SKU: KU.GM-569
SKU: HL.48183937
UPC: 888680853495. 9.0x12.0x0.191 inches.
Michel Merlet: Variations Op.32 (Saxophones 4).
SKU: HL.48183936
For SATBar saxophones.
SKU: RM.SL10608
ISBN 9790231096088.
SKU: HL.48182646
UPC: 888680834708. 9.0x12.25x0.291 inches.
Pierre Max Dubois: Variations (Saxophones 4).
SKU: BT.AMP-392-010
English-German-French-Dutch.
The work opens with a stern fanfare in bare fifths, which leads to a cantabile theme introduced by alto saxophone. This builds to a climax and reintroduces the fanfare, which slowly evolves into the subsequent vivo. A perky tune emerges on flute, saxophone and trumpet, which, after a short bridge passage, leads to a contrasting melody on low clarinets and saxophones. After some development a true ‘second subject’ appears for the whole band. A recapitulation leads briefly back to the opening fanfare before the vivo returns to close the work in celebratory mood.Het werk begint met een sobere fanfare in open kwinten, gevolgd door een zangerig thema dat wordt ge ntroduceerd door de altsaxofoon. Dit thema groeit uit tot een climax en leidt opnieuw de fanfare in, die zich langzaam ontwikkelt tot het daaropvolgende vivo. Er verschijnt een opgewekte melodie in de fluit, saxofoon en trompet, die na een korte overgangspassage uitmondt in een contrasterende melodie in de lage klarinetten en saxofoons. Na een verdere uitwerking openbaart zich een tweede thema voor het complete orkest. Een herneming voert ons even weer mee naar de openingsfanfare, voordat het vivo terugkeert en het werk in feestelijke stemming afsluit.Nach einer ernsten Fanfare in bloßen Quinten, die zu einem Thema in cantabile im Altsaxophon führt, taucht eine kecke Melodie in Flöte, Saxophon und Trompete auf, die nach einer kurzen Überleitung zu einer kontrastierenden Melodie in den tiefen Klarinetten und Saxophonen wird. Ein zweites Thema“ spielt das gesamte Blasorchester. Bevor ein Vivo aus dem Anfangsteil Southend Celebration beendet, werden längst alle Musiker und Zuhörer von der festlichen Stimmung, die es verbreitet, infiziert sein!L’œuvre s’ouvre avec une fanfare de nature sérieuse en quintes qui mène un thème cantabile introduit par les saxophones alto. La musique s’amplifie pour atteindre un certain climax et réintroduire la fanfare, qui évolue progressivement vers un vivo. Fl tes, saxophones et trompettes introduisent un air guilleret qui, après un court passage de transition, aboutit une mélodie contrastée dans le registre grave des clarinettes et saxophones. Après un développement, un véritable second sujet apparaît pour l’orchestre entier. Une récapitulation mène une brève réapparition de la fanfare d’ouverture avant le retour du vivo, qui achève la pièce dans une ambiance de fête.Il lavoro si apre con un’austera fanfara con quinte vuote, che porta a un tema cantabile introdotto da un saxofono contralto. Si arriva a un culmine e si introduce nuovamente la fanfara, che lentamente evolve nel ‘vivo’ successivo. Un tema vivace emerge dal flauto, dal sassofono e dalla tromba, e dopo un breve passaggio di transizione, porta a una melodia contrastante, dei clarinetti bassi e dei sassofoni. Dopo qualche sviluppo un vero ‘secondo soggetto’ sorge dall’intera banda. Una ripresa porta brevemente indietro alla fanfara, prima che il ‘vivo’ ritorni per chiudere il lavoro in modo celebrativo.
SKU: BT.AMP-392-140
SKU: BT.DHP-1094663-070
ISBN 9789043131469. 9x12 inches. English-German-French-Dutch.
Sopranino SaxophoneSoprano Saxophone 1, 2 & 3Alto Saxophone 1, 2 & 3Tenor Saxophone 1, 2 & 3Baritone Saxophone 1, 2 & 3Bass SaxophoneDouble BassHarpOrganTimpaniCymbalsGlockenspiel, Tubular Bells.
SKU: FL.FX073153
Instruments:Saxophone Ensemble: Soprano Saxophone (1 part) Alto Saxophones 1 (2 parts) Alto Saxophones 2 (2 parts) Tenor Saxophones (2 parts) Baritone Saxophone 1 (1 part) Baritone Saxophone 2 (1 part); Difficuly Level: Grade 3.
SKU: BT.DHP-1125354-070
9x12 inches.
