VIOLIN - FIDDLEDornel, Louis-Antoine
Suite No.1 in A Minor from "Pièces de Clavecin" for String Trio
Dornel, Louis-Antoine - Suite No.1 in A Minor from "Pièces de Clavecin" for String Trio
String trio
ViewPDF : Suite No.1 in A Minor from "Pièces de Clavecin" for String Trio (16 pages - 368.29 Ko)117x
ViewPDF : Cello (104.29 Ko)
ViewPDF : Viola (93.32 Ko)
ViewPDF : Violin (119.83 Ko)
ViewPDF : Full Score (212.46 Ko)
MP3 : Suite No.1 in A Minor from "Pièces de Clavecin" for String Trio 17x 215x
MP3
Vidéo :
Composer :
Louis-Antoine Dornel
Dornel, Louis-Antoine (1685 - 1765)
Instrumentation :

String trio

Style :

Baroque

Key :A minor
Arranger :
Publisher :
MAGATAGAN, MICHAEL (1960 - )
Copyright :Public Domain
Added by magataganm, 02 Sep 2020

Louis-Antoine Dornel (ca. 1685 – 1765) was a French composer, harpsichordist, organist and violinist. He was probably taught by the organist Nicolas Lebègue. He was appointed organist at the church of Sainte-Marie-Madeleine-en-la-Cité in 1706, where he took over from François d'Agincourt. He was runner-up in the competition for the post to Jean-Philippe Rameau, who eventually refused the terms set by the church authorities. He occupied several organist posts in Paris over a period from 1714 to 1748. In 1719 he was appointed to the abbey of Sainte-Geneviève, following the death of André Raison.

From 1725 to 1742, Dornel was appointed successor to du Boussetto as the music master of the Académie Française. He was required to compose a large-scale motet for choir and orchestra to be performed by the Académie each year on the feast of Saint Louis (August 25), but none survive. Dornel's works for harpsichord and for organ were well regarded at the time, the Mercure de France stating that they were "fort estimées et de très facile exécution" (well regarded and easy to play).

We know little more about the rest of his career, other than that his last surviving organ manuscript c. 1756, surviveds in manuscript (Bibliothèque Ste-Geneviève, Paris), and were published by Norbert Dufourcq in 1965 (ed. Schola Cantorum, Paris).

As Dornel was not a salaried court musician, he had to respond to the tastes of the concert societies set up by the French aristocracy, and in particular to the popularity of the sonata form promoted by the Italian-educated Marc-Antoine Charpentier, as well as traditional suites of French dances.

Source: Wikipedia (https://en.wikipedia.org/wiki/Louis-Antoine_Dornel)

Although originally written for 2 or 3 instruments (dessus) and continuo, I created this arrangement of the Suite No.1 in A Minor from "Pièces de Clavecin" for String Trio (Violin, Viola & Cello).
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