ENGLISH HORNBach, Johann Sebastian
Prelude: "Es ist das Heyl uns kommen her" for English Horn & Strings
Bach, Johann Sebastian - Prelude: "Es ist das Heyl uns kommen her" for English Horn & Strings
BWV 638
English Horn & Strings
ViewPDF : Prelude: "Es ist das Heyl uns kommen her" (BWV 638) for English Horn & Strings (5 pages - 216.31 Ko)110x
ViewPDF : Cello (53.4 Ko)
ViewPDF : English Horn (53.31 Ko)
ViewPDF : Viola (56.39 Ko)
ViewPDF : Violin (55.82 Ko)
ViewPDF : Full Score (191.63 Ko)
MP3 : Prelude: "Es ist das Heyl uns kommen her" (BWV 638) for English Horn & Strings 18x 100x
MP3
Vidéo :
Composer :
Johann Sebastian Bach
Bach, Johann Sebastian (1685 - 1750)
Instrumentation :

English Horn & Strings

  1 other version
Style :

Baroque

Arranger :
Publisher :
MAGATAGAN, MICHAEL (1960 - )
Copyright :Public Domain
Added by magataganm, 29 Oct 2020

The Orgelbüchlein ("Little Organ Book") BWV 599-644 is a collection of 46 chorale preludes for organ written by Johann Sebastian Bach. All but three of them were composed during the period 1708–1717, while Bach was court organist at the ducal court in Weimar. The remaining three, along with a short two-bar fragment, were added in 1726 or later, after Bach's appointment as cantor at the Thomasschule in Leipzig.

The collection was originally planned as a set of 164 chorale preludes spanning the whole liturgical year. The chorale preludes form the first of Bach's masterpieces for organ with a mature compositional style in marked contrast to his previous compositions for the instrument. Although each of them takes a known Lutheran chorale and adds a motivic accompaniment, Bach explored a wide diversity of forms in the Orgelbüchlein. Many of the chorale preludes are short and in four parts, requiring only a single keyboard and pedal, with an unadorned cantus firmus. Others involve two keyboards and pedal: these include several canons, four ornamental four-part preludes, with elaborately decorated chorale lines, and a single chorale prelude in trio sonata form. The Orgelbüchlein has a four-fold purpose: it is a collection of organ music for church services, a treatise on composition, a religious statement, and an organ-playing manual.

In these chorale preludes, the traditional Lutheran hymns are subjected to various types of polyphonic treatment, with different types of countersubjects and imitative devices. The two pieces chosen by Mr. Escaich show two different compositional approaches: in the New Year chorale In dir ist Friede ("In You is Peace"), the melody is heard in close four-part imitation, elaborating on the very first two measures of the tune in particular. The Easter hymn Christ ist erstanden ("Christ Has Risen"), by contrast, is given in three variations; what is remarkable is that not only the countersubjects change from one variation to the next but the melody itself undergoes slight modifications. However, the chorale melody doesn't wander from voice to voice but stays in the treble all the way through.

In the chorale prelude BWV 638 for single manual and pedal, the cantus firmus is in the soprano voice in simple crotchets. The accompaniment in the inner voices is built on a four note motif—derived from the hymn tyne—a descending semiquaver scale, starting with a rest or "breath" (suspirans): together they provide a constant stream of semiquavers, sometimes in parallel sixths, running throughout the piece until the final cadence. Below them the pedal is a walking bass in quavers, built on the inverted motif and octave leaps, pausing only to mark the cadences at the end of each line of the hymn. The combination of the four parts conveys a joyous mood, similar to that of BWV 606 and 609. For Hermann Keller, the running quavers and semiquavers "suffuse the setting with health and strength." Stinson (1999) and Williams (2003) speculate that this chorale prelude and the preceding BWV 637, written on opposite sides of the same manuscript paper, might have been intended as a pair of contrasting catechism settings, one about sin, the other about salvation. Both have similar rhythmic structures in the parts, but one is in a minor key with complex chromatic harmonies, the other in a major key with firmly diatonic harmonies.

Source: Wikipedia (https://en.wikipedia.org/wiki/Orgelb%C3%BCchlein).

Although originally created for Organ, I created this Interpretation of Choral Prelude (BWV 638) "Es ist das Heil uns kommen her [Salvation has come to us) for English Horn & String Trio (Violin, Viola & Cello).
Sheet central :Das Orgel-Büchlein (170 sheet music)
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