SKU: FL.FX073193
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 3; Duration: 2 mn 10 s; Musical Style: Classical; Category: Arrangement; Composer: Georg Friedrich HAENDEL; Arranger: Benoit BARRAIL.
SKU: FL.FX074447
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 4; Duration: 1 mn 15; Musical Style: Classical; Category: Arrangement; Composer: Henry PURCELL; Arranger: Eric VIRETON.
SKU: FL.FX073855
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 3.
SKU: MA.EMR-50363
Possible instrumentations:Tenor Saxophone, Baritone Saxophone & CD Play Back / Play AlongTenor Saxophone, Baritone Saxophone & Organ (+ CD Play Back / Play Along optional)Tenor Saxophone, Baritone Saxophone & Piano (+ CD Play Back / Play Along optional).
SKU: FL.FX071822
A piece that puts into relief the 4 trumpetists and that includes as well a tenor saxophone chorus. ; Instruments: 1 Bb Trumpet 1 (1 Part) 1 Bb Trumpet 2 (1 Part) 1 Bb Trumpet 3 (1 Part) 1 Bb Trumpet 4 (1 Part) 1 Trombone 1 (1 Part) 1 Trombone 2 (1 Part) 1 Trombone 3 (1 Part) 1 Bass Trombone (1 Part) 1 Alto Saxophone 1 (1 Part) 1 Alto Saxophone 2 (1 Part) 1 Tenor Saxophone 1 (1 Part) 1 Tenor Saxophone 2 (1 Part) 1 Baritone Saxophone (1 Part) 1 Piano (1 Part) 1 Guitar (1 Part) 1 Double Bass (1 Part) 1 Drums (1 Part); Difficuly Level: Grade 4.
SKU: FL.FX073849
SKU: FL.FX073188
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 3; Duration: 3 mn 00 s; Musical Style: Classical; Category: Arrangement; Composer: Georg Friedrich HAENDEL; Arranger: Benoit BARRAIL.
SKU: CZ.9798357964915
ISBN 9798357964915.
Get into the swing of the holiday season with Christmas Jazz Sax Sheet Music. This collection brings together beloved Christmas melodies and timeless jazz-inspired arrangements, perfect for saxophone players of all skill levels.Inside this sheet music book, you'll find a treasure trove of Christmas classics transformed into jazz-infused solos for saxophone. The beauty of these arrangements lies in their approachability – the melody lines for sax are crafted to be fairly easy to play, making them accessible to beginners and intermediate players. However, don't be fooled by their simplicity. The real magic happens when these straightforward melodies intertwine with the sophisticated jazz harmonies in the piano accompaniments.Accompanying the saxophone solos are vibrant and exciting piano arrangements. These jazz-inspired accompaniments elevate the overall performance, infusing it with a maturity not usually experienced by beginning sax players. The rich harmonies, syncopated rhythms, and tasteful improvisation opportunities create a dynamic interplay between the sax and piano, giving your holiday performance a touch of sophistication and style.Among the timeless tunes included in this collection are Angels from the Realms of Glory, God Rest Ye Merry Gentlemen, O Holy Night, Jingle Bells, and Silent Night. But that's just the beginning! With over forty holiday classics to choose from, you'll have a wealth of material to explore and showcase your saxophone skills.Whether you're a jazz enthusiast looking to spice up your holiday repertoire or a saxophone player eager to explore new musical horizons, Christmas Jazz Sax Sheet Music is the perfect companion. Embrace the holiday spirit with the magic of jazz, and let your saxophone soar with the joy and warmth of the season. The combination of accessible melodies and sophisticated harmonies will help you develop your skills while delighting your audience with a performance that goes beyond expectations.Don't miss out on this enchanting collection. Grab your saxophone, gather around the piano, and immerse yourself in the world of Christmas Jazz Sax Sheet Music. Let the music bring the holiday cheer to life, and experience the joy of playing saxophone with a mature and sophisticated twist. Create unforgettable memories as you explore the unique blend of simplicity and elegance in these jazz-infused holiday solos.
SKU: FL.FX073189
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 3; Duration: 3 mn 10 s; Musical Style: Classical; Category: Arrangement; Composer: Georg Friedrich HAENDEL; Arranger: Benoit BARRAIL.
SKU: FL.FX074435
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 2; Duration: 1 mn 05; Musical Style: Classical; Category: Arrangement; Composer: Henry PURCELL; Arranger: Eric VIRETON.
SKU: CF.BE10F
ISBN 9780825891175. UPC: 798408091170. 8.5 x 11 inches. Key: G major.
