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| Composer : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | String trio | ||||
| Style : | Baroque | ||||
| Arranger : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Publisher : | MAGATAGAN, MICHAEL | ||||
| Copyright : | Public Domain | ||||
| Added by magataganm, 26 May 2015 Bach wrote the chorale cantata in his second year in Leipzig for the First Sunday after Epiphany. The prescribed readings for the Sunday were taken from the Epistle to the Romans, speaking of the duties of a Christian (Romans 12:1–6), and from the Gospel of Luke, the finding in the Temple (Luke 2:41–52). A year earlier, on the same occasion, Bach had reflected Mein liebster Jesus ist verloren, BWV 154, from the point of view of a person who had lost Jesus. This cantata text is based on the chorale in six stanzas by Christian Keymann (1658). The text of the hymn begins, as in the former work, with an idea close to the gospel: the Christian does not want to let go of Jesus, as his parents had wished not to lose their 12-year-old boy, but then the chorale pursues the thought of being united with Jesus after death. An unknown poet kept the first and the last stanza, and paraphrased the inner stanzas to a sequence of as many recitatives and arias. Bach first performed the cantata on 7 January 1725, one day after Liebster Immanuel, Herzog der Frommen, BWV 123, for Epiphany. This, the last Aria "Laß, o Welt, mich aus Verachtung" (Leave me, o world, out of scorn), ia a duet of soprano and alto, only accompanied by the continuo, moves like a dance in simple periods of four measures. The cantata is closed by the final stanza in a four-part setting. source: Wikipedia (http://en.wikipedia.org/wiki/Liebster_Immanuel,_Herzog _der_Frommen,_BWV_123) Although originally scored for Soprano & Bass soloists and basso continuo, I created this arrangement for String trio (Violin, Viola & Cello). Sheet central : | Liebster Immanuel, Herzog der Frommen (5 sheet music) | | |||
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