The Austrian composer Franz Schubert wrote his famous song The Trout (D550) in 1817. This song reappeared as the basis of a set of variations for the fourth movement of the renowned Trout Quintet, so-named as a reference to the title of the song. Robert van Beringen used the lively theme for The Trout Fantasy, which he has written for five-part saxophone ensemble. In 1817 schreef de Oostenrijkse componist Franz Schubert het bekende lied Die Forelle (opus 32). Hij hergebruikte het in 1819 voor het vierde deel van zijn beroemde Forellenkwintet, waarvan de titel op het lied is gebaseerd. Robert van Beringen gebruikte het levendige thema voor The Trout Fantasy, , een stuk voor vijfstemmig saxofoonensemble. Im Jahre 1817 schrieb der österreichische Komponist Franz Schubert das bekannte Lied Die Forelle (opus 332). 1819 verwendete er dieses Lied erneut im vierten Satz seines berühmten Forellenquintetts, dessen Name auf den Titel des Liedes zurückgeht. Robert van Beringen verwendete das lebhafte Thema für The Trout Fantasy (Forellen-Fantasie), die er für ein fünfstimmiges Saxophonensemble schrieb. Le compositeur autrichien Franz Schubert a écrit sa célèbre mélodie Die Forelle D 550 (La Truite) en 1817. Ce lied est cependant pleinement mis en évidence dans les variations du quatrième mouvement extrait du Quintette de la Truite, ainsi nommé en référence au titre initial. Robert van Beringen a repris ce thème pétillant dans un arrangement, The Trout Fantasy , écrit pour quintette de saxophones.
SKU: FL.FX072670
Instruments: 1 Soprano Saxophone 2 Alto Saxophones 1 Tenor Saxophone 1 Baritone SaxophoneAddtionnal Parts: 1 Alto Saxophone cue Soprano Saxophone; Difficuly Level: Grade 3.
SKU: FL.FX072391
Instruments: 1 Soprano Saxophone 2 Alto Saxophones 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 4.
SKU: CF.YPS223
ISBN 9781491156643. UPC: 680160915187. 9 x 12 inches.
Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson's vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic (To be used if band alone) Large Chorus (1 dynamic lower) Small Chorus (2 dynamics lower) mf f ff mp mf f p mp mf Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.) Option 1 (Woodwind Sextet) Flute (Oboe) Clarinet 1 Clarinet 2 Alto Saxophone Tenor Saxophone (Bassoon) Baritone Saxophone (Bass Clarinet) Option 2 (Brass Quintet) Trumpet 1 Trumpet 2 Horn Trombone (Baritone) Tuba (Baritone Saxophone) A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson’s vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic(To be used if band alone)Large Chorus(1 dynamic lower)Small Chorus(2 dynamics lower)mffffmpmff pmpmf Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.)Option 1 (Woodwind Sextet)Flute (Oboe)Clarinet 1Clarinet 2Alto SaxophoneTenor Saxophone (Bassoon)Baritone Saxophone (Bass Clarinet)Option 2 (Brass Quintet)Trumpet 1Trumpet 2HornTrombone (Baritone)Tuba (Baritone Saxophone)A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.
SKU: FL.FX073413
Instruments: 2 Soprano Saxophones 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone SaxophoneAddtionnal Parts: 1 Alto Saxophone cue Soprano Saxophone 2; Difficuly Level: Grade 4.
SKU: CF.YPS223F
ISBN 9781491156650. UPC: 680160915194. 9 x 12 inches.
Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson's vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic (To be used if band alone) Large Chorus (1 dynamic lower) Small Chorus (2 dynamics lower) F f ff P F f p P F Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.) Option 1 (Woodwind Sextet) Flute (Oboe) Clarinet 1 Clarinet 2 Alto Saxophone Tenor Saxophone (Bassoon) Baritone Saxophone (Bass Clarinet) Option 2 (Brass Quintet) Trumpet 1 Trumpet 2 Horn Trombone (Baritone) Tuba (Baritone Saxophone) A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson’s vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic(To be used if band alone)Large Chorus(1 dynamic lower)Small Chorus(2 dynamics lower)FfffPFf pPF Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.)Option 1 (Woodwind Sextet)Flute (Oboe)Clarinet 1Clarinet 2Alto SaxophoneTenor Saxophone (Bassoon)Baritone Saxophone (Bass Clarinet)Option 2 (Brass Quintet)Trumpet 1Trumpet 2HornTrombone (Baritone)Tuba (Baritone Saxophone)A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.
SKU: PR.11441924S
UPC: 680160684779. 9 x 12 inches.
