Free-scores.com : Paganini, Niccolo - "Carnival of Venice" Theme & Variations for Flute & Guitar (Flûte et Guitare)

CRITÈRES : Le Carnaval de Venise, Opus 10 MS 59 (8) (Paganini, Niccolo)

FLUTE › Paganini, Niccolo

"Carnival of Venice" Theme & Variations for Flute & Guitar
Opus 10 MS 59
Niccolo Paganini
Flûte et Guitare

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Compositeur	Paganini, Niccolo (1782 - 1840)
Instrumentation	Flûte et Guitare
Partition centrale	Le Carnaval de Venise (8 partitions)
Genre	Romantique
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 22 Oct 2016
Niccolò (or Nicolò) Paganini (1782 – 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of th...(+) Niccolò (or Nicolò) Paganini (1782 – 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas, trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including "Le Streghe", "The Carnival of Venice" (this), and "Nel cor più non mi sento", were composed, or at least first performed, before his European concert tour. In 1855, Thomas Aptommas created this arrangement was created entirely for Concert (Pedal) Harp and from it, I created this interpretation for Flute and Classical Guitar.

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Flûte et Guitare

Romantique