VIOLIN - FIDDLEVerdi, Giuseppe
Di Madride noi siam mattadori from "La Traviata" for String Quartet
Verdi, Giuseppe - Di Madride noi siam mattadori from "La Traviata" for String Quartet
Mvt. 12
String Quartet
ViewPDF : Di Madride noi siam mattadori (Mvt. 12) from "La Traviata" for String Quartet (16 pages - 367 Ko)26x
ViewPDF : Cello (85.77 Ko)
ViewPDF : Viola (81.72 Ko)
ViewPDF : Violin 1 (108.64 Ko)
ViewPDF : Violin 2 (88.54 Ko)
ViewPDF : Full Score (206.44 Ko)
MP3 : Di Madride noi siam mattadori (Mvt. 12) from "La Traviata" for String Quartet 4x 29x
Di Madride noi siam mattadori from La Traviata for String Quartet
MP3 (3 Mo) : (by MAGATAGAN, MICHAEL)5x 6x
MP3
Vidéo :
Composer :
Giuseppe Verdi
Verdi, Giuseppe (1813 - 1901)
Instrumentation :

String Quartet

  7 other versions
Style :

Romantic

Arranger :
Publisher :
MAGATAGAN, MICHAEL (1960 - )
Copyright :Public Domain
Added by magataganm, 19 Dec 2023

Giuseppe Fortunino Francesco Verdi (1813 – 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him.

In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893). His operas remain extremely popular, especially the three peaks of his 'middle period': Rigoletto, Il trovatore and La traviata. The bicentenary of his birth in 2013 was widely celebrated in broadcasts and performances.

La traviata (The Fallen Woman) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play by Alexandre Dumas fils adapted from his own 1848 novel. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and "realistic" productions were staged. La traviata has become immensely popular and is among the most frequently performed of all operas.

Source: Wikipedia (https://en.wikipedia.org/wiki/La_traviata).

Although originally created for Orchestra, I created this Arrangement of Di Madride noi siam mattadori ("The Matadors from Madrid" Mvt. 12) from "La Traviata" for String Quartet (2 Violins, Viola & Cello).
Sheet central :La Traviata (110 sheet music)
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