Free-scores.com : Cherubini, Luigi - "Pie Jesu" from the Requiem in C Minor for Winds & Strings (Winds & String Orchestra)

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CRITERIA : Requiem en Do mineur (17) (Cherubini, Luigi)

ORCHESTRA - BAND › Cherubini, Luigi

"Pie Jesu" from the Requiem in C Minor for Winds & Strings

"Pie Jesu" from the Requiem in C Minor for Winds & Strings
Mvt. 6
Luigi Cherubini
Winds & String Orchestra

ViewPDF : "Pie Jesu" from the Requiem in C Minor (Mvt. 6) for Winds & Strings (11 pages - 372.89 Ko)70x⬇

ViewPDF : Bassoon (57.6 Ko)

ViewPDF : Cello (58.62 Ko)

ViewPDF : English Horn (57.92 Ko)

ViewPDF : Oboe (58.34 Ko)

ViewPDF : Viola (58.7 Ko)

ViewPDF : Violin 1 (59.55 Ko)

ViewPDF : Violin 2 (59.8 Ko)

ViewPDF : Flute (59.64 Ko)

ViewPDF : Full Score (307.07 Ko)

MP3 : "Pie Jesu" from the Requiem in C Minor (Mvt. 6) for Winds & Strings 9x⬇ 98x

Vidéo :

Composer	Cherubini, Luigi (1760 - 1842)
Instrumentation	Winds & String Orchestra
Sheet central	Requiem en Do mineur (17 sheet music) 9 other versions
Style	Classical
Key :	C minor
Arranger Publisher	MAGATAGAN, MICHAEL (1960 - )
Copyright	Public Domain
	Added by magataganm, 10 Nov 2020
Luigi Cherubini's Requiem in C minor (1816) was one of the most highly regarded sacred works of its time, often compared in its solemnity to Mozart's Requiem in D minor, and admired by Beethoven, Schumann, and Brahms. Composed for the belated obsequies in 1817 for Louis XVI and Marie Antoinette, and performed 10 years later at Beethoven's funeral, this Requiem is conservative in style; modest in its scoring for choir, orchestra, and continuo; and almost subdued in its lack of vocal solos and the...(+) Luigi Cherubini's Requiem in C minor (1816) was one of the most highly regarded sacred works of its time, often compared in its solemnity to Mozart's Requiem in D minor, and admired by Beethoven, Schumann, and Brahms. Composed for the belated obsequies in 1817 for Louis XVI and Marie Antoinette, and performed 10 years later at Beethoven's funeral, this Requiem is conservative in style; modest in its scoring for choir, orchestra, and continuo; and almost subdued in its lack of vocal solos and theatrical devices (except for the brass fanfares and tam-tam crash at the opening of the Dies Irae). This performance by the Kammerchor Stuttgart and the Hofkapelle Stuttgart, conducted by Frieder Bernius, is true to period style, and the distinctive sound of the original instruments give this music its late Classical flavor. The strongest attraction, though, is Cherubini's fluid counterpoint, which stands out in high relief in the austere scoring and lends the work a high-minded intellectual quality that suits its formal nature. The sound of this hybrid SACD is clean and transparently clear, so all the subtle nuances of the voices and instruments are easily discerned. Source: AllMusic (https://www.allmusic.com/album/luigi-cherubini-requiem -in-c-minor-mw0002087125). Although originally written for Chorus (SATB) & Orchestra, I created this arrangement of the "Pie Jesu" from the Requiem in C Minor (Mvt. 6) for Winds (Flute, Oboe, English Horn & Bassoon) & Strings (2 Violins, Viola & Cello).

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