ORCHESTRA - BANDDaixant, Christian
ÉLYSE
Daixant, Christian - ELYSE
Orchestra
ViewPDF : ÉLYSE (8 pages - 215.5 Ko)732x
MP3 (215.5 Ko)192x 1,464x
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Composer :
Christian Daixant
Daixant, Christian (1956 - )
Instrumentation :

Orchestra

Style :

Pop

Arranger :
Publisher :Daixant, Christian
Lyricist :Christian Daixant
Langage :French
Date :1980
Copyright :Creative Commons Licence
Other title :ELIJA, WÄHLT, ИЗБР&# 1040;Л
Added by christian-daixant, 12 Jul 2010
Donate to Daixant, Christian

ELYSE

In silence and in neglect
At night wait in the daytime
In din and in noise
Life passed of love
Where you are love of time formerly
On the dune in the sun
For a gold kiss I love you
For a given kiss I love you

Élyse does not know
Élyse knows nothing
But Élyse it's all one to me love
But Élyse it is everything a life

I think only of your happiness
However far you are
That bells ring
Either that sound the hour
One evening you will come back to me
The moon sends its light
Above our suburbs
And my soul agitates wings
Only to see again your eyes

Élyse does not know
Élyse knows nothing
But Élyse it's all one to me love
But Élyse it is everything a life

A candle is on the chevêt
And his flame is burning
The embers in the chimney
Enliven the fire of my thoughts
So the petals of roses
Are only temporary
You would know the instant of a pose
Hear the bottom of my request

Élyse does not know
Élyse knows nothing
But Élyse it's all one to me love
But Élyse it is everything a life

Words and Music of Christian Daixant
Arrangements of Thierry Durbet
Interpreted by Christian Daixant
ã1980. Christian Daixant © All rights reserved
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This sheet music have been downloaded 732 times since the 2010-07-12
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By guy-bergeron , at 00:00
guy-bergeron

Il y a des choses super bien écrites dans ce score. Mais veuillez noter qu'un accord de Em6/C revient à être Cm7(b5), c'est plus logique et plus simple. Les partitions de voix, synth, basse et batterie sont bien écrites. Mais la partie de guitare contient des accords injouables, exemple : la sixième mesure après la boite 2. Vous devriez plutôt écrire le nom des accords et le rythme et laisser le guitariste choisir ses positions d'accords. Les parties séparées seraient les bienvenues. Bravo!

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