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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
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Flûte traversière et Piano
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Vous avez sélectionné:
Night Sight
FLUTE TRAVERSIERE
Partitions à imprimer
8 partitions trouvées
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All Night Long (all Night)
Flûte traversière
Flute Solo - Level 2 - Digital Download SKU: A0.1278342 By Lionel Richie. By Lionel…
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Flute Solo - Level 2 - Digital Download SKU: A0.1278342 By Lionel Richie. By Lionel Richie. Arranged by Zedas Couve. 20th Century,Disco,Funk,Jazz,Pop. Individual part. 3 pages. Zedas Couve #870060. Published by Zedas Couve (A0.1278342). 🎵 Elevate Your Flute Playing with the Sheet Music for Lionel Richie's All Night Long (All Night)! 🎵🎶 Have you ever dreamed of playing one of the most iconic songs of all time on your flute? Well, your dream is about to become a reality! Introducing the flute sheet music for All Night Long (All Night) by Lionel Richie, giving you the opportunity to immerse yourself in its infectious rhythm and unforgettable melody.🎼 Embrace the Magic of Music: Imagine the joy of bringing the captivating melody of All Night Long (All Night) to life on your flute. This song is a celebration of music, dance, and pure happiness, and now you can be a part of it. With the flute sheet music in your hands, you'll be able to express the vibrant energy and excitement that this song is known for.🎵 Perfect for All Levels: Whether you're a beginner or an experienced flutist, the sheet music for All Night Long (All Night) is designed to suit your skill level. The arrangement is thoughtfully crafted to capture the essence of the original song while providing a satisfying experience for players of all backgrounds. From the catchy melody to the rhythmic accompaniment, you'll find joy in every note you play.🎶 Customize Your Performance: The flute sheet music offers you the chance to add your own personal touch to this classic hit. Experiment with dynamics, phrasing, and articulation to truly make the music your own. Whether you're performing solo, collaborating with other musicians, or even playing along with the original track, you'll find endless opportunities to showcase your unique style and creativity.🎉 How to Obtain the Flute Sheet Music: Getting your hands on the flute sheet music for All Night Long (All Night) is incredibly easy! Simply visit our website and instantly download the digital file. You can print it out or access it directly on your device, allowing you to start practicing and playing in no time. Plus, we provide helpful insights and tips to guide you through mastering the song and infusing it with your artistic flair.Unleash the magic of All Night Long (All Night) on your flute and be part of the musical legacy of Lionel Richie. Download your flute sheet music now and embark on an unforgettable musical journey! 🎶🎼🎵Don't miss out on this opportunity to play a beloved classic on your flute. Download your flute sheet music for All Night Long (All Night) today and let the music soar through your instrument! 🎶🎶🎶.
$4.99
4.52 €
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Flûte traversière
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Lionel Richie
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Zedas Couve
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All Night Long
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Zedas Couve
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SheetMusicPlus
A Night in June
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.10…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1031729 Composed by K.L. King. Arranged by James Cutter. Folk,Holiday,Instructional,Patriotic,Standards,Traditional. Score and parts. 11 pages. James Cutter #3536147. Published by James Cutter (A0.1031729). Karl King's best-known composition is his Barnum and Bailey's Favorite. In that march, he is able to conjure up a magnificent scene of the old circus tents -- all the aromas, all the sounds, all the sights, and, of course, the circus band. King in 'A Night in June' he transports you to a simpler time. With images of sitting on the porch at evening listening to the crickets sipping on ice tea and just enjoying life. This arrangement is for Woodwind Quintet; where the French Horn has the melody for the majority of the time. Usually in woodwind quintet settings French Horn plays a support role with the Flute or oboe playing the melody. In this arrangement the horn gets to shine. This is a great teaching piece for an advancing Woodwind Quintet. It does have some tricky key signatures for all of the parts but would make a great supplement to a summer music camp or music program looking to challenge a young ensemble.
$3.99
3.62 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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K
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James Cutter
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A Night in June
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James Cutter
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SheetMusicPlus
Midnight Blues Serenade For Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1246834 By Andrew D. Gordon. By An…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1246834 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Contemporary,Instructional,Jazz,Pop. Score and part. 3 pages. A.D.G. Productions #841482. Published by A.D.G. Productions (A0.1246834). Midnight Blues Serenade For Flute and Piano is one of a collection of Blues Flute and Piano Pieces for the Intermediate Flautist. This is a medium tempo 12 bar blues with a swing rhythm in the key of F. The audio is recorded 1st. with flute and piano followed by just the piano to practice with. There is a 4 beat click as an intro.About the ComposerAndrew D. Gordon is a well-known author of over 130 music instructional books, particularly in the field of contemporary music and improvisation. His books are highly regarded and are considered to be of excellent quality by musicians and music educators.One notable aspect of Andrew D. Gordon's instructional books is their practicality. He has a knack for presenting complex musical concepts in a clear and accessible manner, making it easier for musicians of different skill levels to understand and apply them. Whether you are a beginner or an advanced player, his books provide valuable insights and techniques that can enhance your musical proficiency.Gordon's instructional books often focus on specific genres such as jazz, blues, funk, and rock, offering targeted guidance to musicians interested in these styles. He explores various aspects of improvisation, including scales, chord progressions, phrasing, and rhythmic patterns, allowing readers to develop their improvisational skills and musical vocabulary.One of the strengths of Andrew D. Gordon's books is the inclusion of practical examples and exercises. He provides musical examples that are relevant to the concepts being discussed, enabling readers to hear and internalize the ideas being presented. Additionally, his books feature exercises that encourage active participation and practice, ensuring that readers can apply what they have learned and reinforce their understanding.Gordon's writing style is concise and engaging, making it easy to follow along and stay engaged throughout the book. He presents the material in a logical and organized manner, building upon foundational concepts and gradually introducing more advanced techniques. This approach helps readers progress in a structured way, ensuring a comprehensive understanding of the topics covered.Moreover, Andrew D. Gordon's instructional books are often accompanied by audio recordings or backing tracks, providing an immersive learning experience. These resources allow readers to hear how the concepts and techniques should sound in a musical context and provide opportunities for practice and improvisation.Overall, Andrew D. Gordon's music instructional books are highly regarded for their practicality, clarity, and comprehensive coverage of contemporary music and improvisation. Whether you are an aspiring musician, a seasoned player, or an educator, his books can serve as valuable resources for enhancing your musical skills and understanding.Andrew D. Gordon's music instructional books are widely available for purchase through various online platforms and music retailers. Here are some common places where you can find his books:Author's Website: http://www.adgproductions.com.  Andrew D. Gordon has a dedicated website where you can directly purchase his books. Online Retailers: Websites like Amazon, Barnes & Noble, and Sheet Music Plus carry Andrew D. Gordon's instructional books. Simply search for his name or the specific book title to find the available options.Music Stores: Check with local music stores or instrument shops in your area. They may stock Andrew D. Gordon's instructional books or be able to order them for you.E-Book Platforms: Look for digital versions of Andrew D. Gordon's books on platforms like Kindle, Apple Books, or Google Play Books. These platforms often offer e-books that can be purchased and downloaded directly to your device.
