Resonancias was commisioned for the Center of Arts Reina Sofia of Madrid (LIEM - CDMC) in 1999 and the premiere was in charge of the clarinetist Roger Heaton in the VII computing and musical electronics conference of the Centre for the contemporary music broadcasting of Madrid in the 2000's edition and performed afterwards in bass clarinet version in Barcelona and Ireland by the clarinetist Harry Sparnaay and in Italy by Marco Ignoti. This work finds its inspiration at the poem Lutum, by the cuban poet Dulce Maria Loynaz ( Cervantes award of literature in 1992). It is characterized by the contrast and difference of sonorous gestures between the clarinet and the tape, findind on the poetic content the settlement and dialogue between two instruments. The tape recreates and reproduces phonemes, vowels, consonants and words that, through an spectral analysis, alowed me to stablish an harmonious field for the melodic and harmonic sequences of the clarinet.
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