 |
Mazurka in G# Minor for Oboe & Strings
MP3 (2.32 Mo) : (by MAGATAGAN, MICHAEL)1x⬇ 1x
Vidéo :
![]()
![]()
![]()
| Composer : | Chopin, Frédéric (1810 - 1849) | ||||
| Instrumentation : | Oboe solo, String quartet4 other versions | ||||
| Style : | Romantic | ||||
| Key : | G♯ minor | ||||
| Arranger : Publisher : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Copyright : | Public Domain | ||||
| Added by magataganm, 06 Mar 2024 Fryderyk Franciszek Chopin,was a Polish composer and virtuoso pianist of the Romantic era, who wrote primarily for the solo piano. He gained and has maintained renown worldwide as one of the leading musicians of his era, whose "poetic genius was based on a professional technique that was without equal in his generation." Chopin was born in what was then the Duchy of Warsaw, and grew up in Warsaw, which after 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed many of his works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. Mazurkas (Opus 33) are a set of four Mazurkas for piano by Frédéric Chopin, composed and published in 1838. The autograph manuscript of the mazurkas is preserved in the National Library of Poland. The nineteenth century saw the emergence of several new forms and genres, in some part as a departure from the great sonata form enlarged and expanded by Beethoven. As a result, many composers, especially for the piano, were turning towards more intimate character pieces. These miniatures allowed for the brief exploration of an idea, whether technical or emotional. Among the new genres appearing at the time was Chopin's Mazurka, a fusion of three Polish dance forms with the classical traditions of the composer's homeland. The three dance forms, the Mazur, the Kujawiak, and the Oberek, are sometimes found in their pure form, but often are merged with each other or with other genres or styles. The Mazurka enabled Chopin to explore many different dynamic, harmonic, and melodic colors, and to create many different personalities and characteristics. The result is a genre that can't be described universally, each piece being unique. The Mazurkas of Opus 33 each present distinct traits and characteristics. The first, marked Lento, has a lyrical, expressive melody line over a waltz pattern in the bass. The mood shifts effortlessly between mournful and hopeful, with a cherished and delicate intimacy. The second Mazurka is a true Oberek, impetuous, fast, and with strong, irregular accents. The mood is joyous, with playful, comic tremolo figures. The coda is free and full of flurries. The third piece of the collection, marked Semplice, is truly a simple and innocent approach to the genre. The sweet, tender melodic line is supported by subtly accented second beats, keeping the flavor of the dance. The final Mazurka adds rhythmic interest to the set, with the grace notes and trills bringing a rustic, native feel. The piece is written in rondo form, with several different characters appearing in the episodes between the recurring original theme. Mazurka in G? minor, Op. 33, No. 1, the opening mazurka of the set, has a marking of Mesto. This mazurka has an emotional melody, accompanied in the left hand with a waltz pattern. This mazurka has a total of 48 bars, the dynamic marking forte only appeared twice. It should be played with a deep and rounded sound, instead of a sharp and loud one. The mood changes many times throughout the piece. This intimate piece is occasionally considered less complicated than many of Chopin's other mazurkas. Source: Wikipedia (https://en.wikipedia.org/wiki/Mazurkas,_Op._33_(Chopin )). Although composed for solo piano, I created this Interpretation of the Mazurka in G# Minor (Op. 33 No. 1) for Oboe & Strings (2 Violins, Viola & Cello). Sheet central : | Quatre Mazurkas (Nos. 22-25) (16 sheet music) | | |||
 |
 |
 |
 |
© 2000 - 2024
Home - New realises - Composers
Legal notice - Full version