$2.99
2.71 €
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Flûte traversière et Piano
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Andrew D
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Andrew D
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Midnight Blues Serenade For Flute and Piano
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A.D.G. Productions
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SheetMusicPlus
Don't Let The Sun Go Down On Me
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.547807 By Elton John. By Bernie Ta…
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Flute,Piano - Level 3 - Digital Download SKU: A0.547807 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053411. Published by jmsgu3 (A0.547807). Elton John: Don't Let The Sun Go Down On Me arranged for Flute & Piano. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95
48.92 €
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Flûte traversière et Piano
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Elton John
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James M
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Piano. Duration: 5'27
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Don't Let The Sun Go Down On Me
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jmsgu3
#
SheetMusicPlus
Don't Let The Sun Go Down On Me
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.547798 By Elton John. By Bernie Ta…
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Flute,Piano - Level 3 - Digital Download SKU: A0.547798 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053389. Published by jmsgu3 (A0.547798). Elton John: Don't Let The Sun Go Down On Me arranged for Alto Flute & Piano. The performance part is included. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95
48.92 €
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Flûte traversière et Piano
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Elton John
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James M
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Piano
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Don't Let The Sun Go Down On Me
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jmsgu3
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SheetMusicPlus
Flute Trio - Fairy Tales
Trio de Flûtes: 3 flûtes
Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 C…
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Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Services #6035581. Published by Lyons Music Services (A0.767564). This is a highly programmatic piece for flute trio, loosely based around one of the Grimm Brothers’ Fairy Tales Hansel and Gretel. The first movement depicts the children wandering off into the dark forest, initially surrounded by twittering birds and sunlight, but as the movement progresses, the music becomes darker. As the light fades, the children strew breadcrumbs to guide their way out of the forest when they decide to return to the village. At letter C, the mysterious chords suggest something disturbing, perhaps trees with scare faces or giant spiderwebs. At D, the change to 3/4 time suggests the children are anxious and scurrying through the trees, feeling scared, with the use of flutter tonguing suggesting their shivers of fear. Finally, out of breath, they reach the dark clearing with the Gingerbread house. The second movement describes the witch’s Gingerbread house. The top line shows the house’s roof, the middle line shows the windows and the third line marks out the porch and the front door. The children wonder at the strange building and chatter to each other as they explore it, perhaps nibbling here and there. The motif that describes the shape of the house appears from time to time throughout this section as they explore it from different angles. At letter D, after the G.P., the children begin to sense that they are not alone in the house. The low trill on the third flute is meant to be a breathy whisper (it doesn’t matter if the notes fail in performance for this reason) as the witch mutters under her breath. She attempts to pounce on the children and force them into her oven, but they are too fast for her. They trick her into the oven and slam the door shut (Bar before F.) They run from the clearing, not caring if they are going in the right direction. They glance back - once catching sight of the Gingerbread house which has begun to collapse in on itself - before they finally stop for breath as night begins to fall and they find a safe place to sleep (Lento before G.) The third movement sees our young heroes looking for the trail of breadcrumbs to take them back to the village. They are plodding through the deep forest, accompanied once more by the birds. Occasionally they find a crumb or two, but the birds have eaten most of them. They eventually manage to backtrack to the village (the music reflects this as it’s a retrograde of some of the music from movement 1) and they finally reach the village where they are greeted with a party for having killed the witch and returned safely home. This music is in a ‘pastoral style (6/8) and fades away as …they all lived happily ever after.
$25.00
22.67 €
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Trio de Flûtes: 3 flûtes
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Mike Lyons
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Flute Trio - Fairy Tales
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Lyons Music Services
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SheetMusicPlus
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU:…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
29.88 €
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Quatuor de Flûtes : 4 flûtes
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Solage
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James M
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Solage: Le basile for Flute Quartet
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jmsgu3
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SheetMusicPlus
Solage: Le basile for Mixed Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
29.88 €
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Flûte, Hautbois, Clarinette, Basson
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Solage
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James M
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Solage: Le basile for Mixed Woodwind Quartet
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jmsgu3
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SheetMusicPlus
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