This three-movement work for saxophone quintet was created for premiere at the 18th World Saxophone Congress held in July 2018 in Zagreb, Croatia. The suite is adapted from Chen Yi's Woodwind Quintet No. 3 (2008), which was originally a four-movement piano duet (2007) and a symphonic wind ensemble work (2007). The authentic folk music from China West amazed and inspired Chen Yi in the creation of this work, which includes folk music elements drawn from the folk songs Du Mu and Amaliehuo of the Zang People; Ashima of the Yi People; as well as Dou Duo and the Lusheng ensemble music of the Miao People. It is scored for soprano, alto, tenor, baritone, and bass saxophones with possible multiple players for all parts.This three-movement work is adapted from my Woodwind Quintet No. 3 (2008), which was originally a four-movement piano duet (2007) and a symphonic wind ensemble work (2007), arranged here for a saxophone ensemble, for premiere at the 18th World Saxophone Congress held in July 2018 in Zagreb, Croatia. The authentic folk music from China West has amazed and inspired me in the creation of this work, which has the folk music elements drawn from the folk songs Du Mu and Amaliehuo of the Zang People; Ashima of the Yi People; as well as Dou Duo and the Lusheng ensemble music of the Miao People. It’s written for soprano, alto, tenor, baritone, and bass saxophones with possible multiple players for all parts.
SKU: PR.114419240
UPC: 680160684762. 9 x 12 inches.
This three-movement work is adapted from my Woodwind Quintet No. 3 (2008), which was originally a four-movement piano duet (2007) and a symphonic wind ensemble work (2007), arranged here for a saxophone ensemble, for premiere at the 18th World Saxophone Congress held in July 2018 in Zagreb, Croatia. The authentic folk music from China West has amazed and inspired me in the creation of this work, which has the folk music elements drawn from the folk songs Du Mu and Amaliehuo of the Zang People; Ashima of the Yi People; as well as Dou Duo and the Lusheng ensemble music of the Miao People. It's written for soprano, alto, tenor, baritone, and bass saxophones with possible multiple players for all parts.This three-movement work is adapted from my Woodwind Quintet No. 3 (2008), which was originally a four-movement piano duet (2007) and a symphonic wind ensemble work (2007), arranged here for a saxophone ensemble, for premiere at the 18th World Saxophone Congress held in July 2018 in Zagreb, Croatia. The authentic folk music from China West has amazed and inspired me in the creation of this work, which has the folk music elements drawn from the folk songs Du Mu and Amaliehuo of the Zang People; Ashima of the Yi People; as well as Dou Duo and the Lusheng ensemble music of the Miao People. It’s written for soprano, alto, tenor, baritone, and bass saxophones with possible multiple players for all parts.
SKU: PR.114417130
ISBN 9781491110409. UPC: 680160626687. 9x12 inches.
A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspired by the ancient Chinese poet Li Bai's poem Drinking Alone under the Moon with the Shadow. The premiere was given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned the work to celebrate its 25th Anniversary NYC Season. From the Program Note by Matthew Levy (The PRISM Quartet), Not Alone (2014) is an interdisciplinary work...but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspective solos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alone for a 2017 release on XAS Records titled Paradigm Lost. But we're excited for a wider community of saxophonists to embrace the work, and share it with their own audiences. Not Alone is published together with Happy Birthday to PRISM, a brief miniature that Chen Yi wrote for the quartet's 20th anniversary celebration in 2004. For advanced performers._________________________Text from the scanned back cover:NOT ALONE for Saxophone QuartetHAPPY BIRTHDAY TO PRISM for Saxophone QuartetNot Alone is a 14-minute saxophone quartet and dance score inspired by the ancient Chinese poet Li Bai’s “Drinking Alone under the Moon with the Shadow.” The expansively-textured sax quartet matches the exploratory and dramatic movements and gestures in the dance. NOT ALONE was commissioned by the Nai-Ni Chen Dance Company which premiered the work in collaboration with the PRISM Quartet. Also included in this publication is Chen Yi’s fascinating take on “Happy Birthday to You,” composed in celebration of Prism’s 25th anniversary season.A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspiredby the ancient Chinese poet Li Bai’s poem “Drinking Alone under the Moon with the Shadow.” The premierewas given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned thework to celebrate its 25th Anniversary NYC Season. Program Note by composer Chen YiThe original inspiration for this work for both the choreographer and the composer came from the Tang Dynasty poem - Alone Under the Moon by Li Bai. The poem describes the poet being alone in a garden. The moon and his shadow became his companions that night. The choreographer brings this idea to modern life in an urban setting. She created a series of “mindscapes” which are the result of the exploration of the different mental and physical states of being alone.Through