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| Composer : | Schubert, Franz Peter (1797 - 1828) | ||||
| Instrumentation : | Viola and Piano (or organ) | ||||
| Style : | Classical | ||||
| Arranger : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Publisher : | MAGATAGAN, MICHAEL | ||||
| Date : | 1827 | ||||
| Copyright : | Public Domain | ||||
| Added by magataganm, 18 Jul 2015 Franz Peter Schubert was among the first of the Romantics, and the composer who, more than any other, brought the art song (lied) to artistic maturity. During his short but prolific career, he produced masterpieces in nearly every genre, all characterized by rich harmonies, an expansive treatment of classical forms, and a seemingly endless gift for melody. Schubert began his earliest musical training studying with his father and brothers. Having passed an audition, Schubert enrolled at the Convict school that trained young vocalists to eventually sing at the chapel of The Imperial Court. Schubert began to explore composition and wrote a song that came to the attention of the institution's director, Antonio Salieri, who along with the school's professor of harmony, hailed young Schubert as a genius. In 1813, after Schubert's voice broke, he returned to live with his father, who directed him to follow in his footsteps and become a schoolteacher. Schubert begrudgingly complied and worked miserably in that capacity by day, while composing prolifically by night. He had written more than 100 songs as well as numerous symphonic, operatic, and chamber music scores, before he reached the age of 20. Winterreise (Winter Journey) is a song cycle for voice and piano by Franz Schubert (D. 911, published as Op. 89 in 1828), a setting of 24 poems by Wilhelm Müller. It is the second of Schubert's two great song cycles on Müller's poems, the earlier being Die schöne Müllerin (D. 795, Op. 25, 1823). Both were originally written for tenor voice but are frequently transposed to suit other vocal ranges - the precedent being established by Schubert himself. These two works have posed interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle An die ferne Geliebte (To the Distant Beloved) had been published earlier, in 1816, Schubert's two cycles hold the foremost place in the history of the genre. "Gute Nacht" (Good Night) recants that by moonlight, in winter, the poet leaves the house as he came to it, a stranger. The daughter has allowed their love to grow, and the mother has encouraged the pair to think of marriage: but the daughter's love has wandered to some new sweetheart. So he quietly and secretly steals away while they are sleeping, writing 'Good night' on her door, and leaving the path of his footsteps in the snow. Although originally written for Voice (S) and Piano, I created this arrangement for Viola & Piano. Sheet central : | Voyage d'hiver (Winterreise) (61 sheet music) | | |||
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