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Rondo a Capriccio for String Quartet
MP3 (5.78 Mo) : (by MAGATAGAN, MICHAEL)6x⬇ 4x
Vidéo :
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| Composer : | Beethoven, Ludwig van (1770 - 1827) | ||||
| Instrumentation : | String Quartet | ||||
| Style : | Classical | ||||
| Key : | G major | ||||
| Arranger : Publisher : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Copyright : | Public Domain | ||||
| Added by magataganm, 02 Jan 2024 Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively taught by his father, Johann van Beethoven. Beethoven was later taught by the composer and conductor Christian Gottlob Neefe, under whose tutelage he published his first work, a set of keyboard variations, in 1783. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon patronised by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795. The "Rondo Alla ingharese quasi un capriccio" in G Major (Op. 129), is a rondo for piano written by Ludwig van Beethoven. It is better known by the title "Rage Over a Lost Penny", Vented in a Caprice (from German: Die Wut über den verlorenen Groschen, ausgetobt in einer Caprice). This title appears on the autograph manuscript, but not in Beethoven's hand, and has been attributed to his friend Anton Schindler. It is a favourite with audiences and is frequently performed as a showpiece. Despite the late opus number, the work's composition has been dated to between 1795 and 1798. Beethoven left the piece unpublished and incomplete; it was published in 1828 by Anton Diabelli, who obscured the fact that it had been left unfinished. The performance time runs between five and six minutes; the tempo of the piece is Allegro vivace (quarter note= 132–160). The indication alla ingharese is of interest, as no such word as "ingharese" exists in standard Italian. To people of Beethoven's day, "Gypsy music" and "Hungarian music" were synonymous terms. Beethoven seems to have conflated alla zingarese (in the Gypsy style) and all'ungherese (in the Hungarian style) to come up with the grotesque hybrid term alla ingharese. Robert Schumann wrote of the work that "it would be difficult to find anything merrier than this whim... It is the most amiable, harmless anger, similar to that felt when one cannot pull a shoe from off the foot," citing the work as an instance of Beethoven's earthliness against those who exult in a transcendental image of the composer. Source: Wikipedia (https://en.wikipedia.org/wiki/Rage_Over_a_Lost_Penny). Although originally written for Solo Piano, I created this Interpretation of "Rondo Alla ingharese quasi un capriccio" in G Major (Op. 129) for String Quartet (2 Violins, Viola & Cello). Sheet central : | Rondo à Capriccio pour piano en Sol majeur (Rage over a lost penny) (5 sheet music) | | |||
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