Gainst Thee alone, Lord, have I sinned. Thou art the source of righteousness, And I the sinner just condemned. Source: http://harmonicclassics.com/album/IT_HC_D_09507/ Although originally created for organ, I created this arrangement for Oboe & an unusual String Quartet (2 Violas & 2 Cellos).

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