Free-scores.com : Bach, Johann Sebastian - Lobe den Herren, der Alles so herr regieret (Trio à cordes)

CRITÈRES : Lobe den Herren, den mächtigen König der Ehren, Alto Aria from Cantata BWV 137 (8) (Bach, Johann Sebastian)

VIOLON › Bach, Johann Sebastian

Lobe den Herren, der Alles so herr regieret
Alto Aria from Cantata BWV 137
Johann Sebastian Bach
Trio à cordes

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VoirPDF : Conducteur complet (violin, Alto, Basso Continuo) (3 pages - 89.88 Ko)203x⬇

VoirPDF : Conducteur complet (Violon, Alto, Basso Continuo) (90.16 Ko)

VoirPDF : Violon (58.27 Ko)

VoirPDF : Alto (as substitute for alto soloist) (34.21 Ko)

VoirPDF : Violon and Basso Continuo (83.93 Ko)

VoirPDF : Basso Continuo (53.21 Ko)

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Compositeur	Bach, Johann Sebastian (1685 - 1750)
Instrumentation	Trio à cordes
Partition centrale	Lobe den Herren, den mächtigen König der Ehren (8 partitions) 1 autre version
Genre	Baroque
Arrangeur Editeur	Bennett, Matthew (1994 - )
Date	1725
Droit d'auteur	Copyright 2017 © Matthew Bennett
	Ajoutée par matthew-bennett, 23 Fév 2017
Lobe den Herren, der Alles so herr regieret is the second movement in the cantata Lobe den Herren, mächtigen König der Ehren. This cantata is based on a hymn by Joachim Neander published in 1680. The English translation of the hymn, Praise to the Lord, the Almighty, was published in 1863, and is still sung in many parishes today. This movement of the cantata was originally written for solo violin, a solo alto and a continuo accompaniment. The alto sings an embellished version of the hymn in 3/...(+) Lobe den Herren, der Alles so herr regieret is the second movement in the cantata Lobe den Herren, mächtigen König der Ehren. This cantata is based on a hymn by Joachim Neander published in 1680. The English translation of the hymn, Praise to the Lord, the Almighty, was published in 1863, and is still sung in many parishes today. This movement of the cantata was originally written for solo violin, a solo alto and a continuo accompaniment. The alto sings an embellished version of the hymn in 3/4 while the violin and continuo parts accompany in the time signature of 9/8. This movement was later adapted by Bach as part of his Schübler Chorales. In this arrangement, the continuo part has a figured bass. Ideally, this would be performed with solo violin, solo alto, viola da gamba (or cello) and a chamber organ playing the figured bass. However, the continuo part has been slightly modified to allow for no figured bass accompaniment. The alto soloist can also be substituted for a viola. I also have a continuo (unfigured) part written out, and available on request, for a viola if a basso continuo cannot be found.

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Trio à cordes

Baroque