Commissioned by the Princeton-Columbia Electronic Music Center for Speculum Musicae in 1981. The first movement, In Preparation, is a study in tuning and intonation and is based on the open strings in perfectly tuned fifths, with the violins D string tuned 294 hertz. The first moments of the piece provide opportunity to tune to the tape part. (This tuning probably differs imperceptibly from a tempered tuning since the E string of the violin is only 1/33 of a semitone sharper then in a tempered system and the C strings of the viola and cello 1/33 of a semitone flatter.) Most subsequent pitches in the movement are either the open strings or major and minor thirds above and below the open strings. The minor thirds will be slightly sharp with respect to equal tempered tuning about 15 cents or 1/6 of a semitone and the major thirds will be slightly flat about 14 cents, or one seventh of a semitone. Listen to the tape part as a guide. All harmonics in this movement are to be played as natural harmonics and open strings are to be used whenever possible. In the second movement, At a Distance, the tape part largely doubles selected pitches in the string parts and should be thought of as a backdrop rather then counterpart. In this and the remaining movements equal tempered tuning is used though it will probably not be necessary to retune the instruments for this reason alone. The third movement, In Practice, is a study in modes of performance particularly with respect to rhythmic rigidity and flexibility. While the tape part may seem to bend and sway a great deal, the string parts are to be played with as much rhythmic precision as possible. At many points it may be necessary to delay or anticipate beats in order to coincide with the arrival of beats in the tape part, though in general the quarter equals 120 is accurate. In the fourth movement, In Distinction, different kinds of musical conceptions are counter-pointed and counter-posed. Here the beat is quite accurate although the notation of the synthetic saxophone part is only approximate. All the tape parts are based on computer reprocessed violin except for parts of the fourth movement in which synthetic saxophone is used. The tape part was synthesized on the IBM 3033 and 3081 computers at Princeton University and converted at the Winham Laboratory. The violin source was performed by Cyrus Stevens.Commissioned by the Princeton-Columbia Electronic Music Center for Speculum Musicae in 1981. The first movement, In Preparation, is a study in tuning and intonation and is based on the open strings in perfectly tuned fifths, with the violinas D string tuned 294 hertz. The first moments of the piece provide opportunity to tune to the tape part. (This tuning probably differs imperceptibly from a tempered tuning since the E string of the violin is only 1/33 of a semitone sharper then in a tempered system and the C strings of the viola and acello 1/33 of a semitone flatter.) Most subsequent pitches in the movement are either the open strings or major and minor thirds above and below the open strings. The minor thirds will be slightly sharp with respect to equal tempered tuning about 15 cents or 1/6 of a semitone and the major thirds will be slightly flat about 14 cents, or one seventh of a semitone. Listen to the tape part as a guide. All harmonics in this movement are to be played as natural harmonics and open strings are to be used whenever possible. In the second movement, At a Distance, the tape part largely doubles selected pitches in the string parts and should be thought of as a backdrop rather then counterpart. In this and the remaining movements equal tempered tuning is used though it will probably not be necessary to retune the instruments for this reason alone. The third movement, In Practice, is a study in modes of performance particularly with respect to rhythmic rigidity and flexibility. While the tape part may seem to bend and sway a great deal, the string parts are to be played with as much rhythmic precision as possible. At many points it may be necessary to delay or anticipate beats in order to coincide with the arrival of beats in the tape part, though in general the quarter equals 120 is accurate. In the fourth movement, In Distinction, different kinds of musical conceptions are counter-pointed and counter-posed. Here the beat is quite accurate although the notation of the synthetic saxophone part is only approximate. All the tape parts are based on computer reprocessed violin except for parts of the fourth movement in which synthetic saxophone is used. The tape part was synthesized on the IBM 3033 and 3081 computers at Princeton University and converted at the Winham Laboratory. The violin source was performed by Cyrus Stevens.Commissioned by the Princeton-Columbia Electronic Music Center for Speculum Musicae in 1981. The first movement, In Preparation, is a study in tuning and intonation and is based on the open strings in perfectly tuned fifths, with the violin's D string tuned 294 hertz. The first moments of the piece provide opportunity to tune to the tape part. (This tuning probably differs imperceptibly from a tempered tuning since the E string of the violin is only 1/33 of a semitone sharper then in a tempered system and the C strings of the viola and 'cello 1/33 of a semitone flatter.) Most subsequent pitches in the movement are either the open strings or major and minor thirds above and below the open strings. The minor thirds will be slightly sharp with respect to equal tempered tuning about 15 cents or 1/6 of a semitone and the major thirds will be slightly flat about 14 cents, or one seventh of a semitone. Listen to the tape part as a guide. All harmonics in this movement are to be played as natural harmonics and open strings are to be used whenever possible. In the second movement, At a