PARTITIONS GRATUITES :
- Anton-Eberl

By Anton Eberl (1765-1807). Edited by Christopher Hogwood. For Keyboard. Playing score

Soprano Recorder (RECORDER) - Grade 3

SKU: HL.14014705

By Michala Petri. By Anton Heberle. Edited by Michala Petri. Music Sales America. Classical. Book [Softcover]. 12 pages. Edition Wilhelm Hansen #WH29812. Published by Edition Wilhelm Hansen (HL.14014705).

ISBN 9788759852989. 8.0x11.75x0.082 inches. English.

Anton Heberle's Sonate Brillante for Solo Soprano/Descant Recorder, edited by Michala Petri. This piece has been selected for the ABRSM Treble Recorder examinations grade 8.

Recorder and Piano (Recorder)

SKU: HL.14014703

By Michala Petri. By Anton Heberle. Edited by Michala Petri. Music Sales America. Classical. Piano Reduction. 40 pages. Edition Wilhelm Hansen #WH29869. Published by Edition Wilhelm Hansen (HL.14014703).

ISBN 9788759856727. English.

Piano reduction by Michael Freyhan.

Soprano Recorder and String Ensemble (Recorder)

SKU: HL.14014702

Composed by Anton Heberle and Michala Petri. Music Sales America. Classical. Score. Composed 2002. 24 pages. Edition Wilhelm Hansen #WH29784. Published by Edition Wilhelm Hansen (HL.14014702).

ISBN 9788759851333.

Part s available: WH10004.

Soprano Recorder and String Ensemble (Recorder)

SKU: HL.14014701

Composed by Anton Heberle and Michala Petri. Music Sales America. Classical. Set of Parts. Composed 2002. 48 pages. Edition Wilhelm Hansen #WH29784A. Published by Edition Wilhelm Hansen (HL.14014701).

ISBN 9788759851319.

Work for Recorder, 2 Horns (ad lib) and Strings. Score available: WH29784.

By Anton Eberl. Edited by Christopher Hogwood. For Keyboard. Playing score. 32 pages. Published by Edition HH Music Publishers (U.K. Import).

Violin & piano

SKU: HH.HH424-FSP

Composed by Anton Eberl. Edited by Martin Harlow. Violin & Piano. Full score and part. Edition HH Music Publishers #HH424-FSP. Published by Edition HH Music Publishers (HH.HH424-FSP).

ISBN 9790708146254.

Amon g Vienna’s many composers and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op.35, his last of seven sonatas with violin, was composed around 1805 and dedicated to Maria Walburga, the Princess Bretzenheim. This was one Eberl’s last works, as he died prematurely, at the age of forty-one, in 1807. Unlike many of Eberl’s lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op.35 shares much of the musical ambition and quality of Beethoven’s works in this genre.