self-examination, the choreographer raises the question: are we ever really alone? Our physical being may be standing by itself, but what about our introspective self? When we are still, we let our thoughts pass by like flowing water. If we could engage with our shadows, what would it be like?Program Note by Matthew Levy, The PRISM QuartetThe PRISM Quartet has commissioned a great many composers since our founding days in 1984. Chen Yi is among ahandful of our very favorites, and one to whom we’ve returned time and time again. Her music is powerful, expansive,intimate, and draws connections between Eastern and Western, ancient and modern traditions in a voice all her own.Chen Yi has written or adapted four works for the PRISM Quartet. She penned a wonderful miniature called HappyBirth day to PRISM to celebrate the ensemble’s 20th anniversary back in 2004 (Dedication, Innova Recordings).We subsequently commissioned her to compose Septet (2008) for Erhu, Pipa, Percussion, and Saxophone Quartet(2008), premiered and recorded with the New York ensemble Music From China (Antiphony, Innova Recordings 2010).In 2015, the PRISM Quartet performed and recorded (XAS Records) a new version of her saxophone quartet concerto,BA YIN, with the University of Missouri-Kansas City Wind Ensemble under the baton of Steven Davis (originally writtenfor the Rascher Quartet and scored for saxophones and string orchestra.).Finally, Not Alone (2014) is an interdisciplinary work written for the Nai-Ni Chen Dance Company with the PRISMQuartet, but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspectivesolos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alonefor a 2017 release on XAS Records titled Paradigm Lost. But we’re excited for a wider community of saxophonists toembrace the work, and share it with their own audiences.In his liner notes for the recording, WNYC’s John Schaefer writes: “As with much of her music, Chen employs percussiveeffects and glissandi; in Chinese music these are not considered “extended techniques” or special effects, but animportant part of the performer’s arsenal. Here, they help create the twilit mood of the opening moments. The piecesoon becomes more dramatic, suggesting the arrival of the drinker’s companions (real or imagined) and his or herincreasingly garrulous outbursts. Passages of consonance and discord can easily be heard as companionable singingand bouts of drunken argument. The piece bustles along on a kind of restless energy, until, finally, that restlessnesssubsides, giving way to a gently humorous ending where a short falling phrase signals the drinker falling asleep.”.
SKU: BT.DHP-1145403-010
The Clarinet Concerto is the highpoint of Satoshi Yagisawa’s ‘Concerto Series’, which also includes Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto and Saxophone Concertino, as well asConcertino for Solo Percussion and Wind Orchestra. Yagisawa’s characteristic theme in the second movement enjoys great popularity and is therefore often performed separately as Intermezzo.Het Clarinet Concerto vormt het hoogtepunt van Satoshi Yagisawa’s Concerto Series, waar ook zijn Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino enConcertino for Solo Percussion and Wind Orchestra deel van uitmaken. Met name Yagisawa’s karakteristieke thema uit het tweede deel is populair. Daarom wordt dat vaak als afzonderlijk stuk uitgevoerd, onder de titelDas Clarinet Concerto bildet den Höhepunkt der Concerto-Reihe“ von Satoshi Yagisawa, zu welcher außerdem folgende seiner Werke zählen: Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto, SaxophoneConcertino sowie das Concertino for Solo Percussion and Wind Orchestra. Yagisawas charakteristisches Thema im zweiten Satz erfreut sich besonderer Beliebtheit und wird daher als Intermezzo oft einzeln aufgeführt.Cette composition représente l’apogée de la série de concertos de Satoshi Yagisawa, qui comprend aussi une Suite concertante pour piano et orchestre, un Concerto pour trompette, un Concerto pour trombone, un Concertino poursaxophone et un Concertino pour percussion solo et orchestre d’harmonie. En raison de sa grande popularité, le thème émouvant du deuxième mouvement, qui est intitulé Intermezzo, est souvent interprété indépendamment.Il Clarinet Concerto fa parte della Concert Series“ di Satoshi Yagisawa, che include le seguenti opere: Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino e anche Concertino forSolo Percussion and Wind Orchestra. Il tema caratteristico di Yagisawa nel secondo movimento gode di una popolarit speciale e viene quindi spesso eseguito da solo come intermezzo.
SKU: FL.FX073381
A piece furiously funky. You'll dance playing it!This piece can be played by 4 saxophonists: SATB ; Instruments: 1 Soprano Saxophone 2 Alto Saxophones 2 Tenor Saxophones 1 Baritone Saxophone 1 Ethnic Percussion (optional); Difficuly Level: Grade 5.
SKU: FL.FX074454
Instruments: 1 Soprano Saxophone 2 Alto Saxophones 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 3; Duration: 2 mn 55; Musical Style: Classical; Category: Arrangement; Composer: Jeremiah CLARKE; Arranger: Eric VIRETON.
SKU: FL.FX073127
Instruments: 1 Soprano Saxophone 2 Alto Saxophones 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 3.
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