HORNBach, Johann Sebastian
Aria: "Jesus soll mein alles sein" for Horns & Harp
Bach, Johann Sebastian - Aria: "Jesus soll mein alles sein" for Horns & Harp
BWV 190 No 5
Horn and harp
ViewPDF : Aria: "Jesus soll mein alles sein" (BWV 190 No 5) for Horns & Harp (4 pages - 103.86 Ko)399x
MP3 (103.86 Ko)114x 489x
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Composer :
Johann Sebastian Bach
Bach, Johann Sebastian (1685 - 1750)
Instrumentation :

Horn and harp

Style :

Baroque

Arranger :
MAGATAGAN, MICHAEL (1960 - )
Publisher :MAGATAGAN, MICHAEL
Copyright :Public Domain
Added by magataganm, 26 Mar 2014

Singet dem Herrn ein neues Lied (Sing a new song to the Lord), BWV 190, is a church cantata by Johann Sebastian Bach. He wrote it in Leipzig for the New Year's Day and first performed it on 1 January 1724. He adapted it in 1730 to Singet dem Herrn ein neues Lied, BWV 190a, for the celebration of the bicentennial of the Augsburg Confession.

Bach wrote the cantata in his first year in Leipzig for the New Year's Day, which is also the Feast of the Circumcision of Christ. The prescribed readings for the feast day were from the Epistle to the Galatians, by faith we inherit (Galatians 3:23--29), and from the Gospel of Luke, the circumcision and naming of Jesus eight days after his birth (Luke 2:21). The unknown poet, possibly Picander, refers only in a general way to the readings: he mentions the naming at the end of movement 4, "Jesu Namen" (name of Jesus), and he starts every line in the following aria with "Jesus". Otherwise the text stresses praise and thanks for the gifts of the past and prayer for further blessings. The poet compiled for the opening chorus three verses from Psalms, Psalms 149:1 and Psalms 150:4,6, and in between the first two lines of Martin Luther's "Deutsches Tedeum" (German Te Deum) "Herr Gott, dich loben wir" (Lord God, Thee we praise). The words from the "Te Deum" appear again in the second movement, interspersed by recitative. The closing chorale is the second stanza of Johannes Hermann's "Jesu, nun sei gepreiset" (1591).

Bach first performed the cantata on 1 January 1724. He performed it again in the second half of the 1730s. Probably in Bach's revision process, parts of the original music got lost: for the first two movements only the vocal parts and the violin parts survived. Reconstruction of the missing parts was attempted by Bernhard Todt (1904), Walther Reinhart (1948), Olivier Alain (1971), Diethard Hellmann (1995), Ton Koopman and Levente Gyöngyösi.

In his Christmas Oratorio of 1734, Bach dedicated the complete Part IV for New Year's Day to the naming of Jesus, told in the one verse from the Gospel of Luke, first performed on 1 January 1735.

Although this Cantata was scored for alto, tenor and bass soloists, a four-part choir, three trumpets, timpani, three oboes, oboe d'amore, two violins, viola, and basso continuo including bassoon, I created this arrangement for 2 French Horns & Concert (Pedal) Harp.
Sheet central :Singet dem Herrn ein neues Lied (5 sheet music)
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