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Symphonie Nr. 4 e-moll op. 98


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Format : Study Score / Miniature

(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra. Breitkopf Full Scores. Parts, Urtext. 104 pages

Instrumentation :

Orchestra


Publisher :

Breitkopf & Härtel

ISBN 979-0-004-20127-5. 6.5 x 9 in inches. Johannes Brahms wrote his Fourth Symphony in 1884/85. The work was given its first performance in Meiningen on 25 October 1885 under the direction of the composer. The first edition (score and parts) was published by N. Simrock (Berlin) in the following year. The present edition is based on the Complete Edition Johannes Brahms - Samtliche Werke of the Gesellschaft der Musikfreunde in Vienna which was published by Breitkopf and Hartel. proficiency. NEW! Free MP3 files of all pieces. Piano duets, get ready! Here comes Michael Proksch's A Spaniard for Elise, a collection of twelve exquisite pieces that are an irresistible treat for lovers of four-hand playing. The Spaniard offers something for every level of proficiency. You'll feel blissful In Seventh Heaven and full of joie de vivre on Paris's Pont-Neuf in Seine Scene. You can join Erik Satie, Surprised by the Fresh Country Air and engage in a temperamental dialogue of styles in A Spaniard for Elise. Enhancing the pedagogical value of this singular collection are comments on how to play the pieces, as well as a CD which can not only be listened to and enjoyed, but also used as a play-along version, as it carries individual tracks for the primo and secondo parts To music and notes sample No. 5 High Spirits Primo: Staccati with a dynamic, forward drive produced with a nimbly reacting wrist and calm arm. Strongly accentuate the first note at legato slurs. The appoggiaturas can be initially left out. mm. 1-8: Right hand plays alone; mm. 9-16 divided between l.h. and r.h. Secondo: four-measure-long accompaniment pattern (can also be used as a basis for original melodies!). The fourth beats are stressed through slurred eighths. Cover design by Doris Jausly, illustrations by Dorothea Lindenberg

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