Distance, the tape part largely doubles selected pitches in the string parts and should be thought of as a backdrop rather then counterpart. In this and the remaining movements equal tempered tuning is used though it will probably not be necessary to retune the instruments for this reason alone. The third movement, In Practice, is a study in modes of performance particularly with respect to rhythmic rigidity and flexibility. While the tape part may seem to bend and sway a great deal, the string parts are to be played with as much rhythmic precision as possible. At many points it may be necessary to delay or anticipate beats in order to coincide with the arrival of beats in the tape part, though in general the quarter equals 120 is accurate. In the fourth movement, In Distinction, different kinds of musical conceptions are counter-pointed and counter-posed. Here the beat is quite accurate although the notation of the synthetic saxophone part is only approximate. All the tape parts are based on computer reprocessed violin except for parts of the fourth movement in which synthetic saxophone is used. The tape part was synthesized on the IBM 3033 and 3081 computers at Princeton University and converted at the Winham Laboratory. The violin source was performed by Cyrus Stevens.Commissioned by the Princeton-Columbia Electronic Music Center for SpeculumMusicae in 1981.The first movement, In Preparation, is a study in tuning and intonation and isbased on the open strings in perfectly tuned fifths, with the violin’s D stringtuned 294 hertz. The first moments of the piece provide opportunity to tuneto the tape part. (This tuning probably differs imperceptibly from a temperedtuning since the E string of the violin is only 1/33 of a semitone sharper then ina tempered system and the C strings of the viola and ‘cello 1/33 of a semitoneflatter.) Most subsequent pitches in the movement are either the open stringsor major and minor thirds above and below the open strings. The minor thirdswill be slightly sharp with respect to equal tempered tuning about 15 cents or1/6 of a semitone and the major thirds will be slightly flat about 14 cents, or oneseventh of a semitone. Listen to the tape part as a guide. All harmonics in thismovement are to be played as natural harmonics and open strings are to be usedwhenever possible.In the second movement, At a Distance, the tape part largely doubles selectedpitches in the string parts and should be thought of as a backdrop rather thencounterpart. In this and the remaining movements equal tempered tuning is usedthough it will probably not be necessary to retune the instruments for this reasonalone.The third movement, In Practice, is a study in modes of performance particularlywith respect to rhythmic rigidity and flexibility. While the tape part may seemto bend and sway a great deal, the string parts are to be played with as muchrhythmic precision as possible. At many points it may be necessary to delay oranticipate beats in order to coincide with the arrival of beats in the tape part,though in general the quarter equals 120 is accurate.In the fourth movement, In Distinction, different kinds of musical conceptions arecounter-pointed and counter-posed. Here the beat is quite accurate although thenotation of the synthetic saxophone part is only approximate.All the tape parts are based on computer reprocessed violin except for parts ofthe fourth movement in which synthetic saxophone is used. The tape part wassynthesized on the IBM 3033 and 3081 computers at Princeton University andconverted at the Winham Laboratory. The violin source was performed by CyrusStevens.
SKU: FL.FX073190
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 3; Duration: 1 mn 55 s; Musical Style: Classical; Category: Arrangement; Composer: Georg Friedrich HAENDEL; Arranger: Benoit BARRAIL.
SKU: FL.FX073873
SKU: FL.FX072984
SKU: MA.EMR-47062C
Possible instrumentations:Tenor Saxophone, Baritone Saxophone & CD Playback (Play Along)Tenor Saxophone, Baritone Saxophone & CD Playback (Play Along).
SKU: MA.EMR-50362
Possible instrumentations:Alto Saxophone, Tenor Saxophone & CD Play Back / Play AlongAlto Saxophone, Tenor Saxophone & Organ (+ CD Play Back / Play Along optional)Alto Saxophone, Tenor Saxophone & Piano (+ CD Play Back / Play Along optional).
SKU: FL.FX074443
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 4; Duration: 1 mn 30; Musical Style: Classical; Category: Arrangement; Composer: Henry PURCELL; Arranger: Eric VIRETON.
SKU: FL.FX073187
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 3; Duration: 1 mn 30 s; Musical Style: Classical; Category: Arrangement; Composer: Georg Friedrich HAENDEL; Arranger: Benoit BARRAIL.
SKU: FL.FX073624
SKU: FL.FX073861
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 2.
SKU: FL.FX073571
SKU: FL.FX071482
A piece with a soprano saxophone chorus and a fluegelhorn chorus. ; Instruments: 1 Bb Trumpet 1 (1 Part) 1 Bb Trumpet 2 (1 Part) 1 Bb Trumpet 3 (1 Part) 1 Bb Trumpet 4 (1 Part) 1 Trombone 1 (1 Part) 1 Trombone 2 (1 Part) 1 Trombone 3 (1 Part) 1 Bass Trombone (1 Part) 1 Soprano Saxophone (1 Part) 1 Alto Saxophone (1 Part) 1 Tenor Saxophone 1 (1 Part) 1 Tenor Saxophone 2 (1 Part) 1 Baritone Saxophone (1 Part) 1 Piano (1 Part) 1 Guitar (1 Part) 1 Double Bass (1 Part) 1 Drums (1 Part); Difficuly Level: Grade 4.
SKU: FL.FX073642
SKU: FL.FX073396
Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 3; Duration: 3 mn 05; Musical Style: Classical; Category: Arrangement; Composer: TRADITIONNEL; Arranger: Pascal SAINT-LEGER.
SKU: MA.EMR-47022C
Possible instrumentations:Alto Saxophone, Tenor Saxophone & CD Playback (Play Along)Alto Saxophone, Tenor Saxophone & CD Playback (Play Along).
SKU: FL.FX073618
SKU: MA.EMR-47061C
SKU: FL.FX073636
SKU: FL.FX073630
SKU: FL.FX072972
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