ORCHESTRA - BANDSchubert, Franz Peter
March No. 3 in Eb Major for Winds & Strings
Schubert, Franz Peter - March No. 3 in Eb Major for Winds & Strings
D.733 Op. 51 No. 3
Winds & String Orchestra
ViewPDF : March No. 3 in E? Major (D.733 Op. 51 No. 3) for Winds & Strings (30 pages - 744.17 Ko)23x
ViewPDF : Cello (103.89 Ko)
ViewPDF : Viola (106.55 Ko)
ViewPDF : Bassoon (100.56 Ko)
ViewPDF : Flute (125.42 Ko)
ViewPDF : French Horn (105.08 Ko)
ViewPDF : Oboe (116.02 Ko)
ViewPDF : Violin 1 (104.55 Ko)
ViewPDF : Violin 2 (105.94 Ko)
ViewPDF : Full Score (390.39 Ko)
MP3 : March No. 3 in E? Major (D.733 Op. 51 No. 3) for Winds & Strings 4x 28x
March No. 3 in Eb Major for Winds & Strings
MP3 (5.96 Mo) : (by MAGATAGAN, MICHAEL)4x 2x
MP3
Vidéo :
Composer :
Franz Peter Schubert
Schubert, Franz Peter (1797 - 1828)
Instrumentation :

Winds & String Orchestra

  2 other versions
Style :

Classical

Key :E♭ major
Arranger :
Publisher :
MAGATAGAN, MICHAEL (1960 - )
Copyright :Public Domain
Added by magataganm, 03 Oct 2023

Franz Peter Schubert (1797 – 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art song "Erlkönig", the Piano Trout Quintet in A major, the unfinished Symphony No. 8 in B minor, the "Great" Symphony No. 9 in C major, a String Quintet, the three last piano sonatas, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin and Winterreise. He was remarkably prolific, writing over 1,500 works in his short career. His compositional style progressed rapidly throughout his short life. The largest number of his compositions are songs for solo voice and piano (roughly 630). Schubert also composed a considerable number of secular works for two or more voices, namely part songs, choruses and cantatas. He completed eight orchestral overtures and seven complete symphonies, in addition to fragments of six others. While he composed no concertos, he did write three concertante works for violin and orchestra. Schubert wrote a large body of music for solo piano, including eleven incontrovertibly completed sonatas and at least eleven more in varying states of completion, numerous miscellaneous works and many short dances, in addition to producing a large set of works for piano four hands. He also wrote over fifty chamber works, including some fragmentary works. Schubert's sacred output includes seven masses, one oratorio and one requiem, among other mass movements and numerous smaller compositions. He completed only eleven of his twenty stage works.

The Three Marches Militaires, Op. 51, D. 733, are pieces in march form written for piano four-hands by Franz Schubert. The first of the three is far more famous than the others. It is one of Schubert's most famous compositions, and it is often simply referred to as "Schubert's Marche militaire". It is not certain when the Marches militaires were written: many scholars favour 1818 but some prefer alternative dates such as 1822 or 1824. It is known that they were written during Schubert's stay at Count Johann Karl Esterházy's summer home in Zseliz in Hungary. (This is now Želiezovce in Slovakia.) He had accepted a job there as music teacher to the Count's daughters, and these and similar works were written for instructional purposes. The Marches militaires were published in Vienna on 7 August 1826, as Op. 51, by Anton Diabelli. They are all in ternary form, with a central trio leading to a reprise of the main march.

The first Military March is marked Allegro vivace and is cast in the key of D major. An unharmonized fanfare begins the affair, paving the way for a lively, pompous main theme. The trio, like the trios of the other two marches in the Opus, moves to the subdominant (here, G major). By far the best-known of the three marches, this piece contains one of Schubert's most widely performed and quoted themes. Liszt, who transcribed much of Schubert's music, wrote a masterful paraphrase of it (Grand paraphrase de concert, S.426a). There have also been numerous band and other arrangements of this march; perhaps less flattering to its original conception is its appearance in Igor Stravinsky's Circus Polka -- a George Ballanchine "ballet for elephants." Allegro molto moderato is the indication at the head of Op. 51, No. 2. In G major, it opens with a robust, full-blooded harmonic bombast, but makes room for some gentleness foreign to the previous march as it unfolds. The most characteristically march-like of the three is probably the Military March No. 3 in E flat major. There are some colorful harmonic twists at the end of the march-proper, and a humorous bounce to the step of the trio.

Source: Wikipedia (https://en.wikipedia.org/wiki/Three_Marches_Militaires _(Schubert))

Although originally composed for Piano (4 Hands), I created this Interpretation of March No. 3 in E? Major from Three Marches Militaires (D.733 Op. 51 No. 3) for Winds (Flute, Oboe, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello).
Sheet central :Trois Marches Militaires en Ré majeur, Sol majeur, Mib majeur (26 sheet music)
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